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scopesessions.org/_site/session/2014/03/20/030.html
Alex Corbi c587113a75 soundcloud link
2016-08-31 22:41:43 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
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<a class="topic" data-scroll-nav="46">video-mapping</a>
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<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
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<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<h3>#30</h3>
<h4>March 20th, 2014</h4>
</div>
<div class="padded_vert">
<ul>
<li>VJing</li>
<li>VJing</li>
<li>Science</li>
<li>Research</li>
</ul>
</div>
<div class="padded_vert">
<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Cinema Quadrat</a></li>
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<div class="talk col-md-4">
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<div class="talk-detail">
<h4>Martin Meyer / Sinsynplus</h4>
<p>After his talk, Martin will immediately change spaces and head back to zeitraum.exit to prepare his performance project , that will be performed at 10pm! Will will join them after our session!</p>
<h5>About Martin Meyer</h5>
<p>Martin Mayer is a visual artist and VJ based in Munich, working under the alias sinsynplus since 2001. He studied media art at the Munich Academy of Fine Arts and is co-founder of the multimedia art duo mayer+empl. In this multimedia art duo Martin Mayer and Quirin Empl are specialized in interior and exterior 3D video mapping – an art form that uses architecture, shape and conditions of the room to project moving images, light or graphics on abstract surfaces, and thus creating entirely new atmospheric spaces.</p>
<a class="button hvr-sweep-to-top" href=http://sinsynplus.de/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/81605066" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
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<div class="talk-detail">
<h4>ë / ë - anya orel and e</h4>
<h5>About ë</h5>
<p>Anya Orel raised and lived in Moscow, before she probably moves to Berlin. She is painting every day since she was kid, doing streetart since 2011. E aka Torsten Höhle is a native Berliner – kindergarten ost, punk, postpunk, graffiti, graphics, upcycling art, techno. With his collective E-Gruppe, founded 1995, they are indefatigably activ in vjing and visual installations since 2002.</p>
<a class="button hvr-sweep-to-top" href=http://jjio.soup.io/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/82451996" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<div class="talk-detail">
<h4>Agnieszka “Bronka” Bronowska / Mixing art and science – enthalpy, entropy, visual narration, and dance</h4>
<p>In my talk I will briefly introduce the concepts, data sources, and tools, which can be used by visual artists in their work. I will focus on the need for motion graphics, especially in depicting the phenomena which involve dynamic components hence the entropic terms (e.g. drug-receptor interactions, rational drug design). Finally, I will ask for ideas and feedback from the audience about the future directions in visualising the dynamic and multi-scale data.</p>
<h5>About Agnieszka “Bronka” Bronowska</h5>
<p>Life sciences and visual arts can fuel each other and be – one for another one – the sources of inspiration. Good visualization is pivotal for biological and chemical sciences – to illustrate the key concepts, to transmit information, and to bring new ideas along. Some concepts, like macromolecular flexibility, protein ensembles, or enthapy- entropy compensation, which are often difficult to explain, can be portrayed by dance and video art in a form that is readily accessible to non-scientists. This is of a crucial importance for explaining the concepts to children or otherwise popularising life sciences. ! This also goes the other way round. Science itself can be the source of inspiration for the art. Protein dynamics and ligand-protein interactions can serve as a canvas for story-telling, and the concept of periodic boundary conditions (PBC) used in molecular simulations can be exploited as a parallel to the concept of social roles, etc etc. Last but not least, structural biology, structure-based molecular design, and molecular modelling use tools which can also be used by visual artists for other purposes.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2014/02/13/029.html>#29: February 13th, 2014 029</a>
<a class="button hvr-sweep-to-top right" href=/session/2014/04/10/031.html>#31: April 10th, 2014 031</a>
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