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Alex Corbi 1e3faf326a added details for #48
2015-10-04 13:44:49 +02:00

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<h4><i class="fa fa-calendar"></i> #48 / October 8th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://www.klararavat.wordpress.com">Klara Ravat</a> <br/> Perceptual experimentation </p>
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<p><a class="button hvr-sweep-to-top" href="http://segmentederwirklichkeit.de/">M. Kardinal</a> <br/> Distorted landscapes: the inner gestural nature of moving images </p>
<p class="small-text">With the metamorphosis of the image – when treated in unexpected ways, especially under malfunction – I try to develop a Poetry of failure and dive beneath the surface of the image, and discover the “unconscious” in the image. The visible and the invisible in the image. They coexist but the “unconscious” in the image is only visible by defective treatment.</p>
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<p class="small-text">KATAH-DIN (33min. 16mm. 2014) The people who for centuries lived in what is now Maine were the Wabanaki, an Eastern Algonquin word meaning people of the dawn. Called this because they lived where the sun first strikes the continent at the peak of Katahdin. This place was home to a Wabanaki woman born into the Penobscot tribe named Molly Spotted Elk. Molly was a doorway between worlds; she was the first Wabanaki person to formally record the creation history of her people in her book, Katah-din: Wigwam Tales of the Abanaki Tribe while simultaneously performing the American Indian stereotype at nightclubs in New York, Paris, and most notably as Neewa in H.P. Carver’s 1930 film The Silent Enemy. </p>
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<h3>#37</h3>
<h4>November 13th, 2014</h4>
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<li>Activism</li>
<li>Surveillance</li>
<li>Privacy</li>
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<h4>Ioann Maria / Privacy and online freedom of expression.</h4>
<p>This Session will attempt an open discussion that addresses issues of privacy and online freedom of expression. We want to discuss if and why privacy matters. How does that relate to contemporary artists and the tools they (we) are using? Is there a space for a political statement? How much strength does artistic expression have in the cyberworld? What are the chances and responsibilities of artists confronted with the omnipresent power- and control-structures in the wake of the revelations of Edward Snowden and other whistleblowers.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2014/10/09/Scope036.html>#36: October 9th, 2014 </a>
<a class="button hvr-sweep-to-top right" href=/2014/12/11/Scope038.html>#38: December 11th, 2014 </a>
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