flux.vision, tobias.raayoni-last.com and randogoth.com. They were one site until October 2026, serving four audiences from a single dated list, which is the only format that can hold unrelated things at once. flux.vision is recovered from the Wayback Machine, where it had sat since being deleted in 2021: 90 articles, closed and maintained rather than updated. tobias.raayoni-last.com is the professional record, 97 articles back to 1999. randogoth.com is the technical work, 41 articles across six areas, served as an ANSI bulletin board. History starts here deliberately. The development history, the 266-row inventory that records why each article went where it did, the Wayback pipelines, the pruned articles, the source archives and the full-size images are kept beside the repo rather than in it, so a clone is the web presence and not the argument that produced it. REFACTOR.md is gitignored for the same reason. See README.md for where that material lives, and keep it: the sort is not reproducible from these three directories alone. Each site documents itself in its own README, including the traps that cost time and look like nothing when you get them wrong.
52 lines
2.5 KiB
Markdown
Executable file
52 lines
2.5 KiB
Markdown
Executable file
Title: Live Performers Meeting 2010
|
|
Date: 2010-06-15 00:00
|
|
Category: blog
|
|
Author: Kiritan Flux
|
|
Slug: live-performers-meeting-2010
|
|
Tags: vjism, festival, english, gonzo
|
|
|
|
<!-- ~~sponsor~~ -->
|
|
|
|
<!-- ~~sponsored~~ -->
|
|
|
|

|
|
|
|
I arrived back to rainy Berlin today after a visit of our friends at
|
|
[Live Performers Meeting](http://liveperformersmeeting.net/) in sunny
|
|
Rome. Trapped in the organisation mode for our
|
|
[festival](http://festival.visualberlin.org/) I paid a lot of attention
|
|
to how the things were planned and organised there. I was happy and
|
|
relieved to see the similarities in approach, planning and improvisation
|
|
of the whole [LPM](http://liveperformersmeeting.net/) crew and the
|
|
VisualBerlin family here. Love and passion for the artform and a big
|
|
interest in community building are the main keys to make it happen. I
|
|
picked up a few tricks here and there and exchanged experiences with the
|
|
[LPM](http://liveperformersmeeting.net/) team. In comparison to the last
|
|
[Live Performers Meetings](http://liveperformersmeeting.net/) this year
|
|
it was a very straightforward and relaxed atmosphere with a very good
|
|
mix of interested and sociable artists - where I never had the
|
|
impression that too many things happened at the same time or I'd be
|
|
anxious that I'd miss something - a feeling I remembered from the years
|
|
before.
|
|
|
|
The artists and performers at [LPM](http://liveperformersmeeting.net/)
|
|
were very interested in our festival here - some will definetly also
|
|
come here while others were sad that they won't be able to attend. I put
|
|
up some posters at the [Brancaleone](http://new.brancaleone.eu/) venue
|
|
and spread flyers and once in a while caught a glimpse of curious
|
|
artists reading our line-up or discussing Berlin related issues. A few
|
|
people approached me and asked questions or simply wanted to tell me how
|
|
much they liked the eye-catching design of the promotion material (props
|
|
to fRED & E-Gruppe!)
|
|
|
|

|
|
|
|
I saw amazing audiovisual performances and great VJ-Sets. My favorite
|
|
shows were definetly the epic metal duo [Throw
|
|
Up](http://www.myspace.com/throwupmetal) from France with their
|
|
hand-drawn animation and collage based visual storytelling - and of
|
|
course the jaw-drop digital hardcore show of [Lance
|
|
Blisters](http://festival.visualberlin.org/artist/lance-blisters-deus/),
|
|
who will also play at our festival!
|
|
|
|
Mille grazie to Gianluca, Ioann, Marco, Valeria, Donatella & Co.
|