Adding _site to Versioning for git-hook based deplyoment

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Open-Steps.org 2015-04-16 10:18:08 +02:00
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h3>#19</h3>
<h4>February 21st, 2013</h4>
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<div class="padded_vert">
<ul>
<li>Research</li>
<li>Performance</li>
<li>Design</li>
<li>AV Performance</li>
<li>Architecture</li>
</ul>
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<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
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<h4>Vanessa Ramos-Velazquez / </h4>
<p>She is currently collaborating with legendary electronic musician/producer A Guy Called Gerald for her interactive performance Coded Narratives, and with sound artist Derek Holzer will debut her live videomicrography performance.</p>
<h5>About Vanessa Ramos-Velazquez</h5>
<p>Vanessa Ramos-Velasquez is an interdisciplinary artist, multimedia specialist, and researcher from Brazil and the U.S., and currently based in Berlin. A Fulbright scholar at the University of Kansas, she pioneered a special program in Interdisciplinary Studies in Art, Design, Video & Film and Choreography. Her transmedia experiments led her to develop an artistic practice in performance art, installation, videoart, videodance and cameraless films. As a choreography student of the late Labanotation expert Janet Hamburg, she danced with the Bill T. Jones/Arnie Zane Dance Company.</p>
<a class="button hvr-sweep-to-top" href=http://www.quietrevolution.me/Vanessa_Ramos_Velasquez.html target="_blank"><i class="fa fa-link"></i> Website</a>
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<h4>Geso / </h4>
<p>Geso is the moniker he uses for his most personal and experimental work, specially focused in video-art and visual performances. His videos are a combination of glitches, geometric graphics, landscapes and images from nature, evoking a short of lost paradise or residual image from a better world. The concepts that often dominate his work are related to different levels of communication and its paradoxes, the digital language and errors, usually revealing a connection with different aspects from human conscience and spirituality, like altered states of mind.</p>
<h5>About Geso</h5>
<p>Also known as Pablo IA, is an active/creative mind involved in different art and design fields. As graphic designer and art director for his own studio GeeOhDee, as artist exhibiting his work in galleries and festivals (previously in collaboraton with his brother, Javier IA), as Dj, Vj and promotor of electronic music events and of course, as publisher and curator for his main project: Belio Magazine, an art publishing house and organization who runs exhibitions, concerts, festivals, conferences and workshops, apart of publishing magazines and books since 1999. Pablo IA actually lives and works in Berlin.</p>
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<h4>Alex Haw / </h4>
<p>His work, which spans the scales from buildings to installations, masterplans to furniture, seeks a synthesis of mind & body – creating meaningful, pleasurable, enduring and immersive experiences. Much of his work involves cutting-edge fabrication technologies and digital mapping, exploring the connectivity of people to their precise place in the world.</p>
<h5>About Alex Haw</h5>
<p>Alex will present a series of atmos projects that explore optical space, architectural interactivity, participatory surveillance and 4-dimensional interactivity – all at breakneck speed, with 1000s of slides. Alex Haw is director of the award-winning UK art/architecture practice atmos</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2012/12/13/Scope018.html>#18: December 18th, 2012 </a>
<a class="button hvr-sweep-to-top right" href=/2013/03/14/Scope020.html>#20: March 14th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>March 14th, 2013</h4>
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<h4>Aude Rose / </h4>
<p>Aude Francois also called Aude Rrose is multi-disciplinary artist living between Paris and Berlin, working with performance, photography, sound and live video. She regularly presents her video performances in international festivals.
