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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<a class="topic" data-scroll-nav="13">Concept, Video</a>
<a class="topic" data-scroll-nav="13">Sound, Generative</a>
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<a class="topic" data-scroll-nav="14">AV, Performance</a>
<a class="topic" data-scroll-nav="15">Film</a>
<a class="topic" data-scroll-nav="15">Philosophy</a>
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<a class="topic" data-scroll-nav="17">Photography,Microbiology</a>
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<a class="topic" data-scroll-nav="42">Music production</a>
<a class="topic" data-scroll-nav="42">Hacking,Coding</a>
<a class="topic" data-scroll-nav="42">Performance</a>
<a class="topic" data-scroll-nav="43">Interaction,Generative,Coding</a>
<a class="topic" data-scroll-nav="43">Performance,Dance,Interaction</a>
<a class="topic" data-scroll-nav="43">Interaction,Software</a>
<a class="topic" data-scroll-nav="44">Performance,Interactive</a>
<a class="topic" data-scroll-nav="44">Photography</a>
<a class="topic" data-scroll-nav="44">Performance,Sound</a>
<a class="topic" data-scroll-nav="45">New Media</a>
<a class="topic" data-scroll-nav="45">Sound,Installation</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="45">Performance</a>
<a class="topic" data-scroll-nav="46">video-mapping</a>
<a class="topic" data-scroll-nav="46">Performance,Film</a>
<a class="topic" data-scroll-nav="46">Theater,Politics,Live Cinema</a>
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<a class="topic" data-scroll-nav="47">Hacking,Performance</a>
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<a class="topic" data-scroll-nav="48">Experimental,Film</a>
<a class="topic" data-scroll-nav="48">Hacking,Performance</a>
<a class="topic" data-scroll-nav="49">Perfomance,Illustration</a>
<a class="topic" data-scroll-nav="49">VVVV</a>
<a class="topic" data-scroll-nav="50">Performance,Paint</a>
<a class="topic" data-scroll-nav="50">Synaesthesia,Collaboration</a>
<a class="topic" data-scroll-nav="51">Video</a>
<a class="topic" data-scroll-nav="51">Hardware</a>
<a class="topic" data-scroll-nav="51">Vjing</a>
<a class="topic" data-scroll-nav="52">Light,Installation,Processing,Open Source</a>
<a class="topic" data-scroll-nav="53">Installation,Sound</a>
<a class="topic" data-scroll-nav="53">Software,Sound,Open Source</a>
<a class="topic" data-scroll-nav="54">Vjing,Festival</a>
<a class="topic" data-scroll-nav="54">Science</a>
<a class="topic" data-scroll-nav="54">Interaction,Installation</a>
<a class="topic" data-scroll-nav="55">Gaming,Festival</a>
<a class="topic" data-scroll-nav="55">Activism,Graffiti</a>
<a class="topic" data-scroll-nav="56">Design</a>
<a class="topic" data-scroll-nav="56">Game,Programming</a>
<a class="topic" data-scroll-nav="56">Dance,Performance</a>
<a class="topic" data-scroll-nav="57">live video</a>
<a class="topic" data-scroll-nav="57">coding,Pure Data</a>
<a class="topic" data-scroll-nav="58">video-mapping</a>
<a class="topic" data-scroll-nav="58">photography</a>
<a class="topic" data-scroll-nav="58">Sequencing,QuartzComposer</a>
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<h3>#2</h3>
<h4>July 21st, 2011</h4>
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<li>live video</li>
<li>coding</li>
<li>Pure Data</li>
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<h4>Ilan Katin / Re:tired VJ</h4>
<p>In anticipation of the retirement of this media Ilan presented each piece of media and in the process of doing so talked about his approach to creating and performing with the material as well as reflected on his thoughts about live video performance in general.</p>
<h5>About Ilan Katin</h5>
<p>Since 2004 Ilan Katin has been building, editing and perfecting a personal media library for his live video performances. Currently there are 94 pieces of media inside a folder named “11_NOTHING.” Each piece of media has its own story and, or philosophy behind it.</p>
<a class="button hvr-sweep-to-top" href=http://www.ilankatin.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Peter Kirn / PIXELS AND PICS: Etudes in Code, For Non-Coding Artist</h4>
<p>Slides of the presentation: http://www.slideshare.net/peterkirn/etudes-in-code-with-processing</p>
<h5>About Peter Kirn</h5>
<p>Composer/visualist and writer PETER KIRN (NYC) used the free and open source tool Processing to create simple etudes in motion from photography. Using basic, minimal code as a means of expressing ideas in movement and texture, he presented textual programming as a basic form of creative thinking, even for those without much in the way of technical or programming backgrounds, code short enough to compose in an airport lounge. Peter is the editor of createdigitalmusic.com and createdigitalmotion.com, a digital artist and performer, a writer, and a teacher (of many young, non-coding designers) at Parsons The New School for Design.</p>
<a class="button hvr-sweep-to-top" href=http://pkirn.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2011/07/07/001.html>#1: July 07th, 2011 001</a>
<a class="button hvr-sweep-to-top right" href=/session/2011/08/18/003.html>#3: August 18th, 2011 003</a>
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<h4>Support from</h4>
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<a href="http://pankeculture.com" target="_blank">
<img src="/assets/panke_logo.png"></img>
</a>
</li>
<li>
<a href="http://pankeculture.com" target="_blank">
<img src="/assets/troika_logo.png"></img>
</a>
</li>
<li>
<a href="http://www.nkprojekt.de/" target="_blank">
<img src="/assets/nk_logo.png"></img>
</a>
</li>
<li>
<a href="http://www.atelier-aeuglein.de" target="_blank">
<img src="/assets/aa_logo.png"></img>
</a>
</li>
<li>
<a href="http://www.beamaround.de/" target="_blank">
<img src="/assets/BeamAround_Logo.jpg"></img>
</a>
</li>
<li>
<a href="http://www.spektrumberlin.de/" target="_blank">
<img src="/assets/spektrum_logo_small.png"></img>
</a>
</li>
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