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Alex Corbi c587113a75 soundcloud link
2016-08-31 22:41:43 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<a class="topic" data-scroll-nav="58">video-mapping</a>
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<h4><i class="fa fa-sign-in"></i> Participate</h4>
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
Call for Talks section.</a>
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<h3>#09</h3>
<h4>November 17th, 2011</h4>
</div>
<div class="padded_vert">
<ul>
<li>Performance</li>
<li>Paint</li>
<li>Synaesthesia</li>
<li>Collaboration</li>
</ul>
</div>
<div class="padded_vert">
<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Atelier Äuglein</a></li>
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<img src=/images/yurieido_blackandwhite_fenster.jpg_resized.png></img>
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<h4>Tetsuya Hori and Yurie Ido / </h4>
<p>Tetsuya Hori and Yurie Ido will present their video performance “dead” and explain their collaborative work.</p>
<h5>About Tetsuya Hori and Yurie Ido</h5>
<p>Yurei Ido is a performance artist and a painter. She was born in Japan and since 2003 she lives and works in Berlin. She visualises her dreams. Her body and her movement are also incorporated as a part of the embodied fiction. The pieces of Tetsuya Hori do not have a concept. that is the concept. The concept develops in the head of the listener. Hori composes not only for instruments, but for things. Each piece is different. Every time. He want to show the listener nonsense. Interesting nonsense.</p>
<a class="button hvr-sweep-to-top" href=http://yurieido.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/87391719" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
</div>
</div>
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<img src=/images/Bild-1-480x390.png_resized.png></img>
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<h4>Larissa Wunderlich / SYNÆSTHESIA!</h4>
<p>“This project will be the master thesis for my studies at the Bauhaus University Weimar. Since I’m a synesthete myself, synesthesia is a topic that is present in my life for many years. The idea of involving this topic into my work first came to my mind about three years ago. It developed and grew over the years and finally I will have the opportunity to realise it.
Synesthesia isn’t just one weird way of seeing, hearing or smelling the world around us. Every synesthete has his very own way of experiencing a colourful or somehow exciting world. This is the point where my project focuses on. The diversity of experiencing synesthesia.
To show this diversity I want to initiate a varity of works. I want to bring together a bunch of artist (preferably non-synesthetes) with synesthetes. The output can be any kind of artwork or media installation visualising a very specific and subjective version of synesthesia. The process of working together will bring up many questions. Questions that can lead to anwsers presented to the visitors or questions raised and still left unanswered to the public.” </p>
<a class="button hvr-sweep-to-top" href=http://www.larissawunderlich.de target="_blank"><i class="fa fa-link"></i> Website</a>
<div class="transp-bg padded">
<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/40826341" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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