From 8428f55745e34f14a6a315bbe7081942144884e8 Mon Sep 17 00:00:00 2001 From: "Open-Steps.org" Date: Mon, 1 Dec 2014 00:39:03 +0100 Subject: [PATCH] Added data, improving UI --- _config.yml | 3 ++- _includes/footer.html | 42 ++++++++++++++++------------- _includes/head.html | 6 ++--- _layouts/default.html | 2 +- _layouts/event.html | 5 ++-- _posts/2012-03-08-Scope12.markdown | 30 +++++++++++++++++++++ _posts/2012-04-13-Scope13.markdown | 32 ++++++++++++++++++++++ _posts/2012-05-10-Scope14.markdown | 40 +++++++++++++++++++++++++++ _posts/2012-09-13-Scope15.markdown | 31 +++++++++++++++++++++ _posts/2014-07-10-Scope34.markdown | 34 +++++++++++++++++++++++ _posts/2014-12-11-Scope38.markdown | 32 ++++++++++++++++++++++ assets/panke_logo.png | Bin 0 -> 32105 bytes assets/troika_logo.png | Bin 0 -> 14809 bytes css/custom.css | 10 +++++++ index.html | 10 ++++--- 15 files changed, 248 insertions(+), 29 deletions(-) create mode 100644 _posts/2012-03-08-Scope12.markdown create mode 100644 _posts/2012-04-13-Scope13.markdown create mode 100644 _posts/2012-05-10-Scope14.markdown create mode 100644 _posts/2012-09-13-Scope15.markdown create mode 100644 _posts/2014-07-10-Scope34.markdown create mode 100644 _posts/2014-12-11-Scope38.markdown create mode 100644 assets/panke_logo.png create mode 100644 assets/troika_logo.png diff --git a/_config.yml b/_config.yml index 1e22bb0d..f80d06e5 100644 --- a/_config.yml +++ b/_config.yml @@ -8,6 +8,7 @@ description: > # this means to ignore newlines until "baseurl:" Our focus is on intermedia arts and technologies, but we love to be surprised..! baseurl: "" # the subpath of your site, e.g. /blog/ url: "http://scopesessions.org" # the base hostname & protocol for your site - +paginate: 2 +paginate_path: "page:num/" # Build settings markdown: kramdown diff --git a/_includes/footer.html b/_includes/footer.html index 5b3590be..18ec45f0 100644 --- a/_includes/footer.html +++ b/_includes/footer.html @@ -2,28 +2,34 @@
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{% endfor%} diff --git a/_posts/2012-03-08-Scope12.markdown b/_posts/2012-03-08-Scope12.markdown new file mode 100644 index 00000000..041ad039 --- /dev/null +++ b/_posts/2012-03-08-Scope12.markdown @@ -0,0 +1,30 @@ +--- +layout: event +title: "Scope 12 / March 8th, 2012" +date: 2012-03-08 +categories: event + +talks: +- title : "Video mixing on gaming platforms" + artist : "Pikilipita" + speakers : "Cl√©ment Cordier" + artist_bio : "Born in France, works in UK, but spend most of his time in Poland, Cl√©ment Cordier aka Pikilipita loves to experiment visual mixes on unexpected platforms: Game Boy Advance, Playstation 2, Mobile phones, and cheap multimedia devices.\n" + description : "Mixing with different tools than your usual laptop means you have to work in a different way. The performer can be much closer to its audience thanks to using machines such as video game consoles, mobile phones, ultra portable multimedia players.\nFor scope session, I will present 2 softwares I have developed : PS24VJ on Playstation 2, and Super Pikix on Caanoo console.\n" + artist_url : "www.pikilipita.com" + media_url : "Feel free to use any material from www.pikilipita.com" + video_url: +- title : "A selection of works" + artist : "Reynold Reynolds" + speakers : "Reynold Reynolds" + artist_bio : "Reynold Reynolds was born in 1966 in Central, Alaska. During his undergraduate schooling at the University of Colorado at Boulder, Reynolds studied Physics receiving a Bachelor\u201aÄôs degree under the professorship of Carl Wieman (Physics Nobel Laureate 2001). Changing his focus to studio art he remained two more years in Boulder to study under experimental filmmaker Stan Brakhage. After moving to New York City Reynolds completed an M.F.A. at the School of Visual Arts.