1363 lines
37 KiB
HTML
1363 lines
37 KiB
HTML
<!DOCTYPE html>
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<html>
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<head>
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<meta charset="utf-8">
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<meta http-equiv="X-UA-Compatible" content="IE=edge">
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<meta name="viewport" content="width=device-width initial-scale=1">
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<title>016</title>
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<meta name="description" content="">
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<link rel="canonical" href="http://scopesessions.org/session/2012/10/11/016.html">
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<link rel="alternate" type="application/atom+xml" title="Scope Sessions Artist talks & media salon" href="http://scopesessions.org /feed.xml " />
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<link rel="shortcut icon" href="favicon.ico" type="assets/favicon.ico" />
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<link rel="stylesheet" href="/bower_components/bootstrap/dist/css/bootstrap.min.css" type="text/css" />
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<link rel="stylesheet" href="/bower_components/vegas/dist/jquery.vegas.min.css" type="text/css" />
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<link rel="stylesheet" href="/bower_components/fontawesome/css/font-awesome.min.css" type="text/css" />
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<link rel="stylesheet" href="/css/picbook.css" type="text/css" />
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<link rel="stylesheet" href="/css/custom.css" type="text/css" >
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<link rel="stylesheet" href="/css/hover.css" type="text/css" >
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<link href='http://fonts.googleapis.com/css?family=Abel' rel='stylesheet' type='text/css'>
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<script src="/bower_components/jquery/dist/jquery.min.js" type="text/javascript" ></script>
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<script src="/bower_components/bootstrap/dist/js/bootstrap.min.js" type="text/javascript"></script>
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<script src="/bower_components/vegas/dist/jquery.vegas.min.js" type="text/javascript"></script>
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<script src="/js/picbook.min.js" type="text/javascript" ></script>
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<script src="/js/jquery.imagefill.min.js" type="text/javascript" ></script>
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||
<script src="/js/jquery.cookie.js" type="text/javascript" ></script>
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||
<script src="/js/scrollIt.min.js" type="text/javascript" ></script>
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<script src="/js/custom.js" type="text/javascript" ></script>
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</head>
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<body>
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<nav class="navbar navbar-default navbar-fixed-top">
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<div class="container-fluid">
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<div class="navbar-header">
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<a class="navbar-brand" href="/">
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<img alt="Logo" src="/assets/scope_logo.png">
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</a>
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<!-- For desktop -->
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<div class="hidden-xs">
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<a href="/" class="header-btn navbar-text button menu-icon hvr-sweep-to-top menu-icon-big navbar-text left"><i class="fa fa-angle-left"></i> Back</a>
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<!-- Up button -->
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<a class="top-button navbar-text right button hvr-sweep-to-top" data-scroll-nav="0"><i class="fa fa-arrow-up"></i></a>
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<!-- Pages -->
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/call-for-talks/">Call for talks</a>
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/artists/">Artists</a>
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<a class="header-btn navbar-text right button menu-icon hvr-sweep-to-top" href="/about/">About</a>
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</div>
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<!-- For mobile -->
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<div class="visible-xs-inline">
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<a href="/" class="menu-icon-big navbar-text left "><i class="fa fa-angle-left"></i> Back</a>
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<!-- Up button -->
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<a class="top-button menu-icon-big navbar-text right" data-scroll-nav="1"><i class="fa fa-arrow-up"></i></a>
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<!-- Pages -->
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/call-for-talks/"><i class="fa fa-sign-in"></i></a>
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/artists/"><i class="fa fa-user"></i></a>
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<a class="menu-icon-big navbar-text right button hvr-sweep-to-top" href="/about/"><i class="fa fa-info"></i></a>
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</div>
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|
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</div>
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|
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</div>
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|
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</nav>
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<div class="container-fluid navigator">
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<div class="row">
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<!-- <div class="col-md-6 col-md-offset-1">
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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<div class="upcoming row">
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=http://www.darsha.org/darsha/media/DarshaHewitt_Sideman5000_3-800x550.jpg></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
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<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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</div>
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</div>
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</div>
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<div class="upcoming row">
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=http://rijnieks.lv/temp/projection-mapping-w-rpi.jpg></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
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<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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</div>
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</div>
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</div>
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</div> -->
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<div class="col-md-8">
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<h4><i class="fa fa-search"></i> Browse by topic</h4>
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<a class="topic" data-scroll-nav="1">Drum machine</a>
