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@ -4,12 +4,10 @@ by [John Polacek](http://johnpolacek.com)
See demo and documentation at the [project page](http://johnpolacek.github.io/imagefill.js)
Requires imagesLoaded - https://github.com/desandro/imagesloaded
* * *
#### follow [@johnpolacek](https://twitter.com/johnpolacek)
* * *
## Legal
Author & copyright (c) 2013: [John Polacek](http://johnpolacek.com), Dual MIT & GPL license
Author & copyright (c) 2013: [John Polacek](http://johnpolacek.com), Dual MIT & GPL license

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<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.orghttp://www.darsha.org/darsha/media/DarshaHewitt_Sideman5000_3-800x550.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/gajek.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -40,18 +40,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">20:00 / The World's Most Obsolete Portable Drum Machine</span>
<span class="fsl">20:00 / How paintings obtain another dimension.</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://www.darsha.org" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Darsha Hewitt</span>
<a href="http://www.agnieszkagajewska.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Gajek</span>
</a>
</h4>
<span class="fsl">Darsha Hewitt is a Canadian new media artist known for her examinations of communication technology in the domestic sphere and her use of DIY aesthetics and practices as an artistic method. She makes electromechanical sound installations, drawings, how-to videos and experimental performances with handmade audio electronics. She works in the Faculty of Media at the Bauhaus University, she recently held a guest professorship in the New Media department at the Kunsthochschule Kassel and is presently a fellow at the Graduate School at the Art University of Berlin. She recently presented her work at: Elektra Festival (CA), Halle14 (DE), Modern Art Oxford (UK), WRO Media Art Biennale (PL), FACT (UK), CTM Festival (DE), and LEAP Berlin. Her recent experimental educational video series A Side Man 5000 Adventure, where she restored the worlds oldest Electronic Drum Machine for the Internet has been reviewed in several media arts forums such as Creative Applications and also the highly revered technical publicationMake:Magazine. Her performance of 20 Oscillators in 20 has been written about in Hacker forum Hack-A-Day and Create Digital Music. This work was also a field research subject in the Music, Digitization, Mediation: Towards Interdisciplinary Music Studies project based in the Faculty of Music at Oxford University. She has been awarded several commissions and production stipends from Canadian, German and EU funded Programs such as The Art and Civic Media program at the „Art and Civic Media“ of the Innovation Incubator at Leuphana University of Lüneburg and an International Production Stipend from The Edith-Russ-Haus for Media Art, Oldenburg (DE). In 2013 she was nominated for the Marler European Sound Art Award (DE) and completed a Fellowship in the Sound Art program at Hochschule für bildende künste, Braunschweig (DE). Darsha is an avid technologist and educator. Her do-it-yourself electronics workshops are an integral part of her discipline and are presented internationally. In 2013 she founded the DARDI_2000 Mentorship Program in partnership with The Studio for Electro-Instrumental Music (STEIM) in Amsterdam.</span>
<span class="fsl">Agnieszka Gajewska aka Gajek, born in Chorzów, Poland in 1982. Lived in Brussels, Belgium, 2010-2015. Lives in Mannheim, Germany since 2016. Graduated from Fine Arts Academy in Gdańsk, Painting and Serigraphy in 2008. Studied Painting at the Marmara University in 2007/2008.Gajek applies different 'optical' techniques, that has not been used so far in painting. She adapts them as a tool to highlight the message hidden in the work. This gives an extra aesthetic and emotional experience. Her works do not allow viewer to pass without getting a bit closer and contemplate a while. The main subject is people and emotions, often embodied by animals. Winner of the 'Minister of Culture and National Heritage Prize' (best master diploma in Painting in Poland), 2008. Award nominee for 'Creators of Culture in Gdańsk 2009' and 'Storm of the Year 2009'. Polish representative at the 'XIV Biennale of Young Artists from Europe and the Mediterranean' (BJCEM) in Skopje, Macedonia, 2009 and at the Biennale 'XIII BJCEM' in Bari, Italy, 2008. Received many cultural scholarships and grants in Poland. Numerous national and international exhibitions.</span>
<br>
<br>
<span class="fsl">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</span>
<span class="fsl">Overview of past and current projects in painting involving 3D technique, creation process, how the utilized 3D anaglyph technique works, previous works in performance, silkprint, installation and painting.</span>
</td>
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<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.orghttp://rijnieks.lv/temp/projection-mapping-w-rpi.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/martin_romeo.jpeg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -120,18 +120,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">21:00 / Projection Mapping with the Raspberry Pi</span>
<span class="fsl">21:00 / Ephemera - immaterial work</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://rijnieks.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Krisjanis Rijnieks</span>
<a href="http://www.martinromeo.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Martìn Romeo</span>
</a>
</h4>
<span class="fsl">Krisjanis Rijnieks is a media artist constantly somewhere between creative coding, projection mapping and digital fabrication. Originally from Riga, Latvia, has studied new media at the Helsinki Media Lab, now residing in Berlin, spending a lot of time at the Fab Lab Berlin, being friendly with Spektrum Berlin and organising Projection Mapping with the Raspberry Pi workshops. Once a year he runs a Digital Fabrication Studio course at the Aalto Fab Lab in Helsinki, he is also author of the book CinderBegin Creative Coding.</span>
<span class="fsl">Martín Romeo is an Italian-Argentine multimedia artist-based in Venice, whose research is directed to interactive art ranging from video installations and dance performances. Artistic director and founder of the Toolkit Festival of Venice, he presented his work in various European and international contexts. He teaches new artistic forms connected to interactive technology, among others, in Belgium, China, Italy and Netherlands.</span>
<br>
<br>
<span class="fsl">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</span>
<span class="fsl">The artist will show his latest work Ephemera - interactive olfactory installation, which consists in distill the real world in data that take on new olfative return. The audiences will be invited to follow the next Interactive Art workshop to be held on October 16 at Artistic Workshop Series.</span>
</td>
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<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.orghttp://servando.teks.no/?nth0gn.head.146948221157" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.orghttp://flux.vision/library/moam_1.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -200,18 +200,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">22:00 / Live coding with puredata</span>
<span class="fsl">22:00 / Performing in Physical and Mental Space</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://servando.teks.no" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Servando Barreiro</span>
<a href="http://flux.vision/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Kiritan Flux</span>
</a>
</h4>
<span class="fsl">Servando Barreiro it's a nomad digital artist, creating graphics & sounds in forms of installations, performances and workshops.</span>
<span class="fsl">Kiritan Flux works as a live visual artist and expanded-media producer since 2004. His artistic work ranges from VJ shows at prominent techno events such as TimeWarp (DE), or Sonus Festival (HR) to more conceptual live-cinema performances tailored to their unique local context. In addition to artistic works, he co-curates the monthly artist talk event Scope Sessions in Berlin.</span>
<br>
<br>
<span class="fsl">generative graphics for video/mapping installations in pd and live coding.</span>
<span class="fsl">Throughout my work in the field of improvised live video art ('VJing') one special focus has always been the 'set and setting' of the performance. Who am I besides the operator of my instruments? In which local and cultural context do I present my art right now? I deliberately use such questions as prime inspiration for conceptual live performances unique to the place of their presentation and my subjective reception of that place. 'Place' in a spatial and also geographical sense. In my talk I will present a selection of my past and current work related to this concept.</span>
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