\n\nInfluenced early on by philosophy and science, and working primarily with 16mm as an art medium, he has developed a film grammar based on transformation, consumption and decay. Detailed evolving symbols and allusive references create a powerful pictorial language based on Reynolds\u201aÄô analytical point of view. His depiction of people often makes us aware of the small frames we use to understand reality. By subtly altering the regular conditions of life and watching their effects, he transfers the experimental methods of science to filmmaking, where he frames reality in his laboratory and changes one variable at a time to reveal an underlying causality. \n\nIn 2003 Reynold Reynolds was awarded the John Simon Guggenheim Memorial Foundation Fellowship and in 2004 invited to The American Academy in Berlin with a studio at Kunstlerhaus Bethanien for one year. In 2008 he received support from the German Kunstfonds to develop two projects in Berlin. \n\nHe showed his films at Sundance Film Festival, International Film Festival Rotterdam, Edinburgh Film Festival, Ann Arbor Film Festival and SXSW Film Festival.\n\nReynolds has received numerous awards for his film work, including the Festival Award for \u201aÄúSecret Life\u201aÄù at the European Media Art Festival Osnabrueck 2008, the \u201aÄò09 Distinction Award for \u201aÄúSix Apartments\u201aÄù at Transmediale Berlin and Mention sp√©ciale du jury, \u201aÄúLast Day of the Republic\u201aÄù at Videoformes, 2011" + description : "Reynold will show works made in his Berlin studio and some older works from his collaborations in New York with Patrick Jolley who recently passed away unexpectedly.\n\nThe Drowning Room (2000, 10 min), Burn (2002, 10 min) with Patrick Jolley\n\nSix Apartments (2007, 12 min), Secret Life (2008, 10 min), Secret Machine (2009, 14 min)\n" + artist_url: http://reynold-reynolds.com + media_url : http://reynold-reynolds.com/downloads/secretmachine/01.jpg +- title : "Presenting \"Performer\" " + artist : "Konkreet Labs" + speakers : "Shai Levy\nMarc Tiedemann " + artist_bio : "Konkreet Labs, a collaboration of Gwydion ap Dafydd, Shai Levy and Marc Tiedemann, was formed in the beginning of 2009 in Berlin, with a mission to create innovative music instruments for touchscreen devices.\n\"Performer\", a visual music control instrument for the iPad, is the main result.\nThroughout its one year of existence, Performer managed to draw the attention of professional and aspiring musicians alike, has been touring the biggest clubs in the world as weapon of choice for Marc Romboy and Stephan Bodzin and keeps inspiring recording artists in their studios and on the stage. " + description : "* Developing Performer, through the many stages of conceptualizing, researching and creating the app. \n* Thoughts about utilizing touchscreen. Cons and pros of the medium. The trends and our takes. \n* Live presentation of the app Performer. How it can be used and videos of others using it. \n\n" + artist_url : http://konkreetlabs.com + media_url : "please let me know what sizes and format and i'll email you those. " +--- diff --git a/_posts/2012-04-13-Scope13.markdown b/_posts/2012-04-13-Scope13.markdown new file mode 100644 index 00000000..87834c7f --- /dev/null +++ b/_posts/2012-04-13-Scope13.markdown @@ -0,0 +1,32 @@ +--- +layout: event +title: "Scope 13 / April 12th, 2012" +date: 2012-04-13 +categories: event + +talks: +- title : "Architectural Scenographics" + artist : "YUKIJUNG Research" + speakers : "Yukijung (artist name) = Christine Jung" + artist_bio : "After several years of working in Paris as a fashion designer and art coordinator, Create Berlin member Christine Jung founded the YUKIJUNG Research design studio in 2006.\nMuch of the work carried out by YUKIJUNG involves brings historic buildings and their gardens to the forefront of attention. \nYUKIJUNG specializes in fa√ßade projections and creating night-time audio-visual experiences involving the combination of self-composed sound effects, lighting installations and modern video large-scale projections.\nIn addition to this, YUKIJUNG designs and implements stage scenery, videoclips, videomappings and videolivesets for all types of events.\nPrimarily YUKIJUNG is working with After Effects, Premiere Pro, Modul 8 and Madmapper.