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<a class="topic" data-scroll-nav="1">Patching</a>
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<a class="topic" data-scroll-nav="2">Cooking Performance</a>
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<a class="topic" data-scroll-nav="2">Patching</a>
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<a class="topic" data-scroll-nav="2">AV Performance</a>
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<a class="topic" data-scroll-nav="3">Video, Inmmersive</a>
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<a class="topic" data-scroll-nav="3">Society</a>
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<a class="topic" data-scroll-nav="3">Electronic arts</a>
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||
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||
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||
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||
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||
<a class="topic" data-scroll-nav="4">Drawing, Sound</a>
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||
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||
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||
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||
<a class="topic" data-scroll-nav="4">Animation, VR</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="4">Collective</a>
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||
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||
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||
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||
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||
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||
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||
<a class="topic" data-scroll-nav="5">Passion</a>
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||
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||
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||
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||
<a class="topic" data-scroll-nav="5">Ballet</a>
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||
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||
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<a class="topic" data-scroll-nav="5">Multimedia</a>
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<a class="topic" data-scroll-nav="6">Film</a>
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<a class="topic" data-scroll-nav="6">Video</a>
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<a class="topic" data-scroll-nav="6">Space,Light</a>
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<a class="topic" data-scroll-nav="7">Video</a>
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<a class="topic" data-scroll-nav="7">ideologies</a>
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||
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||
<a class="topic" data-scroll-nav="7">VR</a>
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<a class="topic" data-scroll-nav="8">Rhizomatic</a>
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||
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||
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||
<a class="topic" data-scroll-nav="8">Multimedia</a>
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||
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||
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<a class="topic" data-scroll-nav="8">Performance</a>
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<a class="topic" data-scroll-nav="9">Animation</a>
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<a class="topic" data-scroll-nav="9">Installation</a>
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||
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<a class="topic" data-scroll-nav="9">Film</a>
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<a class="topic" data-scroll-nav="10">VJing</a>
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<a class="topic" data-scroll-nav="10">Sound</a>
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<a class="topic" data-scroll-nav="10">Music</a>
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<a class="topic" data-scroll-nav="58">AV Performance</a>
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<a class="topic" data-scroll-nav="58">Film</a>
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<a class="topic" data-scroll-nav="11">Film</a>
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||
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||
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<a class="topic" data-scroll-nav="11">Photography</a>
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||
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<a class="topic" data-scroll-nav="11">Screening</a>
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<a class="topic" data-scroll-nav="12">Design,Games</a>
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||
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||
<a class="topic" data-scroll-nav="12">Visuals</a>
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||
|
||
|
||
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||
<a class="topic" data-scroll-nav="12">VJing</a>
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||
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||
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||
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||
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||
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||
<a class="topic" data-scroll-nav="13">Concept, Video</a>
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||
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<a class="topic" data-scroll-nav="13">Sound, Generative</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="13">Mapping, Motion graphics</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="14">AV, Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="14">AV, Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="15">Film</a>
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||
|
||
|
||
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||
<a class="topic" data-scroll-nav="15">Philosophy</a>
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||
|
||
|
||
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||
<a class="topic" data-scroll-nav="15">Concept</a>
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||
|
||
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||
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||
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="16">Audiovisual, Live set</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="16">Sound,Research</a>
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||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="16">Analog, Film</a>
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||
|
||
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||
|
||
|
||
|
||
|
||
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||
<a class="topic" data-scroll-nav="17">Science,Art</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="17">Live Cinema, Installation</a>
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||
|
||
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||
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<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
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||
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="18">Mobile</a>
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||
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||