Her imagery plays with narrative structures, developing dreamy and intimate universes, exploring various forms of interplay between body, images in motion, deconstructive narrations and self-mythology. Her performances articulate live scenography protocols integrating video as an environment medium, often using real-time camera feedback, considering the black box as a possible oneiric space, where sounds and images communicate in a poetic and narrative journey.</p>
<h5>About Aude Rose</h5>
<p>Aude Rose has developed several successful collaborations with international acoustic and electronic musicians, sound and video programmers, producing series of audio-visual performances where she manipulates time and images in evolving structures.</p>
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<h4>Mey Lean Kronemann & David Sanz Kirbis / </h4>
<p>David and Mey are currently working on their project Tower of Babel, an emergent robotic sculpture that builds itself. A pack of small, autonomous robots is trying to climb on top of each other in order to form a tower. At some point, the tower gets too high and the robots fall down. This project is supported by Fundacion Telefonica’s VIDA Art and Artificial Life International Awards.</p>
<h5>About Mey Lean Kronemann & David Sanz Kirbis</h5>
<p>Mey Lean Kronemann is a media artist from Berlin with a passion for robotics and emergent behaviour. Her works have been internationally exhibited and presented at media art festivals and conferences, and were awarded by Digital Sparks (Honorary Mention, 2008), Japan Media Arts Festival (Jury Selection Work, 2011) and Art of Engineering (prize award, 2012). Mey has studied Interaction Design in Malmo, Sweden, and Product/Interface Design in Potsdam, Germany, where she graduated in 2009, and was a research fellow in 2010.
David Sanz Kirbis is a multidisciplinary experimenter interested in how things work and in finding creative solutions to technical projects. He is currently working as researcher towards a PhD in the field of Art and Technology at the Universidad Politecnica de Valencia. With an eclectic background as computer technician, product design engineer, and independent filmmaker he is interested in design, mechanics, electronics, programming, robotics, philosophy and photography. David was recently hosted as fellow of the STUDIO for Creative Inquiry, directed by Golan Levin, at the Carnegie Mellon University.</p>
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<a class="button hvr-sweep-to-top left" href=/2013/02/21/Scope019.html>#19: February 21st, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/04/11/Scope021.html>#21: April 11th, 2013 </a>
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<h4>April 11th, 2013</h4>
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<h4>pussykrew / </h4>
<p>In 2010 they’ve started their audio-visual noise project – Domestic Violence, which merges field recordings, live coding and audio-responsive glitches, by using self-made interfaces, controllers and patches. Domestic Violence performed in Finland, Germany, UK, Italy and Poland. work by Tikul & Jendre has been presented at digital arts and video festivals around the world. They are constantly trying to challenge the viewer, through exploration of identity / queerness of human body / architectural objects and their transformations, synthetic-organic textures, glitch aesthetics, physicality of image and sound.Their works are attempting to bend the perception of time – intensify the senses and reactivate the dismissed areas of psyche.</p>
<h5>About pussykrew</h5>
<p>Duo Ewelina Aleksandrowicz and Andrzej Wojtas (Tikul & Jendrek), known collectively as Pussykrew, make art that eludes convention and merges the erotic and the ethereal with exquisite finesse. Using both visual and sonic media, the two artists marry the maximalist sensations of glitch with minimalist destructiveness to give performances that are beyond experimental. They are Berlin based artists who are collaboratively working within the area of new media. Their interdisciplinary practices range from audio-visual performance, live coding, multimedia installations to sound experiments, sensor based technologies and DIY electronics. During their production of live visuals, video installations and videoclips they have collaborated with Leila, Darkstar (WARP Records) HTRK (Work, work, work Tour 2011 – Ghostly International), Raime (Blackest Ever Black) and Oni Ayhun amongst others.</p>