\n" + description : "YUKIJUNG will give first a short introduction to her design studio that is mainly working in the field of historical events. \nThan she will explain in sharing her know-how with the audience through two projects the conceptual approach in planning an architectural multimedia scenography: the multimedia tour through history \u201aÄûPromenades sous les √©toiles\u201aÄú in the gardens of the Royal Castle of Amboise, Loire Valley, France and the multimedia stage scenery \u201aÄûHappy Birthday Friedrich\u201aÄú at the Nikolaisaal Potsdam. \n\n\n" + artist_url : http://www.yukijung.com" + media_url : + video_url: https://vimeo.com/41254486 +- title : "Artificial rat" + artist : "Ioann Maria" + speakers : "Ioann Maria" + artist_bio : "New media artist / live video performer / filmmaker. With her background in multimedia and digital arts she now works with new media technologies and interactive arts, exploring new possibilities in creative artistic-scientific demonstration. In her recent solo and collaborative projects she investigates the issues of physical computing and human-machine interaction.\nBesides she\u201aÄôs an artistic director of \"LPM Live Performers Meeting\", the world\u201aÄôs biggest annual meeting dedicated to live video performance, a core member of the \"FLxER\" team - performing video network and software, co-founder of \"Edinburgh Hacklab\" hackerspace in Scotland." + description : "Keywords: biofeedback, data visualization, human-machine interaction, installation, manipulation, robotics, Artificial Rat Project\n\n\u201aÄúArtificial rat\u201aÄù is a work in progress open for interdisciplinary collaboration.\nThe Artificial Rat Project aims to investigate the nature of human-machine relationship, provoking an interaction between the two. In the closed installation space, human will be forced to interact with the \u201aÄúanimal\u201aÄù. The \u201aÄúrat\u201aÄù is a programmed mechanism emulating the physical animal in its behaviour. It has been noted that people tend to react emotionally to the machines and refer to the computers using the vocabulary of human psychology to describe the performance of the machine, even though they are able to clearly distinguish between the 'real' and 'artificial'. In the course of this project, such strong emotional reactions of humans to the machines, will be examined.\nThe artificial rat should appear to respond to human emotional states, and hence the biofeedback technology will be employed for the reactions measurement. Changes in emotional state of human participants will be used as an input for the rat, thus enabling a response. The responses of each participant will be visualized and compared in real time.\nThere are two main quests of this project:\n- technical : building a machine that is as close to the real animal as possible, in both appearance and behaviour; \n- socio-psychological : provoking an interaction between the machine and human, which results in human\u201aÄôs emotional involvement.\n" + artist_url : http://ioannmaria.com/ + media_url : "Will be emailed tonight" + video_url: https://vimeo.com/41258573 +- title : "THE FLAW IS OUR PLAN / real time forms are rich only if they are rich in flaws subtitle: the erasers work in real time audiovisual performance" + artist : "The Erasers" + speakers : "giorgos kakanakis\n" + artist_bio : "The Erasers is a group whose work is based on the integration of various seemingly diverse elements/modes of (re) presentation such as: live cinema, performance, action-ism, installation techniques, theater, agit-prop, and various forms of information and disinformation. The combination of these diverse elements is based on The Erasers\u201aÄô search for a new Audio Visual Alphabet.\n\nGiorgos kakanakis is the founding member of the erasers.