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Alex Corbi c85d992cdc #51
2016-01-12 09:04:45 +01:00

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<h4><i class="fa fa-calendar"></i> #51 / January 14th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.raumzeitpiraten.com">RaumZeitPiraten</a> <br/> Rhizomatic engineering - crossing all borders as cultural pirates </p>
<p class="small-text">rhizomatic, optoacoustic, machine, technology, engineering, light, sound, performance, environment, urban, intervention, art</p>
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<p><a class="button hvr-sweep-to-top" href="http://wolfgang-spahn.de">Wolfgang Spahn</a> <br/> Uncovering The Invisible </p>
<p class="small-text">Berlin based Austrian artist Wolfgang Spahn introduces the analogue aesthetics and techniques that lay at the core of most of his multimedia installations. Starting in the 1990s with modifications of the classic photo slide Spahn decided to stretch the boundaries of slide projections by adding coloured liquids, using magnetic coils or merging sound and visuals. For the installation 'Pictures at an Exhibition', which is an homage to M. P. Mussorgsky, Spahn developed the 'Picture Disc', a transparent miniature picture based on chemical-magnetic experiments with liquid iron. Spahn's aesthetical approach focusses on the idea that analogue slide projections allow for uncovering (almost) invisible pictures that may even be performatively created in the very moment of their presentation. Also, by filming the slide projectors, amplifying their sound and implementing both aspects in his installations he visualises the importance of the machine as an integral part of the art – an artistic reference to Vilem Flussser's concept of the 'apparatus'. </p>
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<p><a class="button hvr-sweep-to-top" href="http://marcodonnarumma.com">Marco Donnarumma</a> <br/> Aesthetic and politics </p>
<p class="small-text">There is a tendency in art and technology artworks to equate the artistic value of an artwork with its level of displayed beauty and uncritical engagement. This implies discarding the political aspects that are implicit to art and technology; it means to isolate artistic practice in a limbo of disillusionment. However, to be fully aware of the political value of art and technology practice means – for artists, curators and audiences – to gain a means to actively change the way we understand the relations of human bodies and technology. In this talk, Marco will discuss how aesthetic and politics can be integrated into a culturally aware artistic practice by describing a legacy of art and technology artworks, including some of his own latest pieces, spanning 50 years of practice.</p>
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<h3>#50</h3>
<h4>December 10th, 2015</h4>
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<li>Animation</li>
<li>Installation</li>
<li>Film</li>
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<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
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<h4>DEFASTEN / Geometry and Cinema</h4>
<p>A look at some past, recent and upcoming projects, including a new work featuring audio by Kode9 of Hyperdub Records.</p>
<h5>About DEFASTEN</h5>
<p>Patrick Doan is a Canadian artist living in Berlin. Working under the stage name DEFASTEN, he’s been active in graphic design and digital animation since the early 2000s and now mainly specializes in motion design. He’s made content in the form of short films, music videos, visual effects for film and television, as well as vj graphics for touring bands and pop stars. As part of the sonic research collective AUDINT, he recently completed a new animation titled “Delusions of The Living Dead” which premiered this year at the Tate Britain as part of their Speculative Tate series.</p>
<a class="button hvr-sweep-to-top" href=http://www.defasten.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
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<h4>Mirko Petrovich / Code space: developing tools for performing arts</h4>
<p>In this talk I will share my experience working in the field of performance arts as a coder. I will show and discuss the technical and artistic challenges I have been facing working with real time video processing, motion tracking, mapping, sound generation and spatialization, light, sensors and actuators control.</p>
<h5>About Mirko Petrovich</h5>
<p>Mirko Petrovich was born in Osorno, Chile. In 1995 he begins exploring Computer Music and programming interactive installations for museums, theater, dance and performance. Since 2007 he works with Chilean Troupe 'Teatrocinema' developing custom software for digital theater. He also designed and programmed the Chilean Pavilion at Expo Shanghai 2010. He currently lives in Berlin.</p>
<a class="button hvr-sweep-to-top" href=https://mirkopetrovich.wordpress.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Natalia Sookias / Sculpting Light</h4>
<p>Natalia will tell us a story about light, sound, Armenian dragons and cinematic sources.</p>
<h5>About Natalia Sookias</h5>
<p>Natalia Sookias is a filmmaker with roots in visual arts. In 2012 she graduated in the Program of Film/Video from the California Institute of the Arts (CalArts). In the summer of 2015, she co-created the projection mapping for the organ of the Royal Festival Hall in London, designing the scenography for a 1-hr music production. Currently, she is working on a nomadic A/V installation that reimagines sacred Armenian music. She lives in Berlin working as a projection designer in performance and installation.</p>
<a class="button hvr-sweep-to-top" href=www.nataliasookias.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2015/11/12/Scope049.html>#49: November 12th, 2015 </a>
<a class="button hvr-sweep-to-top right" href=/2016/01/14/Scope051.html>#51: January 14th, 2016 </a>
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</article>
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</div>
<footer class="footer dark_bg">
<div class="container-fluid">
<div class="row">
<div class="col-md-7 col-md-offset-3">
<div class="footer-social">
<ul>
<li><a href="mailto:mail@scopesessions.org"><i class="fa fa-envelope-o"></i></a>
</li>
<li><a href=" /feed.xml "><i class="fa fa-rss-square"></i></a>
</li>
<li><a href="https://www.facebook.com/scopesessions"><i class="fa fa-facebook-square"></i></a>
</li>
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</li> -->
</ul>
</div>
<div class="footer-support">
<ul>
<li>
<h4>Support from</h4>
</li>
<li>
<a href="http://pankeculture.com" target="_blank">
<img src="/assets/panke_logo.png"></img>
</a>
</li>
<li>
<a href="http://pankeculture.com" target="_blank">
<img src="/assets/troika_logo.png"></img>
</a>
</li>
<li>
<a href="http://www.nkprojekt.de/" target="_blank">
<img src="/assets/nk_logo.png"></img>
</a>
</li>
<li>
<a href="http://www.atelier-aeuglein.de" target="_blank">
<img src="/assets/aa_logo.png"></img>
</a>
</li>
</ul>
</div>
</div>
</div>
</div>
</footer>
</body>
</html>
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