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<h4>Gabriel Shalom / </h4>
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<h5>About Gabriel Shalom</h5>
<p>Gabriel Shalom is a director, audiovisual artist and composer living and working in Berlin, Germany. His signature work takes the form of rhythmically edited audiovisual compositions (videomusic). Taking inspiration from musique concrète, he explores the hidden musicality of everyday objects, unusual handmade electro-acoustic instruments, and manipulation of traditional instruments. He understands video to be a fundamentally audiovisual medium and strives to create highly synaesthetic works. His five channel videomusical installation The Tosso Variations premiered in his solo exhibition at MU Eindhoven. He has written and spoken extensively on Hypercubism, his theory of object-oriented aesthetics. He has been commissioned by brands such as MINI, Sony and BMW Italy. He has been an artist in residence at the Frankfurter Kunstverein, ZKM Karlsruhe and the CAMP Festival in Stuttgart. He is a member of the 2012 class of the Art Directors Club Young Guns. In addition to his audiovisual work, Gabriel is a director of experimental narratives. His video essays are meditative reflections on the zeitgeist, often influenced by his theory of aesthetics, Hypercubism. His company KS12, founded together with partner Patrizia Kommerell, is a creative studio for experimental storytelling. KS12 has been commissioned by various media arts festivals such as Transmediale (Berlin), STRP (Eindhoven), and NODE Forum for Digital Arts (Frankfurt), as well as companies and organizations such as Wieden + Kennedy, British Council, BOX 1824 and Meiré und Meiré</p>
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<h4>Kasia Justka aka pani K. / </h4>
<p>Kasia is a one man studio, audiovisual composer, video-maker and live performer who loves to experiment. She is driven by a desire to find beauty in an ugly world and amplifies images, sounds and lights with her inner emotions, feelings, intuitions. Her work is a combination of the harsh and delicate. Electricity is what she is sure of and relies on. Making narrative cinematic concerts, she invents new paradigms of audio-visual performance, installation art and short films.</p>
<h5>About Kasia Justka aka pani K.</h5>
<p>Kaska was born in Warsaw, was educated at the National Film School in Lodz (Poland), and now lives in Berlin. She has created visuals for Schneider TM, Murcof, Deadbeat, Lady Aarp, Makaruk, Vitor Joaquim and has performed her work at Electrovision (London), noise=noise, Transvisualia Warsaw, Cynetart Dresden, Unsound Krakow, wro, Hau and at the Volksbühne (Berlin).</p>
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<a class="button hvr-sweep-to-top left" href=/2013/03/14/Scope020.html>#20: March 14th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/05/09/Scope022.html>#22: May 09th, 2013 LPM Preview</a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>May 09th, 2013</h4>
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<h4>Tokyo Data Collective / </h4>
<p>Their performance De Koog is a multi-media exploration that fuses together electronics and acoustics, light and sound, man and machine. It can be watched, touched, played, heard and experienced both as performer or audience. Its eyes and ears take in data from the surroundings and it responds to these stimuli with jittering visuals, harsh synthesis and animal screams.</p>
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<p>Tokyo Data is a creative collective who understands its mission to engage emerging contemporary New Media artists and initiate transdisciplinary work between the universes of video art, acoustic architecture, performing arts, motion, interactive design, photography and graphic arts.</p>
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<h4>A-LI-CE / </h4>
<p>For this years LPM edition, she will premiere the Piece «Parade: Ouverture», which is the first act of the “Parade A/V live performance project”, inspired freely on “The Atrocity Exhibition” of the writer J.G. Ballard. In collaboration with the sound artist Swub, it deals with spam messages, white lights, birds, electricity, schizophrenia, and Abba music.</p>
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<p>A-li-ce, based in Paris, works as video designer, live performer and VJ since 2004 around Europe. She uses a bunch of techniques from paper, animation and video, bridging the gap from hyperrealities “wonderland” to sophisticated, dark visual worlds.
