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2016-01-12 09:04:45 +01:00

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<h4><i class="fa fa-calendar"></i> #51 / January 14th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.raumzeitpiraten.com">RaumZeitPiraten</a> <br/> Rhizomatic engineering - crossing all borders as cultural pirates </p>
<p class="small-text">rhizomatic, optoacoustic, machine, technology, engineering, light, sound, performance, environment, urban, intervention, art</p>
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<p><a class="button hvr-sweep-to-top" href="http://wolfgang-spahn.de">Wolfgang Spahn</a> <br/> Uncovering The Invisible </p>
<p class="small-text">Berlin based Austrian artist Wolfgang Spahn introduces the analogue aesthetics and techniques that lay at the core of most of his multimedia installations. Starting in the 1990s with modifications of the classic photo slide Spahn decided to stretch the boundaries of slide projections by adding coloured liquids, using magnetic coils or merging sound and visuals. For the installation 'Pictures at an Exhibition', which is an homage to M. P. Mussorgsky, Spahn developed the 'Picture Disc', a transparent miniature picture based on chemical-magnetic experiments with liquid iron. Spahn's aesthetical approach focusses on the idea that analogue slide projections allow for uncovering (almost) invisible pictures that may even be performatively created in the very moment of their presentation. Also, by filming the slide projectors, amplifying their sound and implementing both aspects in his installations he visualises the importance of the machine as an integral part of the art an artistic reference to Vilem Flussser's concept of the 'apparatus'. </p>
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<p><a class="button hvr-sweep-to-top" href="http://marcodonnarumma.com">Marco Donnarumma</a> <br/> Aesthetic and politics </p>
<p class="small-text">There is a tendency in art and technology artworks to equate the artistic value of an artwork with its level of displayed beauty and uncritical engagement. This implies discarding the political aspects that are implicit to art and technology; it means to isolate artistic practice in a limbo of disillusionment. However, to be fully aware of the political value of art and technology practice means for artists, curators and audiences to gain a means to actively change the way we understand the relations of human bodies and technology. In this talk, Marco will discuss how aesthetic and politics can be integrated into a culturally aware artistic practice by describing a legacy of art and technology artworks, including some of his own latest pieces, spanning 50 years of practice.</p>
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<h3>#6</h3>
<h4>October 06th, 2011</h4>
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<h4>Servando Barreiro / </h4>
<h5>About Servando Barreiro</h5>
<p>Servando is working on interactive installations, soundscaping and much more. He is maintainig the power of open source and most of his work came to life while using open technologies. In his talk he is going to give an insight to the cosmos of PD (pure data, puredata.info) and his approach to it.</p>
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<h4>Malte Steiner / </h4>
<h5>About Malte Steiner</h5>
<p>Malte is media artist, software developer and musician, prefering to work with open source tools like PD. In his talk he is going to show realtime graphics interacting with his music software, but also how to do videomapping with PD.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2011/09/29/Scope005.html>#5: September 29th, 2011 </a>
<a class="button hvr-sweep-to-top right" href=/2011/10/20/Scope007.html>#7: October 20th, 2011 </a>
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