8505b7e9e0
flux.vision, tobias.raayoni-last.com and randogoth.com. They were one site until October 2026, serving four audiences from a single dated list, which is the only format that can hold unrelated things at once. flux.vision is recovered from the Wayback Machine, where it had sat since being deleted in 2021: 90 articles, closed and maintained rather than updated. tobias.raayoni-last.com is the professional record, 97 articles back to 1999. randogoth.com is the technical work, 41 articles across six areas, served as an ANSI bulletin board. History starts here deliberately. The development history, the 266-row inventory that records why each article went where it did, the Wayback pipelines, the pruned articles, the source archives and the full-size images are kept beside the repo rather than in it, so a clone is the web presence and not the argument that produced it. REFACTOR.md is gitignored for the same reason. See README.md for where that material lives, and keep it: the sort is not reproducible from these three directories alone. Each site documents itself in its own README, including the traps that cost time and look like nothing when you get them wrong.
1.3 KiB
Title: Wyjście Alternatywne Date: 2013-06-01 Category: installation Slug: wyjscie-alternatywne Thumb: /library/981804_662826730400996_1586655899_o.jpg Background: /library/981804_662826730400996_1586655899_o.jpg Capture: 20161011120447
My friends and audiovisual colleagues Moony and Tomasz aka. IM2 invited us to come to the annual city festival of Zduńska Wola near Łódź to an audiovisual night they organised as the "alternative program" of the city's celebrations. Together with my audiovisual artist friends Elektro Moon from Kraków, and a DJ crew from Warszawa we turned the old warehouse into a party venue with video installations, projections, and electronic beats. Tlalit and I had prepared content for a video installation to show there, but eventually ended up making a spontaneous mapping installation. Tlalit shot a lot of photos of textures in the neighborhood and we mapped them onto a structure of plastic wrapped styrofoam cubes and I mixed them live to the music later the night.
