1352 lines
36 KiB
HTML
1352 lines
36 KiB
HTML
<!DOCTYPE html>
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<html>
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<head>
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<meta charset="utf-8">
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<meta http-equiv="X-UA-Compatible" content="IE=edge">
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<meta name="viewport" content="width=device-width initial-scale=1">
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<title>046</title>
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<meta name="description" content="">
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<link rel="canonical" href="http://scopesessions.org/session/2015/09/10/046.html">
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<link rel="alternate" type="application/atom+xml" title="Scope Sessions Artist talks & media salon" href="http://scopesessions.org /feed.xml " />
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<link rel="shortcut icon" href="favicon.ico" type="assets/favicon.ico" />
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<link rel="stylesheet" href="/bower_components/bootstrap/dist/css/bootstrap.min.css" type="text/css" />
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<link rel="stylesheet" href="/bower_components/vegas/dist/jquery.vegas.min.css" type="text/css" />
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<link rel="stylesheet" href="/bower_components/fontawesome/css/font-awesome.min.css" type="text/css" />
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<link rel="stylesheet" href="/css/picbook.css" type="text/css" />
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<link rel="stylesheet" href="/css/custom.css" type="text/css" >
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<link rel="stylesheet" href="/css/hover.css" type="text/css" >
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<link href='http://fonts.googleapis.com/css?family=Abel' rel='stylesheet' type='text/css'>
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<script src="/bower_components/jquery/dist/jquery.min.js" type="text/javascript" ></script>
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<script src="/bower_components/bootstrap/dist/js/bootstrap.min.js" type="text/javascript"></script>
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<script src="/bower_components/vegas/dist/jquery.vegas.min.js" type="text/javascript"></script>
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<script src="/js/picbook.min.js" type="text/javascript" ></script>
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<script src="/js/jquery.imagefill.min.js" type="text/javascript" ></script>
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<script src="/js/jquery.cookie.js" type="text/javascript" ></script>
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<script src="/js/scrollIt.min.js" type="text/javascript" ></script>
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<script src="/js/custom.js" type="text/javascript" ></script>
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</head>
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<body>
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<nav class="navbar navbar-default navbar-fixed-top">
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<div class="container-fluid">
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<div class="navbar-header">
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<a class="navbar-brand" href="/">
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<img alt="Logo" src="/assets/scope_logo.png">
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</a>
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<!-- For desktop -->
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<div class="hidden-xs">
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<a href="/" class="header-btn navbar-text button menu-icon hvr-sweep-to-top menu-icon-big navbar-text left"><i class="fa fa-angle-left"></i> Back</a>
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<!-- Up button -->
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<a class="top-button navbar-text right button hvr-sweep-to-top" data-scroll-nav="0"><i class="fa fa-arrow-up"></i></a>
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<!-- Pages -->
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/call-for-talks/">Call for talks</a>
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/artists/">Artists</a>
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/about/">About</a>
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</div>
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<!-- For mobile -->
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<div class="visible-xs-inline">
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<a href="/" class="menu-icon-big navbar-text left "><i class="fa fa-angle-left"></i> Back</a>
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<!-- Up button -->
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<a class="top-button menu-icon-big navbar-text right" data-scroll-nav="1"><i class="fa fa-arrow-up"></i></a>
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<!-- Pages -->
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/call-for-talks/"><i class="fa fa-sign-in"></i></a>
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/artists/"><i class="fa fa-user"></i></a>
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/about/"><i class="fa fa-info"></i></a>
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</div>
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</div>
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</div>
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|
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</nav>
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<div class="container-fluid navigator">
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<div class="row">
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<!-- <div class="col-md-6 col-md-offset-1">
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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<div class="upcoming row">
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=http://www.darsha.org/darsha/media/DarshaHewitt_Sideman5000_3-800x550.jpg></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
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<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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</div>
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</div>
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</div>
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<div class="upcoming row">
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=http://rijnieks.lv/temp/projection-mapping-w-rpi.jpg></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
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<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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</div>
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</div>
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</div>
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<div class="upcoming row">
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||
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||
<div class="col-md-2">
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<div class="upcoming-media">
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<img src=http://servando.teks.no/?nth0gn.head.146948221157></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://servando.teks.no">Servando Barreiro</a> <br/> Live coding with puredata </p>
