20:00 / Lauren Moffatt Lauren Moffatt is an Australian artist currently living in Berlin and working between video, performance and immersive technologies. She is interested in how the dimension of depth in digital moving image can be used as a storytelling device. Her works, often presented in multiple forms, explore contemporary subjectivity and connected bodies as well as the limits between virtual and physical worlds. Over a number of years she has developed a body of work pivoting on stereoscopic photography and video and informed by the history of cinema and broadcast technologies. Her works have been screened and exhibited most recently at Centrale for Contemporary Art in Brussels, New Frontier at the Sundance Film Festival, Les Champs Libres in Rennes and at the ZKM in Karlsruhe. At MIRA Berlin Lauren is going to hold a conference curated by Scope Sessions. She will also participate in the round table focusing on the tools and techniques each artist uses to create unique digital content.

21:00 / MBJ Wetware Marija Bozinovska Jones’ work revolves around identity formation in an era of technocapitalist amplification and perpetual online presence. She explores socio-political implications of planetary scale computation, seeking out apophenic patterns with an array of elements ranging from subcultural formations to totalitarian architecture. Jones explores society’s anthropological adaptations intertwined in the framework of networked capitalism, its coping mechanism of coming to terms with challenged ontological axioms of cognition, affection and memory. Under the alias MBJ Wetware, Jones develops immersive live performances simulating heterotopian landscapes. At MIRA Berlin she is holding a conference curated by Scope Sessions. MBJ will also participate in the round table focusing on the tools and techniques each artist uses to create unique digital content.

22:00 / Carla Chan Carla Chan is media artist based in Berlin and Hong Kong. She works with a variety of media, such as video, installation, photography and interactive media. Minimal in style and form, Chan’s works often toy with the blurred boundaries between reality and illusion, figure and abstraction. Her screening Black Moves is selected for showcase at 21st Incubator for Film and Visual media in Asia as a finalist and 22nd International Symposium on Electronic Art (ISEA) in Hong Kong. Black Moves is an immersive video, a spatial drama and a virtual landscape that simulates the forming and de-forming of an amorphous black mass. Black Moves springs from a long obsession and fascination with natural transformations, particularly formless shapes and their movement. Carla Chan is going to hold a conference curated by Scope Sessions and BLACK MOVES will be screened at the MIRA Dome.