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Alex Corbi 2016-06-17 17:48:29 +02:00
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_site/newsletter_content/index.html
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/lauren-moffatt-540x320.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/tumblr_nd6o8qpJhM1tbqx8zo5_r1_1280.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">20:00 / </span>
<span class="fsl">20:00 / Singing kitchen</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Lauren Moffatt</span>
<a href="http://just-k.info/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Kasia Justka</span>
</a>
</h4>
<span class="fsl">Lauren Moffatt is an Australian artist currently living in Berlin and working between video, performance and immersive technologies. She is interested in how the dimension of depth in digital moving image can be used as a storytelling device. Her works, often presented in multiple forms, explore contemporary subjectivity and connected bodies as well as the limits between virtual and physical worlds. Over a number of years she has developed a body of work pivoting on stereoscopic photography and video and informed by the history of cinema and broadcast technologies. Her works have been screened and exhibited most recently at Centrale for Contemporary Art in Brussels, New Frontier at the Sundance Film Festival, Les Champs Libres in Rennes and at the ZKM in Karlsruhe.</span>
<span class="fsl">Kasia Justka is a Polish multimedia artist based in Berlin. Her work capitalizes on her obsessions with the medium of electricity and weird organic sounds. Her art can be seen as invocations to the vast power inherent within electronic systems and networks. With this conceptual frame in mind Kasia fashions a dynamic order and form from primitive entropy. Using light, sound images and objects as her tools, her intuitive and analogue based performances have led to collaborations with theaters, galleries, fashion designers, artists and festivals, including Electrovision London, Transvisualia, Free Form Festival, CynetArt_08, Unsound Festival, Piksel in Norway, Warsaw Electronic Festival, gallery Zacheta, WRO Bienale, TR Warszawa, Volksbuhne and others. </span>
<br>
<br>
<span class="fsl">At MIRA Berlin Lauren is going to hold a conference curated by Scope Sessions. She will also participate in the round table focusing on the tools and techniques each artist uses to create unique digital content.</span>
<span class="fsl">audio-visual feeding performance smelly sounds / cooking / diy circuits / modular synth kitchen</span>
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/MARIJA-BOZINOVSKA-JONES-1-540x320.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/tumblr_static_95fb8r5akqo04084wog48co0c.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
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valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">21:00 / </span>
<span class="fsl">21:00 / NONLINEAR (Random Walk)</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="https://vimeo.com/user9345531" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">MBJ Wetware</span>
<a href="http://mirkopetrovich.tumblr.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Mirko Petrovich</span>
</a>
</h4>
<span class="fsl">Marija Bozinovska Jones’ work revolves around identity formation in an era of technocapitalist amplification and perpetual online presence. She explores socio-political implications of planetary scale computation, seeking out apophenic patterns with an array of elements ranging from subcultural formations to totalitarian architecture. Jones explores society’s anthropological adaptations intertwined in the framework of networked capitalism, its coping mechanism of coming to terms with challenged ontological axioms of cognition, affection and memory. Under the alias MBJ Wetware, Jones develops immersive live performances simulating heterotopian landscapes.</span>
<span class="fsl">Born in Osorno, Chile. Programming computer music systems since 1995. Interactive designer for dance, theater (Teatrocinema), installations (Expo Shanghai 2010) and educational software (PicaLab). Currently based in Berlin.</span>
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<br>
<span class="fsl">At MIRA Berlin she is holding a conference curated by Scope Sessions. MBJ will also participate in the round table focusing on the tools and techniques each artist uses to create unique digital content.</span>
<span class="fsl">Audiovisual improvisation driven by feedback, feedforward and open-loop systems. 'NONLINEAR' performance is an attempt to tame a chaotic system based in custom analog/digital hardware, code and video synthesis to attain a symbiotic behavior between gesture, image and sound.</span>
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/carla-chan-black-moves_-540x320.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/hands.png_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">22:00 / </span>
<span class="fsl">22:00 / Sloeblack, slow, black, crowblack, fishingboat-bobbing sea</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="https://vimeo.com/user4900276" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Carla Chan</span>
<a href="http://morphogenesis.eu/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Nenad Popov</span>
</a>
</h4>
<span class="fsl">Carla Chan is media artist based in Berlin and Hong Kong. She works with a variety of media, such as video, installation, photography and interactive media. Minimal in style and form, Chan’s works often toy with the blurred boundaries between reality and illusion, figure and abstraction. Her screening Black Moves is selected for showcase at 21st Incubator for Film and Visual media in Asia as a finalist and 22nd International Symposium on Electronic Art (ISEA) in Hong Kong. Black Moves is an immersive video, a spatial drama and a virtual landscape that simulates the forming and de-forming of an amorphous black mass. Black Moves springs from a long obsession and fascination with natural transformations, particularly formless shapes and their movement. </span>
<span class="fsl">Nenad Popov is a media anarchist focusing mostly on live cinema pieces, sound installations, film installations, weird sound making contraptions and creative coding. He performed at the festivals like Dis-Patch, TodaysArt, Ars Electronica and STATE experience science. His latest research topics are possibilities of collaborating with non-human entities.</span>
<br>
<br>
<span class="fsl">Carla Chan is going to hold a conference curated by Scope Sessions and BLACK MOVES will be screened at the MIRA Dome.</span>
<span class="fsl">Audio-visual performance, ~20min, single channel video and stereo sound, analog synths.A tension between synthetic and natural. Algorithm struggles to keep up with the reality of turbulent sea in the video slowed down to the extreme of perception.</span>
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