Her work deals with identity, humor, and acidity. She presented her work at audiovisual festivals like Mapping (Ch), LPM (It), Visual Berlin Festival (De), and Vision’R (Fr), including VJ solos and collective projects with ‘Homemade Collective’ and the duo ‘:NÄ:’. Her music videos and short animation movies have been screened in festivals as the International Animation Film Festivals of Moscow ( 2011) and Stuttgart (official music video selection, 2011), Cinemabrut (2010) and many more.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2013/04/11/Scope021.html>#21: April 11th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/06/06/Scope023.html>#23: May 06th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>Rainer Kohlberger / The void beyond this feeling</h4>
<p>«My talk will examine the colors of noise, the worms in my signals and the serendipity of music. The black square is the feeling. The white field equals the voice beyond this feeling. The metal machine will display my work.»</p>
<h5>About Rainer Kohlberger</h5>
<p>Rainer Kohlberger is an Austrian born Freelance Visual Artist living in Berlin. His work is primarily based on algorithmically generated graphics that are exposed in live performances, installations and mobile apps. For his work «field» he won the ZKM App Art Award for artistic innovation. He received the Crossing Europe Local Artist Award 2013 for his work «humming, fast and slow».</p>
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<h4>Sébastien Bourdeauducq / Story and development of the Mixxeo digital video mixer</h4>
<p>Many video artists need a device that can blend video streams from two or more computers. A common solution is to use SD analog video and a commercially available mixer such as the Edirol V4. But the move to the better quality of digital video and the high cost of commercial digital mixers has prompted community developments of alternative devices.</p>
<h5>About Sébastien Bourdeauducq</h5>
<p>Sébastien Bourdeauducq is an inventor passionate about science, electronics and open source. After working for several small companies – which included developing the Wi-Fi driver infrastructure for the Nabaztag/tag – he founded Milkymist Labs in the summer of 2007.</p>
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<h4>ReVerse Bullets / Kunst, Kultur & Kino Collage</h4>
<p>“Kunst, Kultur & Kino Kollage” will be an examination of the process of re-appropriating the images and sounds of pop culture, propaganda, educational films, and the tools of the populist media to create subversive audiovisual art. The talk will feature an analysis of the creation of the debut ReVerse Bullets’ album, “Drapetomania!,” along with a preview of new material collaborated with Nicolo Sommer (BIINDS).</p>
<h5>About ReVerse Bullets</h5>
<p>ReVerse Bullets is a rotating lineup of filmmakers, musicians and visual artists founded by filmmaker Jon-Carlos Evans in New York City in 2009. . Through a collision of industrial noise cum funk and psychedelic synths, ReVerse Bullets project audiovisual “anti-propaganda” and noise-collage molotovs like an amalgam of Stan Brakhage cum Sonic Youth and Sergei Eisenstein cum Massive Attack. Twisted samples of capitalist, western & religious propaganda collide with the band’s electronic cum noise funk and dialectic imagery to create a sensory experience that is part multimedia essay, improvisational electronica, performance art and rock concert.</p>
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<a class="button hvr-sweep-to-top left" href=/2013/05/09/Scope022.html>#22: May 09th, 2013 LPM Preview</a>
<a class="button hvr-sweep-to-top right" href=/2013/07/11/Scope024.html>#24: July 11th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>July 11th, 2013</h4>
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<h4>Joel Dittrich / White Noise/Black Noise</h4>
<h5>About Joel Dittrich</h5>
<p>Swedish audio/visual artist and university college teacher Joel Dittrich will talk about the latest incarnation of White Noise/Black Noise. An audio/visual project where Dittrich is experimenting with intermodal aesthetics, creating audio and visuals side by side and performing live with a digital set up, relaying heavily on OSC, MIDI and audio analysis, to control audio and visuals simultaneously. During 2013 Dittrich has received a lot of praise after performing at Elektra Festival (Montreal), The Lab (San Francisco), Live Performers Meeting (Rome) and The Bang Bang Bar (Stockholm). Dittrich teaches at five universities/colleges and engages in a number of projects in the realm of audio/visual and projection mapping, in Sweden as well as the rest of Europe and North America.</p>
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<h4>WHITEvoid / </h4>
<p>Lights are screens and screens are lights. pixels become physical and tangible. buildings and spaces are shaped by computer generated patterns and mathematical algorithms. in the age of projection mapping the real and the digital world are merging to form a new reality. real and virtual worlds are inseparable. Christopher Bauder talks about chances and challenges for computer aided design and scenography.<</p>
