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scopesessions.org/_site/session/2015/12/10/050.html
Alex Corbi f0fb4f46d9 added servando
2016-09-09 16:05:07 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<img src=http://www.darsha.org/darsha/media/DarshaHewitt_Sideman5000_3-800x550.jpg></img>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<p><a class="button hvr-sweep-to-top" href="http://servando.teks.no">Servando Barreiro</a> <br/> Live coding with puredata </p>
<p class="small-text">generative graphics for video/mapping installations in pd and live coding.</p>
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<a class="topic" data-scroll-nav="58">AV Performance</a>
<a class="topic" data-scroll-nav="58">Film</a>
<a class="topic" data-scroll-nav="11">Film</a>
<a class="topic" data-scroll-nav="11">Photography</a>
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<a class="topic" data-scroll-nav="12">Visuals</a>
<a class="topic" data-scroll-nav="12">VJing</a>
<a class="topic" data-scroll-nav="13">Concept, Video</a>
<a class="topic" data-scroll-nav="13">Sound, Generative</a>
<a class="topic" data-scroll-nav="13">Mapping, Motion graphics</a>
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<a class="topic" data-scroll-nav="14">AV, Performance</a>
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<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
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<a class="topic" data-scroll-nav="21">Coding,Research</a>
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<a class="topic" data-scroll-nav="29">Science,Research</a>
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<a class="topic" data-scroll-nav="30">Video,Sound</a>
<a class="topic" data-scroll-nav="30">VJing,Mapping</a>
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<a class="topic" data-scroll-nav="31">Interactive,Performance</a>
<a class="topic" data-scroll-nav="32">Film</a>
<a class="topic" data-scroll-nav="32">3D,Generative</a>
<a class="topic" data-scroll-nav="32">Collective,Research</a>
<a class="topic" data-scroll-nav="33">Glitch,Pixel</a>
<a class="topic" data-scroll-nav="33">Open Source,Gaming</a>
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<a class="topic" data-scroll-nav="35">Vjing</a>
<a class="topic" data-scroll-nav="36">Coding,generative</a>
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<a class="topic" data-scroll-nav="38">Performance</a>
<a class="topic" data-scroll-nav="39">Photography</a>
<a class="topic" data-scroll-nav="39">Robotics,Research</a>
<a class="topic" data-scroll-nav="40">Research,Performance</a>
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<a class="topic" data-scroll-nav="40">Architecture</a>
<a class="topic" data-scroll-nav="41">AV Performance</a>
<a class="topic" data-scroll-nav="41">AV Performance,Music</a>
<a class="topic" data-scroll-nav="41">Performance,Hacking</a>
<a class="topic" data-scroll-nav="42">Music production</a>
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
<a class="topic" data-scroll-nav="42">Performance</a>
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
<a class="topic" data-scroll-nav="44">Photography</a>
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<a class="topic" data-scroll-nav="46">video-mapping</a>
<a class="topic" data-scroll-nav="46">Performance,Film</a>
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
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<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
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<a class="topic" data-scroll-nav="48">Experimental,Film</a>
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
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<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<h3>#50</h3>
<h4>December 10th, 2015</h4>
</div>
<div class="padded_vert">
<ul>
<li>Animation</li>
<li>Installation</li>
<li>Film</li>
</ul>
</div>
<div class="padded_vert">
<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=><i class="fa fa-facebook-square"></i></a></li>
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<div class="talk col-md-4">
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<img src=/images/COVER_1280.jpg_resized.png></img>
</div>
<div class="talk-detail">
<h4>DEFASTEN / Geometry and Cinema</h4>
<p>A look at some past, recent and upcoming projects, including a new work featuring audio by Kode9 of Hyperdub Records.</p>
<h5>About DEFASTEN</h5>
<p>Patrick Doan is a Canadian artist living in Berlin. Working under the stage name DEFASTEN, he’s been active in graphic design and digital animation since the early 2000s and now mainly specializes in motion design. He’s made content in the form of short films, music videos, visual effects for film and television, as well as vj graphics for touring bands and pop stars. As part of the sonic research collective AUDINT, he recently completed a new animation titled “Delusions of The Living Dead” which premiered this year at the Tate Britain as part of their Speculative Tate series.</p>
<a class="button hvr-sweep-to-top" href=http://www.defasten.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/120501790" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
</div>
</div>
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<img src=/images/patch_hda_x.jpg_resized.png></img>
</div>
<div class="talk-detail">
<h4>Mirko Petrovich / Code space: developing tools for performing arts</h4>
<p>In this talk I will share my experience working in the field of performance arts as a coder. I will show and discuss the technical and artistic challenges I have been facing working with real time video processing, motion tracking, mapping, sound generation and spatialization, light, sensors and actuators control.</p>
<h5>About Mirko Petrovich</h5>
<p>Mirko Petrovich was born in Osorno, Chile. In 1995 he begins exploring Computer Music and programming interactive installations for museums, theater, dance and performance. Since 2007 he works with Chilean Troupe 'Teatrocinema' developing custom software for digital theater. He also designed and programmed the Chilean Pavilion at Expo Shanghai 2010. He currently lives in Berlin.</p>
<a class="button hvr-sweep-to-top" href=http://mirkopetrovich.tumblr.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Natalia Sookias / Sculpting Light</h4>
<p>Natalia will tell us a story about light, sound, Armenian dragons and cinematic sources.</p>
<h5>About Natalia Sookias</h5>
<p>Natalia Sookias is a filmmaker with roots in visual arts. In 2012 she graduated in the Program of Film/Video from the California Institute of the Arts (CalArts). In the summer of 2015, she co-created the projection mapping for the organ of the Royal Festival Hall in London, designing the scenography for a 1-hr music production. Currently, she is working on a nomadic A/V installation that reimagines sacred Armenian music. She lives in Berlin working as a projection designer in performance and installation.</p>
<a class="button hvr-sweep-to-top" href=www.nataliasookias.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2015/11/12/049.html>#49: November 12th, 2015 049</a>
<a class="button hvr-sweep-to-top right" href=/session/2016/01/14/051.html>#51: January 14th, 2016 051</a>
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