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Alex Corbi c587113a75 soundcloud link
2016-08-31 22:41:43 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<a class="topic" data-scroll-nav="14">AV, Performance</a>
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<a class="topic" data-scroll-nav="42">Music production</a>
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
<a class="topic" data-scroll-nav="42">Performance</a>
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
<a class="topic" data-scroll-nav="44">Photography</a>
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
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<a class="topic" data-scroll-nav="45">Sound,Installation</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="46">video-mapping</a>
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<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
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<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<h3>#13</h3>
<h4>April 12th, 2012</h4>
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<div class="padded_vert">
<ul>
<li>video-mapping</li>
<li>Performance</li>
<li>Film</li>
<li>Theater</li>
<li>Politics</li>
<li>Live Cinema</li>
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<img src=/images/SliderPlanten.jpg_resized.png></img>
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<h4>YUKIJUNG / </h4>
<p>After a short introduction to her design studio, YUKIJUNG will share her know-how with the audience by explaining her usual conceptual approach in planning an architectural multimedia scenography on the basis of two exemplary projects: the multimedia tour through history „Promenades sous les étoiles“ in the gardens of the Royal Castle of Amboise, Loire Valley, France and the multimedia stage scenery „Happy Birthday Friedrich“ at the Nikolaisaal Potsdam.</p>
<h5>About YUKIJUNG</h5>
<p>After several years of working in Paris as a fashion designer and art coordinator, Create Berlin member Christine Jung founded the YUKIJUNG Research design studio in 2006.YUKIJUNG specializes in facade projection, mostly historic buildings and their gardens, and creating audio visual night time experiences involving the combination of self-composed sound effects, lighting installations and modern large-scale video projections. In addition to this, YUKIJUNG designs and implements stage scenery, video clips, video mappings and video live-sets for all types of events. Primarily she is working with After Effects, Premiere Pro, Modul 8 and Madmapper.</p>
<a class="button hvr-sweep-to-top" href=http://www.yukijung.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/8932276" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<div class="transp-bg padded">
<p>Talk's Video</p>
<iframe src="//player.vimeo.com/video/41254486" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<img src=/images/about_d2.jpg_resized.png></img>
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<div class="talk-detail">
<h4>Ioann Maria / </h4>
<p>In her talk Ioann Maria will present her current work in progress “Artificial Rat”, which is open for interdisciplinary collaboration. The Project aims to investigate the nature of human-machine relationship, provoking an interaction between the two. The artificial rat should appear to respond to human emotional states, and hence the biofeedback technology will be employed for the reactions measurement. Changes in emotional state of human participants will be used as an input for the rat, thus enabling a response. The responses of each participant will be visualized and compared in real time.</p>
<h5>About Ioann Maria</h5>
<p>Ioann Maria is a new media artist, live video performer and filmmaker. With her background in multimedia and digital arts she now works with new media technologies and interactive arts, exploring new possibilities in creative artistic-scientific demonstration. In her recent solo and collaborative projects she investigates the issues of physical computing and human-machine interaction. Besides, she’s an artistic director of “LPM Live Performers Meeting” in Rome/ Italy, a core member of the “FLxER” team – performing video network and software and co-founder of “Edinburgh Hacklab” hackerspace in Scotland.</p>
<a class="button hvr-sweep-to-top" href=http://ioannmaria.com target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
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<h4>Giorgos Kakanakis / </h4>
<p>Under the title “Real time forms are rich only if they are rich in flaws”, Giorgos will give a fragmented dialogue consisting of a non-linear presentation of The Erasers’ work in real time audio visual performance, a brief discussion on the possibilities of live cinema/real time film, moments of propaganda and other moments of image harassment, spontaneous debates on MEANING (as opposed to abstract image production), a disassembling of VJ culture and detours through statements like: AN END TO COMMUNICATION THAT COMMUNICATES NOTHING BUT ITSELF or ITS NOT A JUST IMAGE, ITS JUST AN IMAGE.</p>
<h5>About Giorgos Kakanakis</h5>
<p>Giorgos Kakanakis is the founding member of The Erasers, a group whose work is based on the integration of various seemingly diverse elements or modes of (re-)presentation such as: live cinema, performance, action-ism, installation techniques, theater, agit-prop, and various forms of information and disinformation. The combination of these diverse elements is based on The Erasers’ search for a new Audio Visual Alphabet.</p>
<a class="button hvr-sweep-to-top" href=http://theerasers.blogspot.de/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2012/03/08/012.html>#12: March 08th, 2012 012</a>
<a class="button hvr-sweep-to-top right" href=/session/2012/05/10/014.html>#14: May 10th, 2012 FAMU/CAS special session</a>
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