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flux.vision, tobias.raayoni-last.com and randogoth.com. They were one site until October 2026, serving four audiences from a single dated list, which is the only format that can hold unrelated things at once. flux.vision is recovered from the Wayback Machine, where it had sat since being deleted in 2021: 90 articles, closed and maintained rather than updated. tobias.raayoni-last.com is the professional record, 97 articles back to 1999. randogoth.com is the technical work, 41 articles across six areas, served as an ANSI bulletin board. History starts here deliberately. The development history, the 266-row inventory that records why each article went where it did, the Wayback pipelines, the pruned articles, the source archives and the full-size images are kept beside the repo rather than in it, so a clone is the web presence and not the argument that produced it. REFACTOR.md is gitignored for the same reason. See README.md for where that material lives, and keep it: the sort is not reproducible from these three directories alone. Each site documents itself in its own README, including the traps that cost time and look like nothing when you get them wrong.
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Title: Kurtág - Reflections Through Conduction Date: 2016-03-08 21:00 Category: performance Slug: kurtag-reflections Summary: Audiovisual improvisation with Tlalit and Jean-Paul Bourelly's Spontaneous Arkestra Thumb: /library/kurtag.jpg Background: /library/kurtag.jpg For: Collegium Hungaricum Berlin http://www.hungaricum.de With: Tlalit Segal Raayoni http://tlal.it Capture: 20161011035223
The world of contemporary music celebrated the 90th birthday of Hungarian composer György Kurtág. Interpreting this influential oeuvre of contemporary classical music, the Collegium Hungaricum Berlin dedicated a special event to Kurtág on 8 March 2016, presenting two concerts. One of them was a live concert of The Spontaneous Arkestra led by the legendary fusion musician, composer and conceptualist Jean-Paul Bourelly through the use of Conduction to command the orchestra and reflect on Kurtág's works. By its nature, Conduction method liberates both conductor and musicians from the traditional boundaries of musical rules, habits and conventions, making the collaboration more spontaneous and surprising the audience with unexpected turns.
Tlalit and I did a visual improvisation for the concert. The used material consisted only of macro-videography of the stage and instruments of the musicians shot during the rehearsals the day before by Tlalit. This base material was modified and mixed live by me and masked with music inspired live drawings with Alchemy by Tlalit.