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scopesessions.org/_site/session/2015/09/19/047.html
Alex Corbi c587113a75 soundcloud link
2016-08-31 22:41:43 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<div class="upcoming-detail">
<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<a class="topic" data-scroll-nav="7">ideologies</a>
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<a class="topic" data-scroll-nav="8">Multimedia</a>
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<a class="topic" data-scroll-nav="9">Animation</a>
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<a class="topic" data-scroll-nav="9">Film</a>
<a class="topic" data-scroll-nav="10">VJing</a>
<a class="topic" data-scroll-nav="10">Sound</a>
<a class="topic" data-scroll-nav="10">Music</a>
<a class="topic" data-scroll-nav="58">AV Performance</a>
<a class="topic" data-scroll-nav="58">Film</a>
<a class="topic" data-scroll-nav="11">Film</a>
<a class="topic" data-scroll-nav="11">Photography</a>
<a class="topic" data-scroll-nav="11">Screening</a>
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<a class="topic" data-scroll-nav="12">Visuals</a>
<a class="topic" data-scroll-nav="12">VJing</a>
<a class="topic" data-scroll-nav="13">Concept, Video</a>
<a class="topic" data-scroll-nav="13">Sound, Generative</a>
<a class="topic" data-scroll-nav="13">Mapping, Motion graphics</a>
<a class="topic" data-scroll-nav="14">AV, Performance</a>
<a class="topic" data-scroll-nav="14">AV, Performance</a>
<a class="topic" data-scroll-nav="15">Film</a>
<a class="topic" data-scroll-nav="15">Philosophy</a>
<a class="topic" data-scroll-nav="15">Concept</a>
<a class="topic" data-scroll-nav="16">Audiovisual, Live set</a>
<a class="topic" data-scroll-nav="16">Sound,Research</a>
<a class="topic" data-scroll-nav="16">Analog, Film</a>
<a class="topic" data-scroll-nav="17">Science,Art</a>
<a class="topic" data-scroll-nav="17">Live Cinema, Installation</a>
<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
<a class="topic" data-scroll-nav="18">Mobile</a>
<a class="topic" data-scroll-nav="18">Video,Meditation</a>
<a class="topic" data-scroll-nav="18">Software</a>
<a class="topic" data-scroll-nav="18">Software</a>
<a class="topic" data-scroll-nav="19">Open Source,Software,Hardware</a>
<a class="topic" data-scroll-nav="19">Dance,Film</a>
<a class="topic" data-scroll-nav="20">Installation,Music</a>
<a class="topic" data-scroll-nav="20">VVVV,Coding</a>
<a class="topic" data-scroll-nav="21">VJing,Installation,Performance</a>
<a class="topic" data-scroll-nav="21">Coding,Research</a>
<a class="topic" data-scroll-nav="21">Installation,New Media</a>
<a class="topic" data-scroll-nav="22">Activism,Surveillance,Privacy</a>
<a class="topic" data-scroll-nav="23">Analog,Film,Research</a>
<a class="topic" data-scroll-nav="23">Installation,New Media</a>
<a class="topic" data-scroll-nav="23">Film,Projection,Glitch</a>
<a class="topic" data-scroll-nav="24">Media</a>
<a class="topic" data-scroll-nav="24">Science</a>
<a class="topic" data-scroll-nav="24">Installation</a>
<a class="topic" data-scroll-nav="25">Design,hardware,Installation</a>
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<a class="topic" data-scroll-nav="26">Analog</a>
<a class="topic" data-scroll-nav="26">Interactive,Projection</a>
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<a class="topic" data-scroll-nav="27">Mapping,Performance</a>
<a class="topic" data-scroll-nav="28">VJing</a>
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<a class="topic" data-scroll-nav="28">Performance</a>
<a class="topic" data-scroll-nav="29">VJing</a>
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<a class="topic" data-scroll-nav="29">Science,Research</a>
<a class="topic" data-scroll-nav="30">Design</a>
<a class="topic" data-scroll-nav="30">Video,Sound</a>
<a class="topic" data-scroll-nav="30">VJing,Mapping</a>
<a class="topic" data-scroll-nav="31">Mapping</a>
<a class="topic" data-scroll-nav="31">Interactive,Performance</a>
<a class="topic" data-scroll-nav="32">Film</a>
<a class="topic" data-scroll-nav="32">3D,Generative</a>
<a class="topic" data-scroll-nav="32">Collective,Research</a>
<a class="topic" data-scroll-nav="33">Glitch,Pixel</a>
<a class="topic" data-scroll-nav="33">Open Source,Gaming</a>
<a class="topic" data-scroll-nav="34">Mixing,Vjing</a>
<a class="topic" data-scroll-nav="34">Live Cinema,Mapping</a>
<a class="topic" data-scroll-nav="34">Vjing</a>
<a class="topic" data-scroll-nav="35">Research,Project</a>
<a class="topic" data-scroll-nav="35">Interactive,Installation</a>
<a class="topic" data-scroll-nav="35">Vjing</a>
<a class="topic" data-scroll-nav="36">Coding,generative</a>
<a class="topic" data-scroll-nav="36">Open Source,Hardware</a>
<a class="topic" data-scroll-nav="36">Collective,Activism</a>
<a class="topic" data-scroll-nav="37">New Media,Interactive</a>
<a class="topic" data-scroll-nav="37">Performance,Humour</a>