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<p class="small-text">generative graphics for video/mapping installations in pd and live coding.</p>
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</div>
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</div>
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</div>
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</div> -->
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<div class="col-md-8">
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<h4><i class="fa fa-search"></i> Browse by topic</h4>
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<a class="topic" data-scroll-nav="1">Drum machine</a>
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<a class="topic" data-scroll-nav="1">Projection mapping</a>
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<a class="topic" data-scroll-nav="1">Patching</a>
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<a class="topic" data-scroll-nav="2">Cooking Performance</a>
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||
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||
<a class="topic" data-scroll-nav="2">Patching</a>
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||
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||
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||
<a class="topic" data-scroll-nav="2">AV Performance</a>
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||
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="3">Video, Inmmersive</a>
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<a class="topic" data-scroll-nav="3">Society</a>
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<a class="topic" data-scroll-nav="3">Electronic arts</a>
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<a class="topic" data-scroll-nav="4">Drawing, Sound</a>
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||
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<a class="topic" data-scroll-nav="4">Animation, VR</a>
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<a class="topic" data-scroll-nav="4">Collective</a>
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<a class="topic" data-scroll-nav="5">Passion</a>
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<a class="topic" data-scroll-nav="5">Ballet</a>
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||
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<a class="topic" data-scroll-nav="5">Multimedia</a>
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<a class="topic" data-scroll-nav="6">Film</a>
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||
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||
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<a class="topic" data-scroll-nav="6">Video</a>
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<a class="topic" data-scroll-nav="6">Space,Light</a>
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<a class="topic" data-scroll-nav="7">Video</a>
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<a class="topic" data-scroll-nav="7">ideologies</a>
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<a class="topic" data-scroll-nav="7">VR</a>
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<a class="topic" data-scroll-nav="8">Rhizomatic</a>
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<a class="topic" data-scroll-nav="8">Multimedia</a>
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<a class="topic" data-scroll-nav="8">Performance</a>
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<a class="topic" data-scroll-nav="9">Animation</a>
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<a class="topic" data-scroll-nav="9">Installation</a>
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||
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<a class="topic" data-scroll-nav="9">Film</a>
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||
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||
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||
<a class="topic" data-scroll-nav="10">VJing</a>
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||
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<a class="topic" data-scroll-nav="10">Sound</a>
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|
||
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<a class="topic" data-scroll-nav="10">Music</a>
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||
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||
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||
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||
<a class="topic" data-scroll-nav="58">AV Performance</a>
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||
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<a class="topic" data-scroll-nav="58">Film</a>
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||
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||
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||
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||
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||
<a class="topic" data-scroll-nav="11">Film</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="11">Photography</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="11">Screening</a>
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||
|
||
|
||
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||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="12">Design,Games</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="12">Visuals</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="12">VJing</a>
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||
|
||
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||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="13">Concept, Video</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="13">Sound, Generative</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="13">Mapping, Motion graphics</a>
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||
|
||
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||
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||
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||
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||
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||
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||
<a class="topic" data-scroll-nav="14">AV, Performance</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="14">AV, Performance</a>
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||
|
||
|
||
|
||
|
||
|
||
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||
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<a class="topic" data-scroll-nav="15">Film</a>
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||
|
||
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||
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<a class="topic" data-scroll-nav="15">Philosophy</a>
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<a class="topic" data-scroll-nav="15">Concept</a>
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||
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||
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||
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<a class="topic" data-scroll-nav="16">Audiovisual, Live set</a>
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||
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||
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<a class="topic" data-scroll-nav="16">Sound,Research</a>
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||
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<a class="topic" data-scroll-nav="16">Analog, Film</a>
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="17">Science,Art</a>
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<a class="topic" data-scroll-nav="17">Live Cinema, Installation</a>