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||
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<a class="topic" data-scroll-nav="18">Video,Meditation</a>
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||
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||
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||
<a class="topic" data-scroll-nav="18">Software</a>
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||
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<a class="topic" data-scroll-nav="18">Software</a>
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="19">Open Source,Software,Hardware</a>
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||
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||
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<a class="topic" data-scroll-nav="19">Dance,Film</a>
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<a class="topic" data-scroll-nav="20">Installation,Music</a>
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<a class="topic" data-scroll-nav="20">VVVV,Coding</a>
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||
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||
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||
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="21">VJing,Installation,Performance</a>
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||
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||
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||
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<a class="topic" data-scroll-nav="21">Coding,Research</a>
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="21">Installation,New Media</a>
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||
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||
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||
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||
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||
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||
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||
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<a class="topic" data-scroll-nav="22">Activism,Surveillance,Privacy</a>
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||
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||
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||
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||
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||
|
||
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||
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||
<a class="topic" data-scroll-nav="23">Analog,Film,Research</a>
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||
|
||
|
||
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||
<a class="topic" data-scroll-nav="23">Installation,New Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="23">Film,Projection,Glitch</a>
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||
|
||
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||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Science</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="24">Installation</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">Design,hardware,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">VVVV,Coding,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="25">VJing,Performance,Film</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Analog</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Interactive,Projection</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="26">Science,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Installation,Light</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Science,Film,Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="27">Mapping,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">Interactive,Live,Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="28">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">VJing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="29">Science,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">Design</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">Video,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="30">VJing,Mapping</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="31">Mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="31">Interactive,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">3D,Generative</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="32">Collective,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="33">Glitch,Pixel</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="33">Open Source,Gaming</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Mixing,Vjing</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Live Cinema,Mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="34">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Research,Project</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Interactive,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="35">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Coding,generative</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Open Source,Hardware</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="36">Collective,Activism</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="37">New Media,Interactive</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="37">Performance,Humour</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">3D,AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="38">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="39">Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="39">Robotics,Research</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Research,Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Design,AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="40">Architecture</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">AV Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">AV Performance,Music</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="41">Performance,Hacking</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Music production</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="42">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">New Media</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Sound,Installation</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Performance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="45">Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">video-mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">Performance,Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Software</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">AV,Perfomance</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">Experimental,Film</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="49">VVVV</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Video</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Hardware</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="51">Vjing</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Science</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Design</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Game,Programming</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="57">live video</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">video-mapping</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">photography</a>
|
||
|
||
|
||
|
||
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
<div class="col-md-4">
|
||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
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Call for Talks section.</a>
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<div class="row">
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<div class="col-md-7">
