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Alex Corbi 2017-03-08 20:02:12 +01:00
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_site/session/2017/01/28/Vorspiel.html
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</div>
<div class="upcoming row">
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<img src=https://static1.squarespace.com/static/53015de3e4b0c7fb3f1acc73/53016447e4b098d249d2083c/530166b6e4b02368396c9a3c/1431963107654/Sonata+I.jpg?format=1000w></img>
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<p><a class="button hvr-sweep-to-top" href="http://www.samhertzsound.com/">Samuel Hertz</a> <br/> Hearing Environmental Affect </p>
<p class="small-text">Infrasound, Environmental Affect, Human body as listening apparatus, Ecological/Human crossings</p>
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<a class="topic" data-scroll-nav="7">hybridity</a>
<a class="topic" data-scroll-nav="7">sound</a>

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_site/session/2017/02/09/062.html
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</div>
<div class="upcoming row">
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<img src=https://static1.squarespace.com/static/53015de3e4b0c7fb3f1acc73/53016447e4b098d249d2083c/530166b6e4b02368396c9a3c/1431963107654/Sonata+I.jpg?format=1000w></img>
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<div class="col-md-10">
<div class="upcoming-detail">
<p><a class="button hvr-sweep-to-top" href="http://www.samhertzsound.com/">Samuel Hertz</a> <br/> Hearing Environmental Affect </p>
<p class="small-text">Infrasound, Environmental Affect, Human body as listening apparatus, Ecological/Human crossings</p>
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<a class="topic" data-scroll-nav="7">hybridity</a>
<a class="topic" data-scroll-nav="7">sound</a>

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</div>
<div class="upcoming row">
<div class="col-md-2">
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<img src=https://static1.squarespace.com/static/53015de3e4b0c7fb3f1acc73/53016447e4b098d249d2083c/530166b6e4b02368396c9a3c/1431963107654/Sonata+I.jpg?format=1000w></img>
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<div class="col-md-10">
<div class="upcoming-detail">
<p><a class="button hvr-sweep-to-top" href="http://www.samhertzsound.com/">Samuel Hertz</a> <br/> Hearing Environmental Affect </p>
<p class="small-text">Infrasound, Environmental Affect, Human body as listening apparatus, Ecological/Human crossings</p>
</div>
</div>
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<a class="topic" data-scroll-nav="7">hybridity</a>
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<li>sound</li>
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<div class="talk col-md-6">
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<img src=https://static1.squarespace.com/static/53015de3e4b0c7fb3f1acc73/53016447e4b098d249d2083c/530166b6e4b02368396c9a3c/1431963107654/Sonata+I.jpg?format=1000w></img>
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<h4>Samuel Hertz / Hearing Environmental Affect</h4>
<p>Infrasound, Environmental Affect, Human body as listening apparatus, Ecological/Human crossings</p>
<h5>About Samuel Hertz</h5>
<p>Samuel Hertz is a Berlin-based composer, researcher, and curator working at the intersections of psychoacoustics and expanded listening practices through electro-acoustic works, live electronics, collaborations with performance companies, and essays. He received his MFA at Mills College, studying composition with Pauline Oliveros, Fred Frith, and Zeena Parkins, and producing/performing with Morton Subotnick. His work has recently been performed in France, Germany, and Belgium, as well as Center for New Music, BAM/PFA, Gray Area Foundation for the Arts, and Harvestworks (USA), among others. He was an international Composer-in-residence at Elektronmusikstudion (SE), and is currently Artist/Curator-in-residence at the experimental music project space/venue Liebig12 (Berlin, DE). As a recent recipient of the DARE Prize for Radical Interdisciplinarity (University of Leeds/Opera North: Leeds, UK), his current research project concerns affective crossings between humans and environment, ecological soundings, and geophysical/atmospheric infrasonic sound. Upcoming research includes publications in association with Studio Tomas Saraceno and the Royal College of Art/Imperial College (London, UK), and a paper entitled 'Toxic Music' to be delivered at the American Association of Geographers in April 2017 (Boston, MA).</p>
<a class="button hvr-sweep-to-top" href=http://www.samhertzsound.com/ target="_blank"><i class="fa fa-link"></i> Website</a>
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<p>Artist's Video</p>
<iframe src="//player.vimeo.com/video/132278405" width="100%" height="140" frameborder="0" webkitallowfullscreen mozallowfullscreen allowfullscreen></iframe>
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