scopesessions.org/_site/2012/12/13/Scope018.html
Open-Steps.org 6918dfddce Implemented dynamic generation of newsletter.
Takes the contents of the latest event and renders mailchimp-friendly html on /newsletter_content/ that can be inserted in a code block into mailchimp easily
2015-04-24 16:00:48 +02:00

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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodehs diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
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<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
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<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
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<h3>#18</h3>
<h4>December 18th, 2012</h4>
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<li>AV Performance</li>
<li>AV Performance</li>
<li>Music</li>
<li>Performance</li>
<li>Hacking</li>
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<h4>Jem The Misfit / Performance as process</h4>
<p>Jem about her Talk: “For scope sessions I will present a selection of projects from 2012 that range from large scale festival VJing to new AV collaborations, as well as the strange world of VJ competitions. Through these projects I will give some insight into my background and work process and discuss how the immediacy of Vjing and the processes of improvisation and performance have been useful techniques in the development of new ideas.”</p>
<h5>About Jem The Misfit</h5>
<p>Jemma Woolmore is a video artist working with live audio-visual performance and installation to explore a diverse range of ideas including synaesthesia, utopia/dystopia, imagination and identity. As VJ Jem the Misfit she won the 2012 Mapping Festivals international VJ competition in Geneva has performed at the top music festivals across Australia and New Zealand. Her projects and performances have screened in numerous galleries and festivals including LPM (Rome), FEED (Berlin), Gertrude Street Projection Festival (AUS), Melbourne Fringe Festival, City Gallery (Wellington NZ).</p>
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<h4>Zan Lyons / Cross-disciplinary AV production</h4>
<p>In his talk he gives an insight to his special mix of violin play, computer synthetics, video timelines and ideas about it.</p>
<h5>About Zan Lyons</h5>
<p>Zan Lyons is a sound and visual artist. He works as musician, composer, producer, filmmaker, performer and many crossovers coming out of this. He creates atmospheric and organic abstractions of sound and light, intense and densified. On his path he collaborated with chris clark as well as leila and nicolette, that are signed at warp. He is a frequent collaborator with alec empire. His works were shown at the film festivals of Cannes, OneDotZero and Raindance.</p>
<a class="button hvr-sweep-to-top" href=http://www.zanlyons.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Onyx Ashanti / The Beatjazz Controller System</h4>
<p>equations relative to each other are beginning to synergize. aesthetic based on function is proving to be a decent guiding principle for not just design, but sonic interval interpretation, formerly called music. the rabbit hole has heiroglyphs on the walls of its interior. the myth construct has become self-aware…</p>
<h5>About Onyx Ashanti</h5>
<p>Onyx sounds like the offspring of Roger Troutman, Timbaland, and John Coltrane. Having cut his teeth playing the southern California rave scene in the late 90s, he spent the first half of the the 2ks playing and recording with the likes of Soul II Soul, Basement Jaxx and Marshall Jefferson. The last 3 years has seen him take on the challenge of creating a new form of music for a new age. A form un-encumbered by genre. Armed with a new type of sound design concept of his own creation-Gestural Trajectory Synthesis- Onyx can construct any style of music imaginable and quite a few that arent.The beatjazz control interface is a three-way wireless sensor network that converts his finger, hand, and breath movements, into musical control data, which allows him to play synthesizers with dance-like movements and saxophone-like fingerings. In addition, Onyx created a light based “element narration” subsystem combined with a large screen projection that relates sound types and gestural data to colors and visual imagery so the audience knows which part of the arrangement that Onyx is playing at any given time. The system was designed specifically for Beatjazz and the combination of the two together create a never before realized marriage of sound, light and motion.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2012/11/08/Scope017.html>#17: November 08th, 2012 HGB Leipzig Special Session</a>
<a class="button hvr-sweep-to-top right" href=/2013/02/21/Scope019.html>#19: February 21st, 2013 </a>
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