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<h4><i class="fa fa-newspaper-o"></i> Join our newsletter</h4>
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<form action="//scopesessions.us4.list-manage.com/subscribe/post?u=81466f386ca5ae4d818e3f092&id=fa704d0d26" method="post" id="mc-embedded-subscribe-form" name="mc-embedded-subscribe-form" class="validate" target="_blank" novalidate>
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<div class="col-md-5">
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<h4><i class="fa fa-share-alt"></i> Spread the word</h4>
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<div class="share-page">
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<ul>
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<li><a class="button hvr-sweep-to-top" href="https://twitter.com/intent/tweet?text=Scope Sessions Artist talks & media salon&url=http://scopesessions.org" rel="nofollow" target="_blank" title="Share on Twitter"><i class="fa fa-twitter"></i></a></li>
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<li><a class="button hvr-sweep-to-top" href="http://pinterest.com/pin/create/button/?url=http://scopesessions.org&description=Scope Sessions Artist talks & media salon" rel="nofollow" target="_blank" title="Share on Pinterest"><i class="fa fa-pinterest"></i></a></li>
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</div>
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</div>
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</div>
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</div>
|
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</div>
|
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|
||
<div class="content container-fluid">
|
||
<div class="content container-fluid">
|
||
|
||
<article>
|
||
|
||
<div class="row">
|
||
|
||
<div class="transp-bg padded event-info col-md-2 col-md-offset-1">
|
||
|
||
<div class="event-date">
|
||
<h3>#16</h3>
|
||
<h4>October 11th, 2012</h4>
|
||
</div>
|
||
|
||
<div class="padded_vert">
|
||
<ul>
|
||
|
||
|
||
|
||
|
||
<li>Interaction</li>
|
||
|
||
<li>Generative</li>
|
||
|
||
<li>Coding</li>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<li>Performance</li>
|
||
|
||
<li>Dance</li>
|
||
|
||
<li>Interaction</li>
|
||
|
||
|
||
|
||
|
||
|
||
|
||
<li>Interaction</li>
|
||
|
||
<li>Software</li>
|
||
|
||
|
||
|
||
</ul>
|
||
</div>
|
||
|
||
<div class="padded_vert">
|
||
|
||
<ul>
|
||
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
|
||
|
||
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=><i class="fa fa-facebook-square"></i></a></li>
|
||
|
||
</ul>
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
<div class="event event-16 dark_bg col-md-7">
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/anfischer_schwarm_VII_01.jpg_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>Andreas Nicolas Fischer / Schwarm</h4>
|
||
|
||
<p>In his talk, A. N. Fischer is going to talk about his artwork “Schwarm”, a software that creates constantly changing, abstract composition running in real time. As this work comes to life through software that executes a coded behaviour, the computer system becomes an integral part of the creation and perception of the artwork itself.</p>
|
||
|
||
<h5>About Andreas Nicolas Fischer</h5>
|
||
<p>Andreas Nicolas Fischer is an artist working with generative systems. He creates prints, videos, installations and sculptures inspired by the physical representation of data and the visualization of digital processes. He lives and works in Berlin. His works have been exhibited in several solo and group shows internationally, including the United States, the United Kingdom, Germany and Beijing.</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=http://anf.nu/ target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Artist's Video</p>
|
||
<iframe src="//player.vimeo.com/video/16660444" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Talk's Video</p>
|
||
<iframe src="//player.vimeo.com/video/52136497" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/Glow.jpg_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>Frieder Weiss / Intermedia Dance Performances with Motion Sensing</h4>
|
||
|
||
<p>With his background in computer science and automation technology, he started developing interactive systems in 1993. For many years he was codirector of Palindrome Performance group, developing media performances which toured worldwide and have received numerous awards. While his early works were focusing on movement-to-sound relations using bioelectrical sensor devices as well as video motion sensing, he continued with a focus on connecting interactive visuals with the body itself. He developed the video technologies and interactive stage projections for Chunky Move’s recent intermedia works ‘Glow’ and ‘Mortal engine’. For his contribution on ‘Glow’ he was rewarded with a ‘Green room award’ for ‘Design in Dance’. Both Pieces have been touring for many years now, including venues like BAM, New York, The Edinburgh Festival, The Sydney Opera house.</p>
|
||
|
||
<h5>About Frieder Weiss</h5>
|
||
<p>Frieder Weiss is an engineer in the arts working with realtime computing and interactive computer systems for performance art. He is the author of EyeCon and Kalypso, video motion sensing programs especially designed for the use with dance, music and computer art.</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=http://frieder-weiss.de/ target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Artist's Video</p>
|
||
<iframe src="//player.vimeo.com/video/14677207" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Talk's Video</p>
|
||
<iframe src="//player.vimeo.com/video/52208994" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
<div class="talk col-md-4">
|
||
|
||
<div class="artist-media">
|
||
|
||
<img src=/images/proximity1.jpg_resized.png></img>
|
||
|
||
</div>
|
||
|
||
<div class="talk-detail">
|
||
<h4>Felix Bonowski / Reverse modelling</h4>
|
||
|
||
<p>In his talk, he will give some insight into how mathematical modelling can be used as an artistic tool to break the determinism of man-machine interaction and create a corporeal experience in a world without haptic feedback.</p>
|
||
|
||
<h5>About Felix Bonowski</h5>
|
||
<p>With a background in molecular biology and computer science, Felix Bonowski created a series of interactive video installations that explore materiality and corporeal experience in simulated environments. The works were shown in clubs, at festivals and various exhibitions, including a solo exhibition in the Studio Gallery of the Haus am Lützowplatz (Berlin). He currently (2012) teaches robotics courses at the Technische Universität Berlin.</p>
|
||
|
||
|
||
|
||
<a class="button hvr-sweep-to-top" href=https://syntheticmatter.wordpress.com/selected-works/ target="_blank"><i class="fa fa-link"></i> Website</a>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Artist's Video</p>
|
||
<iframe src="//player.vimeo.com/video/29526501" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
<div class="transp-bg padded">
|
||
<p>Talk's Video</p>
|
||
<iframe src="//player.vimeo.com/video/52134418" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
|
||
</div>
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
</div>
|
||
|
||
|
||
|
||
</div>
|
||
|
||
<div class="row">
|
||
|
||
<div class="nav_bottom dark_bg col-md-7 col-md-offset-3">
|
||
|
||
<h4>Discover more</h4>
|
||
|
||
|
||
<a class="button hvr-sweep-to-top left" href=/session/2012/09/13/015.html>#15: September 13th, 2012 015</a>
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<a class="button hvr-sweep-to-top right" href=/session/2012/11/08/017.html>#17: November 08th, 2012 HGB Leipzig Special Session</a>
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