\n\n" + description : "THE FLAW IS OUR PLAN\n/ \nreal time forms are rich only if they are rich in flaws \nsubtitle: the erasers work in real time audiovisual performance\n\n=\na 30 minute fragmented dialogue based on the following parts: \n_a non linear presentation of the erasers work\n_a discussion on the possibilities of live cinema/real time film\n_moments of propaganda and other moments of image harassment\n_spontaneous debates on MEANING (as opposed to abstract image production)\n_a disassembling of VJ culture\n * and detours thru the following phrases/statements :\n\nAN END TO COMMUNICATION THAT COMMUNICATES NOTHING BUT ITSELF\n\nWE CONSPIRE AGAINST OURSELVES\n\nYOUR CHILDREN ARE BEING RAISED BY SNITCHES\n\nTHE FLAW IS OUR PLAN\n\nWE ARE UNCONTROLLED SUBSTANCES\n\nA TIME OF AMBIENT FEAR\n\nITS NOT A JUST IMAGE, ITS JUST AN IMAGE \n\nIS IT LIVE OR IS IT MEMOREX ?\n\nYOUR MELANCHOLIA IS A LUXURY\n\n" + artist_url : http://theerasers.blogspot.de/ + media_url : + video_url: https://vimeo.com/41276967 +--- diff --git a/_posts/2012-05-10-Scope14.markdown b/_posts/2012-05-10-Scope14.markdown new file mode 100644 index 00000000..9b53e4ce --- /dev/null +++ b/_posts/2012-05-10-Scope14.markdown @@ -0,0 +1,40 @@ +--- +layout: event +title: "Scope 14 / May 10th, 2012" +date: 2012-05-10 +categories: event + +talks: +- title : "Human voice, artificial speech." + artist : "Stanislav Abraham, Center for Audio Visual Studies - Prague" + speakers : "Stanislav Abraham" + artist_bio : "Audiovisual performer, crossing over from pure sound art to more conceptual works. In addition to sound production, he focuses on multimedia installations, and intervention in public space. Studies the Media Studies at FAMU (Film Academy) in Prague - Czech republic, professionally devoted to the recording studio and audio post-production in the audiovisual field." + description : "Presentation of work in progress. Topic is disembodied human voice in relation to phonographic technologies, speech synthesis, text to speech." + artist_url : www.stanislav-abraham.com + media_url : http://i272.photobucket.com/albums/jj165/lasonick/Photo18.jpg + video_url: https://vimeo.com/42591134 +- title : "Outer scan" + artist : "Kate≈ôina B√≠lkov√°, Fabian Scharpf" + speakers : "Kate≈ôina B√≠lkov√° (CZ), Fabian Scharpf (DE)" + artist_bio : "20 minutes performance using scanner and sound connect with visual side of the show. Using patch made in Quartz Composer (for image) and Max (for sound). " + description : "Explaining the technique used in the performance." + artist_url : null + media_url : http://www.zeitkunst.eu/photos/index.php?cont=ah_outer_scan + video_url: https://vimeo.com/42641877 +- title : "Gardening" + artist : "Alexandra Moralesov√°" + speakers : "Alexandra Moralesov√°\nStanislav Abrah√°m" + artist_bio : "Alexandra Moralesov√° was born in Prague and still lives there. She studies on Film Academy in audiovisual department (FAMU, CAS). Interested in film footage and performance she initiates different image-moving projects and musical collaboration. The main motif of the live performance for her is a remediation of existing material (8mm film, photography, diary and correspondence) and de/construction through various ways of showing it.\n\nStanislav Abrah√°m sent it by himself. >> http://www.stanislav-abraham.com/" + description : "Gardening is a kind of semiotics, the performance tries to find the way through the garden's syntax and plays with its visible and notional elements. The strategy to this inquiry lies in remediation of amateur 8mm footage and in questioning the relevant notions." + artist_url : http://www.stanislav-abraham.com/ + media_url : http://dl.dropbox.com/u/2141183/Alex/gardening3.png + video_url: https://vimeo.com/42591136 +- title : "Presentation of Center for Audio Visual Studies " + artist : "Center for Audio Visual Studies from Film and TV school of Academy of Performing Arts in Prague " + speakers : "Center for Audio Visual Studies " + artist_bio : "CAS (Center for Audio Visual Studies) is a part of FAMU (Film and TV school of Academy of Performing Arts in Prague). Our department teaches a range of courses for those wanting to create moving image works 'beyond cinema.