<h5>About WHITEvoid </h5>
<p>Christopher Bauder started working in the field of interactive installation art and design after finishing his studies in the Digital Media Class at the Berlin University of the Arts. His projects focus on the translation of bits and bytes into objects and environments and vice versa. Space, object, sound and interaction are the key elements of his work. In 2004 Christopher Bauder founded studio WHITEvoid as a necessity to realize his large scale art and design pieces and environments. The studio is comprised of specialists in interaction design, media design, product design, interior architecture and electronic engineering. The interactive installations and products are created for museums, exhibitions and trade fairs, festivals, concerts and clubs. WHITEvoid’s designs are exhibited and experienced internationally and have gained worldwide recognition.</p>
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<h4>VJ Juladi / </h4>
<p>As VJ Juladi she creates new imagery and makes sounds visible. She specializes in analog and handmade visuals. Responding live to music, she experiments with the movements of her hands and body in addition to placing various objects in front of the camera: feathers, leafs, fabrics, fire, etc. to create mesmerizing effects which are sent through a video mixer and out to a screen. For the last few years she has also been using her whole body for the visuals, starting to dance, perform and move in front of the screen. The pictures which appear are always different. Simple hand movements result in intriguing patterns and shapes on the screen …. which sometimes even look like birds or digital animated forms.</p>
<h5>About VJ Juladi</h5>
<p>Elke Radtke has been active in the video art scene for 7 years. She has performed at multiple Video Art and Music Festivals around the world, as well as lectured on video art in Mexico City at the Arts University San Carlos. She won the Mapping Festival VJ Competition 2013 in Geneva and was the 1st runner up at VJ Torna at the Live Performers Meeting Festival 2012 in Rome (Championship Category) and 2011 (Battle Category).</p>
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<a class="button hvr-sweep-to-top left" href=/2013/06/06/Scope023.html>#23: May 06th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/09/12/Scope025.html>#25: September 12th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>September 12th, 2013</h4>
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<h4>Tim Vis / Mixing after SD video</h4>
<p>Now that we have overcome the limited possibilites of old-style SD mixing by the development of new Hard and Software, there is the opportunity to redefine the VJ as a performer, not only beeing a controller of some software, which he was mostly after SD-Video outputs on the computers have been suspended. The talk is on concepts, ideas and the small tech-toys that make these reality.</p>
<h5>About Tim Vis</h5>
<p>Tim grew up in a radio & TV shop. His experience that his father was a enthusiast hobby photographer and his mother beeing a seller of dance music in the store then might have lead him into live visualism, aka Vjing. After finding that visualist niche he started VJing in 2005 and developed his own styles using the Textmachine3D VJ software. From 2009 on he is co-producer of the B-Side Festival in Mannheim/Germany serving there as the technical manager.</p>
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<h4>Elektro Moon / Patch:audio_visual lab</h4>
<p>will present P a t c h :audio_visual lab – international festival dedicated to the contemporary digital art forms, which they organize in Krakow, Poland as an AV Node member. This year it will take place from 10-12 Oct at the Contemporary Art Gallery Bunkier Sztuki in the center of Krakow (exhibition,performances and workshops) and Forum Przestrzenie (Audiovisual Night). They will present the concept and form of the event and also present selected artists and their artworks which will be presented on this year edition.</p>
<h5>About Elektro Moon</h5>
<p>Elwira Wojtunik and Popesz Csaba Láng :: Polish-Hungarian duet of visual artists, also known as Elektro Moon Vision founded in 2004 in Budapest. They design unique visual live-acts based on live experiments with the video surface, wide-format projections, mappings, audiovisual performances, interactive video-installations or video projections for theatre shows.</p>
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<h4>VJ Radiance / </h4>
<p> She will talk about her personal approach to creating video material coming from a fine arts / printmaking and graphic design background and through a selection of projects. This includes ‘Memento Mori‘ which uses stop motion collages to remix religious iconography, and ‘The Space Between Us’ which uses physical performance art of walking between destinations in a landscape. She will also cover some of the experiences that have impacted on her practice such as working with the Australian collective Essence and undertaking a visual arts residency in Tallinn Estonia in 2012.</p>
