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Alex Corbi 29c5567d1f #58
2016-08-31 22:32:31 +02:00

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<h4><i class="fa fa-calendar"></i> #58 / September 08th, 2016 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.darsha.org">Darsha Hewitt</a> <br/> The World's Most Obsolete Portable Drum Machine </p>
<p class="small-text">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</p>
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<p><a class="button hvr-sweep-to-top" href="http://rijnieks.com">Krisjanis Rijnieks</a> <br/> Projection Mapping with the Raspberry Pi </p>
<p class="small-text">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</p>
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<h3>#36</h3>
<h4>October 9th, 2014</h4>
</div>
<div class="padded_vert">
<ul>
<li>Analog</li>
<li>Film</li>
<li>Research</li>
<li>Installation</li>
<li>New Media</li>
<li>Film</li>
<li>Projection</li>
<li>Glitch</li>
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<ul>
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
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<h4>Kevin Rice / Photochemical Intiatives</h4>
<p>Kevin Rice, a member of Process Reversal, will be presenting on behalf of the collective. He is a self described ‘film archivist’ whose practice focuses on the study of photochemical theories, the development of lab resources for filmmakers, and the documentation of various darkroom odysseys on motion picture film.The talk will expose his perspectives on contemporary film practices today, as well as the artist run film lab community, by discussing the formation, development, and infinite struggles of their collective, Process Reversal. In this, he will be sharing several works from members of the collective, including his own, and discussing their process and how it has evolved since the formation of our group. Along the way, he will explain several aspects of the photo-chemical process in film making and attempt to perform a live demonstration of a technique or two.</p>
<h5>About Kevin Rice</h5>
<p>Process Reversal is a U.S. based collective which seeks to preserve celluloid film practices through research, resource development, and film productions focused on advancing the aesthetics and technology of the medium itself. In this sense, the times that we are facing with celluloid today are in fact the most exciting opportunities in the history of the medium — as the industry collapses all around us, we are being left with a chance to re-invent the medium in an image that was neither intended nor desired by the commercialism of the medium; one that explores new ways of seeing, new ways of hearing, and new ways of speaking about film.</p>
<a class="button hvr-sweep-to-top" href=http://processreversal.org/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>So Kanno / Signal, noise and machine</h4>
<p>Such as drawing machines which is not perfectly controlled by numbers, 3D printed sculpture and garment which uses errors and imperfectness of system intentionally. Predicting the future but not forgetting critical point of view for technology.</p>
<h5>About So Kanno</h5>
<p>Using technology and focusing on some specific matters of technology like relation between signal and noise, error and glitch. Making things that KANNO want to see and observe. Such as drawing machines which is not perfectly controlled by numbers, 3D printed sculpture and garment which uses errors and imperfectness of system intentionally. Predicting the future but not forgetting critical point of view for technology.</p>
<a class="button hvr-sweep-to-top" href=http://kanno.so/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Kris Limbach / On improvised Cinema</h4>
<p>Kris Limbach will perform a short improvised piece to give an insight in his techniques and workflow</p>
<h5>About Kris Limbach</h5>
<p>Kris Limbach is a sound artist residing in Berlin. Although his focus is on sound, he is involved in film projects since 1998, exploring always formats and aesthetics of cinema. His first experimental film, Cuento Incompleto was published in 2005 and since then he has collaborated with various artists performing live film screenings using expanded cinema techniques. This work for film has an outstanding influence on his current sound-art works, using film-editing techniques and film sound aesthetics for his sound pieces like the ongoing begin_ if _ () sound project and live performances. He released on labels such as Richard Garets´s Contour Editions, Staaltape, Modisti, Framework Radio, Agxivatein and more. His current project 'Music for dysfunctional airports' will be premiered at Media Art Friesland in the in November.</p>
<a class="button hvr-sweep-to-top" href=http://krislimbach.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/106323654" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/session/2014/09/11/035.html>#35: September 11th, 2014 035</a>
<a class="button hvr-sweep-to-top right" href=/session/2014/11/13/037.html>#37: November 13th, 2014 privacy and online freedom of expression</a>
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