\" Video installation and interactive works, locative and mobile media, code based projects, conceptual artworks, multi-channel and multi-threaded sound and image practice, experimental documentary, and expanded to database cinema are some of the areas that our students work in... " + description : "We would like to shortly introduce CAS - what areas do we work in, etc. But centerpiece is to show some stuff from all the spectrum of students¬¥ works. " + artist_url : cas.famu.cz + media_url : cas.famu.cz + video_url: https://vimeo.com/42602990 +--- diff --git a/_posts/2012-09-13-Scope15.markdown b/_posts/2012-09-13-Scope15.markdown new file mode 100644 index 00000000..44b1e68d --- /dev/null +++ b/_posts/2012-09-13-Scope15.markdown @@ -0,0 +1,31 @@ +--- +layout: event +title: "Scope 14 / May 10th, 2012" +date: 2012-05-10 +categories: event + +talks: +- title : "The Past and Future of Technology & Performance" + artist : "Troika Ranch (http://troikaranch.org)" + speakers : "Mark Coniglio" + artist_bio : "Mark Coniglio is an award-winning artist, acknowledged pioneer of the interactive performance scene, and co-founder of Troika Ranch (http://troikaranch.org). His work has been seen on stages throughout America and Europe to critical and public acclaim. He has recently been nominated for the World Technology Award 2012, and has received a both a New York Dance and Performance (\"Bessie\") Award and a prize at Prix Ars Electronica. He is also the creator of Isadora (http://troikatronix.com/), a software tool that facilitates the creation of interactive performance. Isadora has been used an essential creative tool by thousands of artists worldwide." + description : "Media artist, composer and programmer Mark Coniglio will present an artist talk that combines an overview of the history of interactive/media-intensive performance with a consideration of how to take keep this work meaningful in the future.\n\nIn this talk, Coniglio will:\n\n* Offer a lively and critical reflection on the dance and technology/interactive performance scene that emerged in the mid-1990s, focusing on his work with Troika Ranch, the dance performance group he co-founded with choreographer Dawn Stoppiello, and Isadora - a software tool he created to allow him to realize his interactive performances.\n\n* Trace the development of that practice into more recent times, showing how technological tools have entered the vernacular of art making practice and thus changed artistic practice in this arena\n\n* Conclude with a series of proposals and strategies for keeping media intensive performances vital and compelling in the future" + artist_url : http://troikatronix.com + media_url : http://troikatronix.com + video_url: https://vimeo.com/50719735 +- title : "Scripted rhymes" + artist : "Adam Magyar" + speakers : "Adam Magyar" + artist_bio : "Adam Magyar (born 1971) is a Berlin-based Hungarian photographic artist. He is captivated by high-tech cities and man choosing to live an urban life. Magyar depicts the synergies of man and the city, and embraces the city as home to both man and technology. With each of his series, he observes time flowing by and life pulsating in front of his eyes. In his works, he scrutinizes the transience of life and man\u201aÄôs inherent urge to leave some trace behind. Magyar is ready to combine conventional techniques like the slit cam with readily available devices like a scanner and merge the two into a camera by a program he himself has written to be able to produce his unique cityscapes. \n\nHis works have been exhibited in several solo and group shows internationally, including the United States, the United Kingdom, Germany and Hong Kong. " + description : "Seemingly, state of the art devices give you everything you need for completing your photography projects. But what if the image you have in mind demands even more and you need to reach for fields outside photography?