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<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
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<a class="topic" data-scroll-nav="18">Mobile</a>
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<a class="topic" data-scroll-nav="18">Video,Meditation</a>
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<a class="topic" data-scroll-nav="18">Software</a>
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<a class="topic" data-scroll-nav="18">Software</a>
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||
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||
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||
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<a class="topic" data-scroll-nav="19">Open Source,Software,Hardware</a>
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||
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||
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<a class="topic" data-scroll-nav="19">Dance,Film</a>
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||
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||
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<a class="topic" data-scroll-nav="20">Installation,Music</a>
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||
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||
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<a class="topic" data-scroll-nav="20">VVVV,Coding</a>
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||
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||
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||
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||
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="21">VJing,Installation,Performance</a>
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||
|
||
|
||
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||
<a class="topic" data-scroll-nav="21">Coding,Research</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="21">Installation,New Media</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="22">Activism,Surveillance,Privacy</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="23">Analog,Film,Research</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="23">Installation,New Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="23">Film,Projection,Glitch</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Science</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Installation</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">Design,hardware,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">VVVV,Coding,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">VJing,Performance,Film</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Analog</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Interactive,Projection</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Science,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Installation,Light</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Science,Film,Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Mapping,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">Interactive,Live,Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">Science,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">Design</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">Video,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">VJing,Mapping</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="31">Mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="31">Interactive,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">3D,Generative</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">Collective,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="33">Glitch,Pixel</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="33">Open Source,Gaming</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Mixing,Vjing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Live Cinema,Mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Research,Project</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Interactive,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Coding,generative</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Open Source,Hardware</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Collective,Activism</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="37">New Media,Interactive</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="37">Performance,Humour</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">3D,AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="39">Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="39">Robotics,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Research,Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Design,AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Architecture</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">AV Performance,Music</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">Performance,Hacking</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Music production</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">New Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Sound,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">video-mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">Performance,Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Software</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">AV,Perfomance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">Experimental,Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="49">VVVV</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Video</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Hardware</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Science</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Design</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Game,Programming</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="57">live video</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">video-mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
<div class="col-md-4">
|
||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
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<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
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Call for Talks section.</a>
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<article>
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<div class="row">
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|
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<div class="event-date">
|
||
<h3>#46</h3>
|
||
<h4>September 10th, 2015</h4>
|
||
</div>
|
||
|
||
<div class="padded_vert">
|
||
<ul>
|
||
|
||
|
||
|
||
|
||
<li>Concept</li>
|
||
|
||
<li> Video</li>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<li>Sound</li>
|
||
|
||
<li> Generative</li>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<li>Mapping</li>
|
||
|
||
<li> Motion graphics</li>
|
||
|
||
|
||
|
||
</ul>
|
||
</div>
|
||
|
||
<div class="padded_vert">
|
||
|
||
<ul>
|
||
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
|
||
|
||
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=><i class="fa fa-facebook-square"></i></a></li>
|
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</ul>
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</div>
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</div>
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||
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||
<div class="event event-46 dark_bg col-md-7">
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/notube.png_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>IOCOSE / NoTube: Investigating the dark side of meaning production</h4>
|
||
|
||
