- changed order of upcoming talk
- first commit :) - first deployment test
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Kiritan Flux
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84 changed files with 344 additions and 344 deletions
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@ -10,7 +10,7 @@
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<tbody>
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<tr>
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
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<img alt="" src="http://scopesessions.org/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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<img alt="" src="http://scopesessions.org/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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width="564" align="left">
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</td>
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</tr>
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@ -34,18 +34,18 @@
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valign="top">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
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<span class="fsl">20:00 / Safe and Sound: a personal reflection on the nature of alarming systems</span>
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<span class="fsl">20:00 / Warped vision</span>
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</h3>
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<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
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<a href="http://www.alonarodeh.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Alona Rodeh</span>
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<a href="http://theresabaumgartner.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Theresa Baumgartner,Alis</span>
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</a>
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</h4>
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<span class="fsl">This talk will be dedicated to the rhetorics of alarms and emergency signals, in sound and visual, as a part of the artist's ongoing abstract research on the subjects. Discussing the movement in history of reflectives and glow of magical tricks to military tactics, dazzle and camouflage to the aesthetic of psychedelics, observing the extended usage of led lights in everyday households, safety regulations in the public sphere and neon runners. </span>
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<span class="fsl">Theresa Baumgartner is a visual artist based in Berlin.In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. For her talk at scope sessions, she will present her new project with Alis. The producer formerly known as Subbeena, worked with artists such as Jamie Woon and Om’Mas Keith, and appeared on labels such as Planet Mu and on Fabric's Surgeon mix CD. Her work has been featured on music magazines and websites such as The Guardian, Fact Magazine, The Quietus and many more. Her Music consists of multi - layered sounds combined with dancy, bassy rhythms covering them with smokey vocals. In a first degree access to creating visuals Theresa will manipulate live captured and live generated content with both analogue and digital tools. The findings of that process is a distorted picture of the immediate present, the now ripped apart into various layers.</span>
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<br>
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<br>
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<span class="fsl">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</span>
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<span class="fsl">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</span>
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</td>
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</tr>
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</tbody>
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@ -84,7 +84,7 @@
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<tbody>
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<tr>
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
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<img alt="" src="http://scopesessions.org/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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<img alt="" src="http://scopesessions.org/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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width="564" align="left">
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</td>
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</tr>
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@ -108,18 +108,18 @@
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valign="top">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
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<span class="fsl">21:00 / Warped vision</span>
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<span class="fsl">21:00 / Safe and Sound: a personal reflection on the nature of alarming systems</span>
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</h3>
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<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
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<a href="http://theresabaumgartner.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Theresa Baumgartner,Alis</span>
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<a href="http://www.alonarodeh.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Alona Rodeh</span>
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</a>
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</h4>
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<span class="fsl">Theresa Baumgartner is a visual artist based in Berlin.In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. For her talk at scope sessions, she will present her new project with Alis. The producer formerly known as Subbeena, worked with artists such as Jamie Woon and Om’Mas Keith, and appeared on labels such as Planet Mu and on Fabric's Surgeon mix CD. Her work has been featured on music magazines and websites such as The Guardian, Fact Magazine, The Quietus and many more. Her Music consists of multi - layered sounds combined with dancy, bassy rhythms covering them with smokey vocals. In a first degree access to creating visuals Theresa will manipulate live captured and live generated content with both analogue and digital tools. The findings of that process is a distorted picture of the immediate present, the now ripped apart into various layers.</span>
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<span class="fsl">This talk will be dedicated to the rhetorics of alarms and emergency signals, in sound and visual, as a part of the artist's ongoing abstract research on the subjects. Discussing the movement in history of reflectives and glow of magical tricks to military tactics, dazzle and camouflage to the aesthetic of psychedelics, observing the extended usage of led lights in everyday households, safety regulations in the public sphere and neon runners. </span>
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<br>
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<br>
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<span class="fsl">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</span>
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<span class="fsl">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</span>
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</td>
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</tr>
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</tbody>
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