<h5>About VJ Radiance</h5>
<p>Rose Staff aka Radiance is a media visual artist, Vj and designer working with video and live performance in a range of settings, from video art installations to vibrant outdoor projections at festivals. Using experimental hybrids of traditional and digital art forms, she explores how contemporary phenomena such as communication technologies and audio-visual space influence our perception of the modern world. She has showcased her work at events such as Glastonbury festival (Uk), Leeds Festival (Uk), LPM (Italy), Sonica Dance Festival (Montenegro), AV playground (Austria), Burning Mountain Festival (Switzerland).</p>
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<a class="button hvr-sweep-to-top left" href=/2013/07/11/Scope024.html>#24: July 11th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/10/10/Scope026.html>#26: October 10th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>pixelnoizz / touch.gl</h4>
<p>David Szauder will present touch.gl, an app to create a glitch composition using your fingers. glitch.gl offers several glitch method options, noizes, databending, offsets for composition from different sources, such as camera input or image files. touch.gl was recently exhibited in the Centre Pompidou (Paris, France), during the show called DigitART organised and curated by Abdel Bounane. He will also premiere the latest soon to be released 6th version of his other application GlitchPatternGenerator. The audiencewill have the chance to play with both apps after the presentation.</p>
<h5>About pixelnoizz</h5>
<p>Budapest born and Berlin based artist David Szauder aka. pixelnoizz mostly works with generative structures both on audiovisual -and art field. He experiments also in interactive visual design and works on different publications about experimental, audiovisual and live cinema.</p>
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<h4>Malte Steiner / Open source game engines and realtime 3D for visuals</h4>
<p>n his talk, Steiner will show the use of open source game engines for live visuals and interactive art pieces from the humble beginnings in late 90s towards today. He currently develops and shares a system based on the engine Panda 3D which can be programmed in Python. With the implementation of full OSC control it can communicate with any other data from applications, like Pure Data…</p>
<h5>About Malte Steiner</h5>
<p>Malte Steiner is media artist, sound designer and software developer. Starting around 1983, developing his own vision of the interdisciplinary Gesamtkunstwerk, working with, and not limited to, film, theater, video games and interactive installations. Releases on cassette, vinyl, CD and online. Concerts, exhibitions, and collaborations in Europe, Asia and America. In 2011 he moved to Berlin and opened his own media lab to work on his projects like Notstandskomitee, Elektronengehirn, Akustikkoppler with Matthias Schuster from Hamburg and Restlichtverstärker with Servando Barreiro, but also mastering and remixing other artists. He organizes twice a month the Pure Data Berlin ‘patching circle’ at Berlins well known C-Base.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2013/09/12/Scope025.html>#25: September 12th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/11/14/Scope027.html>#27: November 14th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4>November 14th, 2013</h4>
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<h4>Georgina Espasa / Half a Quarter</h4>
<p>During this talk Georgina will present the creative process of her latest work: a documentary film (“Half a Quarter”) that took her three years to complete and is linked to her personal evolution, and relates to her understanding the roots and the assimilation of her family legacy. The film will be screen (20 min) with subsequent time for questions.</p>
<h5>About Georgina Espasa</h5>
<p>Georgina is a filmmaker and interactive video artist. After receiving an arts degree at the University of Barcelona in 2008 she has been living in Berlin, working on live video performances, lighting design and mapping installations.</p>
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<h4>Tarik Barri / Versum: audiovisual composing in 3D</h4>
<p>Tarik will present his ‘Versum’ software, which was originally developed as a 3D audiovisual sequencer for the purpose of creating music by flying through melodies within a virtual space. The software has been gradually adapted to be a purely visual tool and works with any kind of music. At the end of his talk Tarik will give a demonstration of his work by doing an audiovisual piece together with singer Lea Fabrikant, involving live audio/video recording and looping in 3D.</p>
<h5>About Tarik Barri</h5>