<a class="topic" data-scroll-nav="38">3D,AV Performance</a>
<a class="topic" data-scroll-nav="38">Performance</a>
<a class="topic" data-scroll-nav="38">Performance</a>
<a class="topic" data-scroll-nav="39">Photography</a>
<a class="topic" data-scroll-nav="39">Robotics,Research</a>
<a class="topic" data-scroll-nav="40">Research,Performance</a>
<a class="topic" data-scroll-nav="40">Design,AV Performance</a>
<a class="topic" data-scroll-nav="40">Architecture</a>
<a class="topic" data-scroll-nav="41">AV Performance</a>
<a class="topic" data-scroll-nav="41">AV Performance,Music</a>
<a class="topic" data-scroll-nav="41">Performance,Hacking</a>
<a class="topic" data-scroll-nav="42">Music production</a>
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
<a class="topic" data-scroll-nav="42">Performance</a>
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
<a class="topic" data-scroll-nav="44">Photography</a>
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
<a class="topic" data-scroll-nav="45">New Media</a>
<a class="topic" data-scroll-nav="45">Sound,Installation</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="46">video-mapping</a>
<a class="topic" data-scroll-nav="46">Performance,Film</a>
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
<a class="topic" data-scroll-nav="47">Software</a>
<a class="topic" data-scroll-nav="47">Film</a>
<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
<a class="topic" data-scroll-nav="48">AV,Perfomance</a>
<a class="topic" data-scroll-nav="48">Experimental,Film</a>
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
<a class="topic" data-scroll-nav="56">Design</a>
<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<h4><i class="fa fa-sign-in"></i> Participate</h4>
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
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<h3>#47</h3>
<h4>September 19th, 2015</h4>
</div>
<div class="padded_vert">
<ul>
<li>Design</li>
<li>Games</li>
<li>Visuals</li>
<li>VJing</li>
</ul>
</div>
<div class="padded_vert">
<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Piata Stefan cel Mare 18</a></li>
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=><i class="fa fa-facebook-square"></i></a></li>
</ul>
</div>
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<div class="event event-47 dark_bg col-md-7">
<div class="talk col-md-4">
<div class="artist-media">
<img src=/images/tatiana.jpeg_resized.png></img>
</div>
<div class="talk-detail">
<h4>Tatiana Vilela / Playful performances : another way to look at games</h4>
<p>Games are meant to be played as a matter of course. Yet there exist games as much interesting to watch being played as actually playing them. They are not just games to play but games to perform. How can performance improve the gaming experience ? Do the collective judgment or the desire to entertain have an impact on this experience ? From running out the clock or spamming hadouken to bicycle kick and bunny jump, let's explore how the player's creativity is increased in the context of playful performances.</p>
<h5>About Tatiana Vilela</h5>
<p>Tatiana Vilela is a playful experience designer. Her creations, freed from the doxa, are characterized by unique and disturbing perceptual experience. Most of these works implies dedicated controllers fully created for these experiences showed and playable at different events.</p>
<a class="button hvr-sweep-to-top" href=http://mechbird.fr/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/127556214" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
</div>
</div>
<div class="talk col-md-4">
<div class="artist-media">
<img src=/images/theresa.jpg_resized.png></img>
</div>
<div class="talk-detail">
<h4>Theresa Baumgartner / Warped Vision</h4>
<p>In a first degree access to creating visuals Theresa manipulates live captured and live generated content with both analogue and digital tools. The findings of that process is a distorted picture of the immediate present, the now ripped apart into various layers. </p>
<h5>About Theresa Baumgartner</h5>
<p>Theresa Baumgartner is a visual artist based in Berlin. In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. </p>
<a class="button hvr-sweep-to-top" href=http://theresabaumgartner.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/104433347" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
</div>
</div>
<div class="talk col-md-4">
<div class="artist-media">
<img src=/images/plus.jpg_resized.png></img>
</div>
<div class="talk-detail">
<h4>Plus [+] / Music for the Eyes</h4>
<p>Personal work, Q&A</p>
<h5>About Plus [+]</h5>
<p>Cluj-Napoca based visual and audio-visual performer.</p>
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<a class="button hvr-sweep-to-top left" href=/session/2015/09/10/046.html>#46: September 10th, 2015 046</a>
<a class="button hvr-sweep-to-top right" href=/session/2015/10/08/048.html>#48: October 8th, 2015 048</a>
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