\nIn Scripted Rhymes, imagemaker Adam Magyar tells the story of his journey down this road and intends to inspire the audience to think outside the box when working on a project. He aims to present that unusual combinations of hardware and software may reward you with the image you have in mind. " + artist_url : "www.magyaradam.com" + media_url: http://www.magyaradam.com/promo/_MG_9859.jpg + video_url: +- title : "'BERLAN ALLEE'' Radio Show & ''SAROSEDA Collective" + artist : "Pharaz Azimi & Iman Deeper" + speakers : "Arash Salehi" + artist_bio : "The Iranian Audio-Visual duo from Tehran based in Berlin/Germany started working since 2011. \nPharaz (Born 1987/Tehran) is a photographer, Graphic designer and Visual Artist ( http://cargocollective.com/PharazAzimi )\nIman ( Born 1985/Tehran) is a music producer sine 2008 ( http://www.mixcloud.com/imandeeper/ ) " + description : "They will present their radio show which calls ''BERLAN ALLEE''. BERLAN ALLEE is a weekly radioshow by Pharaz Azimi & Iman Deeper . the show gonna begin soon in September 2012 in INeed Radio Funkhaus which is already up and running.\nINeed Radio Funkhaus is situated in Berlin at Funkhaus- Gr√ºnau.\nThe main idea of Berlan Allee is to focus on Electronic and Experimental music scene of Iranian artists all around the world , inside and outside Iran . \nNext they gonna present ''SAROSEDA'' collective founded by their friend Arash Salehi Based in Tehran/Iran.\nSAROSEDA is a digital art collective tries to reach new forms and concepts in Iranian Contemporary Art scene by introducing the potential of collaboration between different disciplines in the shape of organizing workshops and jammings of computer based artists." + artist_url : http://www.facebook.com/BerlanAllee + media_url : http://www.facebook.com/photo.php?fbid=441316985919507&set=a.441316982586174.117705.441316585919547&type=1&theater +--- diff --git a/_posts/2014-07-10-Scope34.markdown b/_posts/2014-07-10-Scope34.markdown new file mode 100644 index 00000000..0d18ed65 --- /dev/null +++ b/_posts/2014-07-10-Scope34.markdown @@ -0,0 +1,34 @@ +--- +layout: event +title: "Scope 34 / September 11th, 2014" +date: 2014-07-11 +categories: event +talks: +- title: "From a visual journey into another dimension." + artist: "Quadrature" + speakers: "Quadrature" + artist_bio: "Quadrature is a group of three former designers who combine their very specific personal skills to create complex systems for highly technolgical installations. + Jan Bernstein concentrates on the creative implementation of physical and functional aspects into Quadrature’s work. His substantial practical expertise fertilizes his artistic research in materials and fine mechanics. Influenced by his specialty, Jan’s creative approach is concentrated and structured, keeping every detail in mind in order to formulate the ideal aesthetic and conceptional expression. + Sebastian Neitsch rather employs experimental and assiociative methods in order to achieve innovative and intuitiv systems and thoughts for Quadrature’s conceptual and artistic vision.While his focus is on the digital world – including everything concerning code, electronics and new technologies – he considers teamwork and communication as the perfect source to generate creative output and solutions. + Juliane Götz: is the latest member of Quadrature and fills the missing link between hardware based pragmatism and digital utopics in Quadrature’s projects. Her design and handcraft skills as fashion designer are combined with the abiltiy to quickly understand and implement new dynamic workflows and structures into the group. They all share a love for machines and outer space." + description: "After introducing themselves and their work, they will focus on the problems for media artists to be part of the traditional gallery-marked in the art business. Even so a lot of Art projects, which use modern technology and try to bring it into a different not consumer-based context, are quite successful, a lot of them are being displayed only in festivals or as digital copies in the internet, rather then being shown