<p>Tarik Barri (1979) is an audiovisual composer and software developer. During his study in Music and Technology he realized that the methods he used to create music could be applied to the moving image as well. With tools like Java, Max/MSP and Supercollider he now develops applications for audiovisual performance, composition and data-representation. Using these tools, Tarik aims to discover new synergies and aesthetics in the combination of image and sound. His works take on various forms like audiovisual performances, installations and videos. He also creates live visuals for artists like Monolake, Atoms for Peace and Nicolas Jaar. The fundamental concept, reflected in all his works, is that image and sound are perceived as one: the viewer hears images and sees sounds.</p>
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<h4>TorpeDeArte Kollektiv / TelevisArte Installation</h4>
<p>The project is based on TorpeDeArte’s shared perception of art as an active form of research. We don’t believe in one path for the creative process. There are infinite means to reach any one end and infinite unimaginable ends awaiting to be discovered. All we need is to establish a creative public platform.The crowd becomes a basic part of the installation. The participants are transformed and deformed, while maintaining their intrinsic identities.Through the creative process the projected and physical images merge erasing the boundaries between fiction and reality, art and nature.</p>
<h5>About TorpeDeArte Kollektiv</h5>
<p>In TorpeDeArte’s audiovisual collective we don’t believe in definite unconditional concepts like truth, perfection or beauty and therefore we don’t seek a single artistic end. We believe in the beauty of the interactive process in itself. Our art is born from the participation with the medium and the people. The flexibility of our creative process defines the final expression and frees us from all categorical artistic objectives. We believe in not having a preestablished aim to allow the interaction to produce its own concept of beauty in a dialectic process.We are the interstellar multidisciplinary and undisciplined Dadaists of tomorrow. We firmly believe in art as the result of the collision of the work and the spectator. The coming together of the essence of the medium and the conscience of the audience. TorpeDeArte has the only purpose of artistic creation. Each member brings the best of his or her world to our common project, meeting up only for productive artistic creation. From our first steps as a community it became clear that we had no intention to submit or control our art. We don’t believe in the attitude of the autonomous-independent artist who must administer and preside over every single little detail. The richness of our project is the ultimate freedom of what we do. What will be, will be, in a self-determining artistic interaction.</p>
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<a class="button hvr-sweep-to-top left" href=/2013/10/10/Scope026.html>#26: October 10th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2013/12/12/Scope028.html>#28: December 12th, 2013 </a>
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h3>#28</h3>
<h4>December 12th, 2013</h4>
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<h4>Julien Bach / Video mapping Jam</h4>
<p>Julien will present a selection of his past work, mostly video mapping, and also introduce a community event he will start in January : A video mapping jam evening, happening once every two months in the Atelier.</p>
<h5>About Julien Bach</h5>
<p>Julien Bach is a “3d generalist” freelancer working for many different kind of agencies : Architecture, motion-graphics, advertisement, projections for festivals… Also in charge of a small co-working space, Atelier Äuglein, hosting nine coworkers, focusing on visual arts.</p>
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<h4>StratoFyzika / Writing movement in interactive mediated spaces</h4>
<p>In this talk StratoFyzika will speak about their experience in experimenting with audio-visual-movement performances and recent collaborations with other artists. The use of sensors and wearable technologies, mapping the parameters of human movement to those possible in the world of sound and projection, as well as the use of physical and digital shadows together to visually represent the unconscious vibration of the ego in time.</p>
<h5>About StratoFyzika</h5>
<p>StratoFyzika is a collective creating movement-based interactive audiovisual performances. They are three artists of various backgrounds; each representing one “stratum” of perception: audio, visual and movement. We use the laws of physics (Fyzika) as a metaphorical way of explaining material states from the realms of imagination, emotions and spirit.</p>
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<h4>Discover more</h4>
<a class="button hvr-sweep-to-top left" href=/2013/11/14/Scope027.html>#27: November 14th, 2013 </a>
<a class="button hvr-sweep-to-top right" href=/2014/02/13/Scope029.html>#29: February 13th, 2014 </a>
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