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Alex Corbi c85d992cdc #51
2016-01-12 09:04:45 +01:00

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<h4><i class="fa fa-calendar"></i> #51 / January 14th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.raumzeitpiraten.com">RaumZeitPiraten</a> <br/> Rhizomatic engineering - crossing all borders as cultural pirates </p>
<p class="small-text">rhizomatic, optoacoustic, machine, technology, engineering, light, sound, performance, environment, urban, intervention, art</p>
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<p><a class="button hvr-sweep-to-top" href="http://wolfgang-spahn.de">Wolfgang Spahn</a> <br/> Uncovering The Invisible </p>
<p class="small-text">Berlin based Austrian artist Wolfgang Spahn introduces the analogue aesthetics and techniques that lay at the core of most of his multimedia installations. Starting in the 1990s with modifications of the classic photo slide Spahn decided to stretch the boundaries of slide projections by adding coloured liquids, using magnetic coils or merging sound and visuals. For the installation 'Pictures at an Exhibition', which is an homage to M. P. Mussorgsky, Spahn developed the 'Picture Disc', a transparent miniature picture based on chemical-magnetic experiments with liquid iron. Spahn's aesthetical approach focusses on the idea that analogue slide projections allow for uncovering (almost) invisible pictures that may even be performatively created in the very moment of their presentation. Also, by filming the slide projectors, amplifying their sound and implementing both aspects in his installations he visualises the importance of the machine as an integral part of the art – an artistic reference to Vilem Flussser's concept of the 'apparatus'. </p>
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<p><a class="button hvr-sweep-to-top" href="http://marcodonnarumma.com">Marco Donnarumma</a> <br/> Aesthetic and politics </p>
<p class="small-text">There is a tendency in art and technology artworks to equate the artistic value of an artwork with its level of displayed beauty and uncritical engagement. This implies discarding the political aspects that are implicit to art and technology; it means to isolate artistic practice in a limbo of disillusionment. However, to be fully aware of the political value of art and technology practice means – for artists, curators and audiences – to gain a means to actively change the way we understand the relations of human bodies and technology. In this talk, Marco will discuss how aesthetic and politics can be integrated into a culturally aware artistic practice by describing a legacy of art and technology artworks, including some of his own latest pieces, spanning 50 years of practice.</p>
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<a class="topic" data-scroll-nav="37">Performance</a>
<a class="topic" data-scroll-nav="37">Performance</a>
<a class="topic" data-scroll-nav="38">video-mapping</a>
<a class="topic" data-scroll-nav="38">Performance,Film</a>
<a class="topic" data-scroll-nav="38">Theater,Politics,Live Cinema</a>
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<a class="topic" data-scroll-nav="39">Hacking,Performance</a>
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<a class="topic" data-scroll-nav="40">Experimental,Film</a>
<a class="topic" data-scroll-nav="40">Hacking,Performance</a>
<a class="topic" data-scroll-nav="41">Perfomance,Illustration</a>
<a class="topic" data-scroll-nav="41">VVVV</a>
<a class="topic" data-scroll-nav="42">Performance,Paint</a>
<a class="topic" data-scroll-nav="42">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="43">Video</a>
<a class="topic" data-scroll-nav="43">Hardware</a>
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<a class="topic" data-scroll-nav="44">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="45">Installation,Sound</a>
<a class="topic" data-scroll-nav="45">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="46">Vjing,Festival</a>
<a class="topic" data-scroll-nav="46">Science</a>
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<a class="topic" data-scroll-nav="47">Activism,Graffiti</a>
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<a class="topic" data-scroll-nav="48">Game,Programming</a>
<a class="topic" data-scroll-nav="48">Dance,Performance</a>
<a class="topic" data-scroll-nav="49">live video</a>
<a class="topic" data-scroll-nav="49">coding,Pure Data</a>
<a class="topic" data-scroll-nav="50">video-mapping</a>
<a class="topic" data-scroll-nav="50">photography</a>
<a class="topic" data-scroll-nav="50">Sequencing,QuartzComposer</a>
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<h3>#5</h3>
<h4>September 29th, 2011</h4>
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<div class="padded_vert">
<ul>
<li>Vjing</li>
<li>Festival</li>
<li>Science</li>
<li>Interaction</li>
<li>Installation</li>
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<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Atelier Äuglein</a></li>
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<h4>VJ Fest Istanbul / VJ Fest Istanbul</h4>
<h5>About VJ Fest Istanbul</h5>
<p>VJ Fest Istanbul - Visual artist and founder of VJ Fest Istanbul Burcu Gündüz K.(vimeo.com/vjunk) will talk about her festival happening every year in Turkey. VJ Fest Istanbul is an independent visual arts festival, focused on the art of Vjing as a social act. Burcu will tell us about how she started doing the VJ Festand how the festival grew and accomodated many artists from different parts of the world in thepast four years in Istanbul. Her talk will be a chance to discuss possible collaborationsin the future between VJ Fest Istanbul and Visual Berlin.</p>
<a class="button hvr-sweep-to-top" href=http://vjfestist.org target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Pierce Warnecke / </h4>
<h5>About Pierce Warnecke</h5>
<p>The work of Pierce Warnecke stems from his interest in the effects of time on matter: modification, deterioration and disappearance. Via an almost scientific process of collecting, filtering and combining phenomena (objects, data, sounds, images), he distills the subject via repetitive processes until it approaches true abstraction. Whether focus is on the purity of digital forms or the chaotic grit of natural objects, large scales of time and space or microscopic detail, the goal of Pierce’s work is to readapt existing materials into a parallel context where their signified meanings, symbols and cultural connections have become residual ghosts.</p>
<a class="button hvr-sweep-to-top" href=http://www.piercewarnecke.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/40779510" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<h4>Mauritius Seeger / Digital techniques in interactive art.</h4>
<p>Mauritius Seeger, VJ, digital artist and programmer will talk about how specialised software can be used to build engaging and responsive artworks and installations. Mostly using examples from his own work he will present the challenges and solutions encountered when trying to make interactive software and hardware. The talk will concentrate the topics of optical sensing – computer vision, tracking and 3D imaging – as well as graphics algorithms, high dynamic range imaging and time-lapse photography.</p>
<h5>About Mauritius Seeger</h5>
<p>I am a programmer and video artist, interested in photography, live video performances, and interactive art. Here is a selection of my work. </p>
<a class="button hvr-sweep-to-top" href=http://www.morishuz.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/792605" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2011/09/15/Scope004.html>#4: September 15th, 2011 </a>
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