in privat galleries. This implements that the creators make a living either from grants, teaching, very small fees or they finance their free art work with client-based commissions. The reasons for this are manifold. A lot of projects are technical experiments on a larger scale, which can hardly be sold as an peace of art that the client could simply place or even hang in his home. Another reason is the fact that a lot of Media Artists rather work on a very conceptual level, creating work that is either only excisting in digital form,very much created for certain spaces or react to certain appearings of modern society. So whenever you would take this projects out of their context they would not make any sense at all." + artist_url: "http://quadrature.co/" + media_url: + video_url: +- title: "How to have fun with a six channel guitar pckup" + artist: "Miller Puckette" + speakers: "Miller Puckette" + artist_bio: "Miller Puckette is best known as the author of the Max/MSP and Pure Data software environments, which are widely used in electronic music and the electronic arts. He usually teaches music at the University of California, San Diego, but is now a guest\nprofessor at TU Berlin. He performs with the Convolution Brothers and in a duo with\nthe singer Juliana Snapper." + description: "Puckette demonstrates what happens when you put individual pickup coils on each string of your guitar, opening up a wide range of sonic possibilities beyond what you can get out of an ordinary pickup. Techniques like filtering and distortion can be applied to the signals before they're mixed. This makes it possible to get results that are both rich sounding and precisely controllable. The software to do this is open source, free to download." + artist_url: "http://msp.ucsd.edu/" + media_url: "http://msp.ucsd.edu/" + video_url: +- title: "From a visual journey into another dimension." + artist: "3ez" + speakers: "Bruno Bez" + artist_bio: "Born in the beautiful island Florian√≥polis, south of Brazil, visualist Bruno Bez began his career through new media creations around boardsports since 15 years old. His first films and productions focused on enhancing the appeal over environment, boardsports and artistic themes.\n\nSince then he is diving deeper into handling audiovisual techniques as Vj and Filmaker with an accurate optic sense in order to introduce an immersive thematic presented by an hybrid reality and multiple means.\n\n The direction and concepts depend strongly of the place and time, in each one of this corners, everything looks dramatically different surfing between glitches, fractal formulas and open source tools and several collab with others authentic artists." + description: "Probably known mostly about his former old project called \u201aÄúJonnyzeb\u201aÄù as surf movie producer, Bruno Bez has released a series of experimental boardsports movies with a good dose of imagination and a ludic taste from Brazil around the world.\n\nTraveling, filming and producing in extreme places, Bez have being learning with his perspective inside of this creative universe doing visuals in your own way to express yourself.\u201aÄã" + artist_url: "http://3ezvisuals.wix.com/bruno3ez\nhttps://www.facebook.com/bruno3ez" + media_url: "https://www.facebook.com/photo.php?fbid=455639367191&set=a.430185207191.225580.745012191&type=1&theater" + video_url: +--- diff --git a/_posts/2014-12-11-Scope38.markdown b/_posts/2014-12-11-Scope38.markdown new file mode 100644 index 00000000..90ecf75c --- /dev/null +++ b/_posts/2014-12-11-Scope38.markdown @@ -0,0 +1,32 @@ +--- +layout: event +title: "Scope 38 / December 11th, 2014" +date: 2014-11-13 +categories: event +video_url: http://vimeo.com +talks: +- title: "Transforma: 2001 bis 2014" + artist: "Transforma" + speakers: "Luke Bennett / Baris Hasselbach" + artist_bio: "Transforma is an artist group with a focus on video, performance, installations and music/video works. \nTransforma collaborates with other artists and musicians to create pieces, that blur borders of established genres in live performance, art & music. \nTransforma's work has been performed live and shown at festivals around the world.