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2016-09-09 16:05:07 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<p><a class="button hvr-sweep-to-top" href="http://servando.teks.no">Servando Barreiro</a> <br/> Live coding with puredata </p>
<p class="small-text">generative graphics for video/mapping installations in pd and live coding.</p>
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<a class="topic" data-scroll-nav="1">Drum machine</a>
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<a class="topic" data-scroll-nav="58">AV Performance</a>
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<a class="topic" data-scroll-nav="11">Film</a>
<a class="topic" data-scroll-nav="11">Photography</a>
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<a class="topic" data-scroll-nav="12">Design,Games</a>
<a class="topic" data-scroll-nav="12">Visuals</a>
<a class="topic" data-scroll-nav="12">VJing</a>
<a class="topic" data-scroll-nav="13">Concept, Video</a>
<a class="topic" data-scroll-nav="13">Sound, Generative</a>
<a class="topic" data-scroll-nav="13">Mapping, Motion graphics</a>
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<a class="topic" data-scroll-nav="14">AV, Performance</a>
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<a class="topic" data-scroll-nav="15">Philosophy</a>
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<a class="topic" data-scroll-nav="16">Sound,Research</a>
<a class="topic" data-scroll-nav="16">Analog, Film</a>
<a class="topic" data-scroll-nav="17">Science,Art</a>
<a class="topic" data-scroll-nav="17">Live Cinema, Installation</a>
<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
<a class="topic" data-scroll-nav="18">Mobile</a>
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<a class="topic" data-scroll-nav="20">Installation,Music</a>
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<a class="topic" data-scroll-nav="21">VJing,Installation,Performance</a>
<a class="topic" data-scroll-nav="21">Coding,Research</a>
<a class="topic" data-scroll-nav="21">Installation,New Media</a>
<a class="topic" data-scroll-nav="22">Activism,Surveillance,Privacy</a>
<a class="topic" data-scroll-nav="23">Analog,Film,Research</a>
<a class="topic" data-scroll-nav="23">Installation,New Media</a>
<a class="topic" data-scroll-nav="23">Film,Projection,Glitch</a>
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<a class="topic" data-scroll-nav="26">Interactive,Projection</a>
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<a class="topic" data-scroll-nav="27">Installation,Light</a>
<a class="topic" data-scroll-nav="27">Science,Film,Photography</a>
<a class="topic" data-scroll-nav="27">Mapping,Performance</a>
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<a class="topic" data-scroll-nav="28">Interactive,Live,Performance</a>
<a class="topic" data-scroll-nav="28">Performance</a>
<a class="topic" data-scroll-nav="29">VJing</a>
<a class="topic" data-scroll-nav="29">VJing</a>
<a class="topic" data-scroll-nav="29">Science,Research</a>
<a class="topic" data-scroll-nav="30">Design</a>
<a class="topic" data-scroll-nav="30">Video,Sound</a>
<a class="topic" data-scroll-nav="30">VJing,Mapping</a>
<a class="topic" data-scroll-nav="31">Mapping</a>
<a class="topic" data-scroll-nav="31">Interactive,Performance</a>
<a class="topic" data-scroll-nav="32">Film</a>
<a class="topic" data-scroll-nav="32">3D,Generative</a>
<a class="topic" data-scroll-nav="32">Collective,Research</a>
<a class="topic" data-scroll-nav="33">Glitch,Pixel</a>
<a class="topic" data-scroll-nav="33">Open Source,Gaming</a>
<a class="topic" data-scroll-nav="34">Mixing,Vjing</a>
<a class="topic" data-scroll-nav="34">Live Cinema,Mapping</a>
<a class="topic" data-scroll-nav="34">Vjing</a>
<a class="topic" data-scroll-nav="35">Research,Project</a>
<a class="topic" data-scroll-nav="35">Interactive,Installation</a>
<a class="topic" data-scroll-nav="35">Vjing</a>
<a class="topic" data-scroll-nav="36">Coding,generative</a>
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<a class="topic" data-scroll-nav="36">Collective,Activism</a>
<a class="topic" data-scroll-nav="37">New Media,Interactive</a>
<a class="topic" data-scroll-nav="37">Performance,Humour</a>
<a class="topic" data-scroll-nav="38">3D,AV Performance</a>
<a class="topic" data-scroll-nav="38">Performance</a>
<a class="topic" data-scroll-nav="38">Performance</a>
<a class="topic" data-scroll-nav="39">Photography</a>
<a class="topic" data-scroll-nav="39">Robotics,Research</a>
<a class="topic" data-scroll-nav="40">Research,Performance</a>
<a class="topic" data-scroll-nav="40">Design,AV Performance</a>
<a class="topic" data-scroll-nav="40">Architecture</a>
<a class="topic" data-scroll-nav="41">AV Performance</a>
<a class="topic" data-scroll-nav="41">AV Performance,Music</a>
<a class="topic" data-scroll-nav="41">Performance,Hacking</a>
<a class="topic" data-scroll-nav="42">Music production</a>
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
<a class="topic" data-scroll-nav="42">Performance</a>