<p>NoTube Contest, First-Viewer Television, YouTube, social media, user generated content, curating YouTube</p>
|
||
|
||
<h5>About IOCOSE</h5>
|
||
<p>IOCOSE are a collective of four artists and have been working as a group since 2006. IOCOSE’s art investigates the after-failure moment of the teleological narratives of technological and cultural development, in regards to both their enthusiastic and pessimistic visions. They have been exhibiting internationally at several art institutions and festivals, including Venice Biennale (2011, 2013), Tate Modern (London, 2011), Science Gallery (Dublin, 2012) Jeu de Paume (Paris, 2011), FACT (Liverpool, 2012), Transmediale (Berlin, 2013, 2015), and featured in publications such as Wired magazine, The Creators Project, Flash Art, Neural, Liberation, Der Spiegel, El Pais.</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=http://iocose.org target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/tumblr_nl5wv1vuwo1upzhszo1_500.png_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>MyungDuk-Kim / Transform/ Sounds-Movements visual works</h4>
|
||
|
||
<p>Simple relationships between visual and sound rendering, corresponding to Movements.By defining this relationship, create a Sounds object that can be ’communicated’ with Movements and Visual.Focus on the activity of presenting motion while sounds triggered. The combination of these different medium can lead to different layers of interaction between sound and visual processes by improvising dancer.Two identical visual targets moving across each other can be perceived either to bounce off or to stream through each other.</p>
|
||
|
||
<h5>About MyungDuk-Kim</h5>
|
||
<p>MyungDuk Kim (South Korea) creates Sounds Visual and performances. His artworks directly respond to the surrounding environment and uses everyday experiences from the artist as a starting point. Often these are framed instances that would go unnoticed in their original context. With a conceptual approach, he tries to develop forms that do not follow logical criteria, but are based only on subjective associations and formal parallels, which incite the viewer to make new personal associations. Recently he working on interaction Sounds with the movements of humans body/or objects. By doing so, new sequences are created which reveal an inseparable relationship between motion and sound. By choosing mainly formal solutions, he tries to approach a wide scale of subjects in a multi-layered way, likes to involve the viewer in a way that is sometimes physical and believes in the idea of function following form in a work. He studied the classical guitar performance and music Pedagogy at Fontys hogeschool voor de kunsten(Netherlands). Currently work and live in Berlin as composer,guitar teacher and constantly working on own internal creative projects that mainly specializing in interaction Visual with sound and music .</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=http://myungduk.org target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/Fridge-Crop-770x513.jpg_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>Julien Bach / Augmented Illustration & Engaged motion-design</h4>
|
||
|
||
<p>Video-mapping, augmented illustration, collaborative work, future of motion-design, social engagement</p>
|
||
|
||
<h5>About Julien Bach</h5>
|
||
<p>Freelancer in motion-graphics for 15 years, I worked with all kind of medias, and over the past years focused on video-mapping.</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=http://julienbach.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
<div class="row">
|
||
|
||
<div class="nav_bottom dark_bg col-md-7 col-md-offset-3">
|
||
|
||
<h4>Discover more</h4>
|
||
|
||
|
||
<a class="button hvr-sweep-to-top left" href=/session/2015/06/27/045.html>#45: June 27th, 2015 Vision'r special performances night</a>
|
||
<a class="button hvr-sweep-to-top right" href=/session/2015/09/19/047.html>#47: September 19th, 2015 Scope @ Clujotronic</a>
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
</article>
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||
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<div class="footer-social">
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<ul>
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<li><a href="mailto:mail@scopesessions.org"><i class="fa fa-envelope-o"></i></a>
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<li><a href=" /feed.xml "><i class="fa fa-rss-square"></i></a>
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<li><a href="https://www.facebook.com/scopesessions"><i class="fa fa-facebook-square"></i></a>
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</li>
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<li><a href="https://soundcloud.com/scopesessions"><i class="fa fa fa-soundcloud"></i></a>
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</li>
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<div class="footer-support">
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<ul>
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<li>
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<h4>Support from</h4>
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</li>
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<li>
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<a href="http://pankeculture.com" target="_blank">
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<img src="/assets/panke_logo.png"></img>
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</a>
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</li>
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<li>
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<a href="http://pankeculture.com" target="_blank">
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<img src="/assets/troika_logo.png"></img>
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</a>
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</li>
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<li>
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<a href="http://www.nkprojekt.de/" target="_blank">
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<img src="/assets/nk_logo.png"></img>
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</a>
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</li>
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<li>
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<a href="http://www.atelier-aeuglein.de" target="_blank">
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<img src="/assets/aa_logo.png"></img>
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</a>
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</li>
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<li>
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<a href="http://www.beamaround.de/" target="_blank">
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<img src="/assets/BeamAround_Logo.jpg"></img>
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</a>
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</li>
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<li>
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<a href="http://www.spektrumberlin.de/" target="_blank">
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<img src="/assets/spektrum_logo_small.png"></img>
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</a>
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</li>
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</ul>
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</div>
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</div>
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</footer>
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</body>
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</html>
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