\nTransforma are Luke Bennett, Baris Hasselbach and Simon Krahl." + description: "A chronological presentation of selected works from the world of transforma" + artist_url: "www.transforma.de" + media_url: "http://transforma.de/work/a-matter-of-time/" + video_url: +- title: "Current Status" + artist: "Marcel Schwittlick" + speakers: null + artist_bio: "Marcel Schwittlick is a German generative artist living and working in Berlin. With his work he\u201aÄôs examining different notions of reality especially those who result of recent tendencies of digital culture. His work has a philosophical foundation that often evolved into tangible images, videos or installations.\nHe\u201aÄôs working with digital technology as his main tool. As most of his work is necessary to be realized in the context of generative, real-time software systems, he\u201aÄôs usually creating computer programs which are instructed to carry out his thoughts and ideas.\n\n" + description: "No short description. It's just me showing my work. Feel free to make up a topic yourself, lol." + artist_url: "www.mrzl.net\n\n" + media_url: "http://mrzl.net/wp-content/uploads/2013/04/photo_cropped.jpg" + video_url: +- title: "Crossing the border - RANDOM IN ANALOG AND DIGITAL MEDIA" + artist: "MARCELINA WELLMER" + speakers: " MARCELINA WELLMER&G√ñSTA WELLMER" + artist_bio: "I\u201aÄôm operating at the edge of video, installation and painting. My works are dealing with the relation of humans and technology and with the interference of information and media, crossing the border from analog to digital and vice versa.¬\u2020 Pieces are controlled and displayed through self written software that works with random seeds. Part of my creation is to play with the edges of media, to amplify their very own characteristics." + description: "Generative factor in a visual message, connected with electronic devices, used in a set of variable objects.\nHybrid of media and cultural&philospohical garbology. Reverse engineering." + artist_url: "marcelinawellmer.com" + media_url: "marcelinawellmer.com" + video_url: +--- diff --git a/assets/panke_logo.png b/assets/panke_logo.png new file mode 100644 index 0000000000000000000000000000000000000000..d49b2667d4211cef4709566200ecc4dd0760aae9 GIT binary patch literal 32105 zcmeAS@N?(olHy`uVBq!ia0y~yU}$GxU})fAV_;xVd{niGfq_dU)7d$|)7e=epeR2r zGbfdS!J~8PH1>cgo?^#;|5j7K#N*ti_UCukC6Qjdy^f?(MdNE)mkyU9=-c;r56{Y&R zIlVXIumAXULvaop!@M&opOhFC(i98bxU_{%Iz1+H~; z-`;iV8prCEzuxms)Ss68rmH?#@@Mb$eNR_kyi@9HTFNY;Wq2mSPoiJ=oOjS)`}NQ2 zqhoSD*`JSo%P>B7$bsb{<+yVq_LPhb%IpuFCf$Ah_YNs#XX_MQgI z4QzY|L@Su$1z60O#X6V@J+7`)V1C1RQ$bv$VetZykcO-Pe!u3;3uI#$Y#(Ut;A}gf zF@s@p0-FtU_XFLCHU$p$Km{!owv!HB6Rei7&vckJf%ysFPY1^U4H3@5g((`$x454= zwFYR0aGE;UJ3n72_rl7A=Wg?|1(h#EzX-Y=Oqs#veb8%zSq{_f19=jroTbe^B|u6X(Pz!s+UMa*;`(nuhfhbu9_e#zzaw78L~?U7;0X zyh`|L|E}IyF1ics7HrJWn$>vCW%lB^7wa;_tQhwS&u!Opy}tPNh1wUlUub?&`o-PW zH1WuaGZb}%Svya;a4*s~oVBAp!YM~BPSH+b 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z=6tOs-i6LbKiSHOFWNC>(t{bEm4}XYaV!s*E&b_5V4O_a>E6$q3ia(*3O|m#w?lA> zy5y36UJaYWI%_{Y(F+xGwmWy&;HA%_@Ac_tJ5?U)IE$(rOxIKk4f8r)q%qq+(x_ZR z|Em0AkKPq~a$fu~X!-J`$Y`!#>h3!y8YZd6E!~_r=RDi9C39-Nyyl&-^nbneVnfSc S*})>9751L4elF{r5}E)b{rxHc literal 0 HcmV?d00001 diff --git a/css/custom.css b/css/custom.css index 066f5d91..f8a540c8 100644 --- a/css/custom.css +++ b/css/custom.css @@ -12,3 +12,13 @@ padding:10px; background: #ddd; } + +.content{ + /*background: #000; + color: #fff;*/ +} + +.site-footer{ + /*background: #000; + color: #fff;*/ +} diff --git a/index.html b/index.html index ed69b43c..8a2c24da 100644 --- a/index.html +++ b/index.html @@ -12,16 +12,18 @@ layout: default

- {{post.title}} -

{{post.test}}

-

{{post.date}}Video

+

{{post.title}}

 + {% for talk in post.talks %}
- {{talk.artist}} + {{talk.artist}}

{{talk.title}}

+ {% if {{talk.video_url}} %} + Video + {% endif %}
{% endfor%}