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Alex Corbi c85d992cdc #51
2016-01-12 09:04:45 +01:00

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<h4><i class="fa fa-calendar"></i> #51 / January 14th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.raumzeitpiraten.com">RaumZeitPiraten</a> <br/> Rhizomatic engineering - crossing all borders as cultural pirates </p>
<p class="small-text">rhizomatic, optoacoustic, machine, technology, engineering, light, sound, performance, environment, urban, intervention, art</p>
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<p><a class="button hvr-sweep-to-top" href="http://wolfgang-spahn.de">Wolfgang Spahn</a> <br/> Uncovering The Invisible </p>
<p class="small-text">Berlin based Austrian artist Wolfgang Spahn introduces the analogue aesthetics and techniques that lay at the core of most of his multimedia installations. Starting in the 1990s with modifications of the classic photo slide Spahn decided to stretch the boundaries of slide projections by adding coloured liquids, using magnetic coils or merging sound and visuals. For the installation 'Pictures at an Exhibition', which is an homage to M. P. Mussorgsky, Spahn developed the 'Picture Disc', a transparent miniature picture based on chemical-magnetic experiments with liquid iron. Spahn's aesthetical approach focusses on the idea that analogue slide projections allow for uncovering (almost) invisible pictures that may even be performatively created in the very moment of their presentation. Also, by filming the slide projectors, amplifying their sound and implementing both aspects in his installations he visualises the importance of the machine as an integral part of the art – an artistic reference to Vilem Flussser's concept of the 'apparatus'. </p>
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<p><a class="button hvr-sweep-to-top" href="http://marcodonnarumma.com">Marco Donnarumma</a> <br/> Aesthetic and politics </p>
<p class="small-text">There is a tendency in art and technology artworks to equate the artistic value of an artwork with its level of displayed beauty and uncritical engagement. This implies discarding the political aspects that are implicit to art and technology; it means to isolate artistic practice in a limbo of disillusionment. However, to be fully aware of the political value of art and technology practice means – for artists, curators and audiences – to gain a means to actively change the way we understand the relations of human bodies and technology. In this talk, Marco will discuss how aesthetic and politics can be integrated into a culturally aware artistic practice by describing a legacy of art and technology artworks, including some of his own latest pieces, spanning 50 years of practice.</p>
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<h3>#3</h3>
<h4>August 18th, 2011</h4>
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<li>Design</li>
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<h4>Willy Sengewald / </h4>
<h5>About Willy Sengewald</h5>
<p>Willy Sengewald: Design is generally perceived as a way of enhancing the existing normal. However, it has the potential to propose an alternative to our everyday reality by depicting something unimagined, something absurd or impossible. What is the adequate mode of practice for this intend?</p>
<a class="button hvr-sweep-to-top" href=http://thegreeneyl.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>David Croft / </h4>
<p>David Croft will be introducing a project to create a wall art installation that dynamically and fluidly interacts with the viewers by monitoring the position of their bodies to give a natural-feeling experience. He’ll describe the theory behind the hardware, give an overview of the software, and introduce the open source toolkit he’s releasing to allow visual artists to develop their own projects using Processing.</p>
<h5>About David Croft</h5>
<p>David is an Berlin-based independent game developer, computer programmer, network engineer, and electronics tinkerer and describes himself as an “all-round geek without a purpose”.</p>
<a class="button hvr-sweep-to-top" href=http://www.davidc.net target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Eric Dunlap / </h4>
<p>Movement and Video Artist Eric Dunlap will discuss his work creating dance and video pieces, producing VJs, and construction audience interactive video installations. </p>
<h5>About Eric Dunlap</h5>
<p>A twenty four year veteran of the performing arts, Eric has worked as a dancer with the Nikolais/Louis Dance Company, the Metropolitan Opera, and many other modern dance companies in New York CIty. Eric is founding member of NYC based arts organization Forward Motion Theater and has collaborated for fifteen years with media artist Holly Daggers. Together they created interdisciplinary performance pieces, produced the EyeWash VJ series, created interactives for the Museum of Modern Art, and performed as VJs for many musical artists ranging from James Brown to Animal Collective.</p>
<a class="button hvr-sweep-to-top" href=http://www.forwardmotiontheater.org target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2011/07/21/Scope002.html>#2: July 21st, 2011 </a>
<a class="button hvr-sweep-to-top right" href=/2011/09/15/Scope004.html>#4: September 15th, 2011 </a>
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