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flux.vision, tobias.raayoni-last.com and randogoth.com. They were one site until October 2026, serving four audiences from a single dated list, which is the only format that can hold unrelated things at once. flux.vision is recovered from the Wayback Machine, where it had sat since being deleted in 2021: 90 articles, closed and maintained rather than updated. tobias.raayoni-last.com is the professional record, 97 articles back to 1999. randogoth.com is the technical work, 41 articles across six areas, served as an ANSI bulletin board. History starts here deliberately. The development history, the 266-row inventory that records why each article went where it did, the Wayback pipelines, the pruned articles, the source archives and the full-size images are kept beside the repo rather than in it, so a clone is the web presence and not the argument that produced it. REFACTOR.md is gitignored for the same reason. See README.md for where that material lives, and keep it: the sort is not reproducible from these three directories alone. Each site documents itself in its own README, including the traps that cost time and look like nothing when you get them wrong.
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Title: Jewish Culture Festival Kraków Date: 2017-07-01 Category: performance Slug: jewish-cultural-festival-2017 Thumb: /library/ori_02.jpg Background: /library/ori_02.jpg For: Jewish Culture Festival Kraków http://www.jewishfestival.pl/en/ With: Ori Alboher, Tlalit Raayoni Last https://orialboher.bandcamp.com PhotosBy: Michal Ramus http://www.michalramus.com Capture: 20180902115621 Summary: Jerusalem dérive video performance with Israeli musician Ori Alboher, with support from Tlalit Location: 50.05423172504668, 19.952685453779072
I was invited by the Jewish Cultural Festival Kraków to develop and perform an audiovisual show together with Israeli musician Ori Alboher. The topic of the festival was Jerusalem. I decided to do one of my dérive video performances. Tlalit and I travelled to the city of Jerusalem and we both filmed impressions of the street-life, architecture and hidden places. Tlalit grew up there, so she knew many great areas I could have not found by myself.
At the festival in Kraków I used only that material for the songs played by Ori during our concert. It was a multi-screen presentation with half transparent screens.
All filmed video material was donated to the festival for free use under a Creative Commons license and was re-used by Elektro Moon Vision for several projections around the festival.
