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flux.vision, tobias.raayoni-last.com and randogoth.com. They were one site until October 2026, serving four audiences from a single dated list, which is the only format that can hold unrelated things at once. flux.vision is recovered from the Wayback Machine, where it had sat since being deleted in 2021: 90 articles, closed and maintained rather than updated. tobias.raayoni-last.com is the professional record, 97 articles back to 1999. randogoth.com is the technical work, 41 articles across six areas, served as an ANSI bulletin board. History starts here deliberately. The development history, the 266-row inventory that records why each article went where it did, the Wayback pipelines, the pruned articles, the source archives and the full-size images are kept beside the repo rather than in it, so a clone is the web presence and not the argument that produced it. REFACTOR.md is gitignored for the same reason. See README.md for where that material lives, and keep it: the sort is not reproducible from these three directories alone. Each site documents itself in its own README, including the traps that cost time and look like nothing when you get them wrong.
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Title: Dérive Performance in Auroville Date: 2015-12-18 21:00 Category: performance Slug: auroville-derive Summary: Collaborative dérive performance in Auroville, India together with Tlalit and electroacoustic artist Chloé Sanchez Thumb: /library/cineparadiso.jpg Background: /library/cineparadiso.jpg For: Brainfever http://brainfever.in With: Chloé Sanchez http://chloe-sanchez.weebly.com PhotosBy: Marco Saroldi http://aurovilleartservice.org/marco-saroldi/ Capture: 20161011160103 Location: 12.009621864420991, 79.81141615530888
I did one of my dérive performances that solely consisted of video footage that was shot in Auroville by Tlalit Segal Raayoni and myself just the day before the performance, while electroacoustic artist Chloé Sanchez created a soundscape from her collection of audio recordings captured in Auroville over the past years. We met for the first time only on the day of the performance, so we did it without any rehearsals! The whole production and idea came from Christoph.