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
<a class="topic" data-scroll-nav="44">Photography</a>
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
<a class="topic" data-scroll-nav="45">New Media</a>
<a class="topic" data-scroll-nav="45">Sound,Installation</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="46">video-mapping</a>
<a class="topic" data-scroll-nav="46">Performance,Film</a>
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
<a class="topic" data-scroll-nav="47">Software</a>
<a class="topic" data-scroll-nav="47">Film</a>
<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
<a class="topic" data-scroll-nav="48">AV,Perfomance</a>
<a class="topic" data-scroll-nav="48">Experimental,Film</a>
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
<a class="topic" data-scroll-nav="56">Design</a>
<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
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<h3>#23</h3>
<h4>May 06th, 2013</h4>
</div>
<div class="padded_vert">
<ul>
<li>Coding</li>
<li>generative</li>
<li>Open Source</li>
<li>Hardware</li>
<li>Collective</li>
<li>Activism</li>
</ul>
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<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=><i class="fa fa-facebook-square"></i></a></li>
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<div class="talk col-md-4">
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<img src=/images/humming-fast-and-slow-1.jpg_resized.png></img>
</div>
<div class="talk-detail">
<h4>Rainer Kohlberger / The void beyond this feeling</h4>
<p>«My talk will examine the colors of noise, the worms in my signals and the serendipity of music. The black square is the feeling. The white field equals the voice beyond this feeling. The metal machine will display my work.»</p>
<h5>About Rainer Kohlberger</h5>
<p>Rainer Kohlberger is an Austrian born Freelance Visual Artist living in Berlin. His work is primarily based on algorithmically generated graphics that are exposed in live performances, installations and mobile apps. For his work «field» he won the ZKM App Art Award for artistic innovation. He received the Crossing Europe Local Artist Award 2013 for his work «humming, fast and slow».</p>
<a class="button hvr-sweep-to-top" href=http://kohlberger.net target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/31265234" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
</div>
</div>
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<img src=/images/m1.jpg_resized.png></img>
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<div class="talk-detail">
<h4>Sébastien Bourdeauducq / Story and development of the Mixxeo digital video mixer</h4>
<p>Many video artists need a device that can blend video streams from two or more computers. A common solution is to use SD analog video and a commercially available mixer such as the Edirol V4. But the move to the better quality of digital video and the high cost of commercial digital mixers has prompted community developments of alternative devices.</p>
<h5>About Sébastien Bourdeauducq</h5>
<p>Sébastien Bourdeauducq is an inventor passionate about science, electronics and open source. After working for several small companies which included developing the Wi-Fi driver infrastructure for the Nabaztag/tag he founded Milkymist Labs in the summer of 2007.</p>
<a class="button hvr-sweep-to-top" href=http://m-labs.hk target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/30824902" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
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<h4>ReVerse Bullets / Kunst, Kultur & Kino Collage</h4>
<p>“Kunst, Kultur & Kino Kollage” will be an examination of the process of re-appropriating the images and sounds of pop culture, propaganda, educational films, and the tools of the populist media to create subversive audiovisual art. The talk will feature an analysis of the creation of the debut ReVerse Bullets album, “Drapetomania!,” along with a preview of new material collaborated with Nicolo Sommer (BIINDS).</p>
<h5>About ReVerse Bullets</h5>
<p>ReVerse Bullets is a rotating lineup of filmmakers, musicians and visual artists founded by filmmaker Jon-Carlos Evans in New York City in 2009. . Through a collision of industrial noise cum funk and psychedelic synths, ReVerse Bullets project audiovisual “anti-propaganda” and noise-collage molotovs like an amalgam of Stan Brakhage cum Sonic Youth and Sergei Eisenstein cum Massive Attack. Twisted samples of capitalist, western & religious propaganda collide with the bands electronic cum noise funk and dialectic imagery to create a sensory experience that is part multimedia essay, improvisational electronica, performance art and rock concert.</p>
<a class="button hvr-sweep-to-top" href=http://www.reverse-bullets.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2013/05/09/022.html>#22: May 09th, 2013 LPM Preview</a>
<a class="button hvr-sweep-to-top right" href=/session/2013/07/11/024.html>#24: July 11th, 2013 024</a>
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