randogoth/scopesessions.org
1
0
Fork 0
Code Issues Pull requests Projects Releases Packages Wiki Activity Actions

#51

Browse source
This commit is contained in:
Alex Corbi 2016-01-03 23:05:31 +01:00
parent cf413ccff0
commit 452fcec16b
58 changed files with 12728 additions and 10403 deletions
Download patch file Download diff file Expand all files Collapse all files

38
_site/newsletter_content/index.html
View file

@ -16,7 +16,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/COVER_1280.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.orghttp://raumzeitpiraten.com/wp-content/uploads/2014/03/RaumZeitPiraten_BW_PORTRAIT.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -40,18 +40,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">20:00 / Geometry and Cinema</span>
<span class="fsl">20:00 / Rhizomatic engineering - crossing all borders as cultural pirates</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://www.defasten.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">DEFASTEN</span>
<a href="http://www.raumzeitpiraten.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">RaumZeitPiraten</span>
</a>
</h4>
<span class="fsl">Patrick Doan is a Canadian artist living in Berlin. Working under the stage name DEFASTEN, he’s been active in graphic design and digital animation since the early 2000s and now mainly specializes in motion design. He’s made content in the form of short films, music videos, visual effects for film and television, as well as vj graphics for touring bands and pop stars. As part of the sonic research collective AUDINT, he recently completed a new animation titled “Delusions of The Living Dead” which premiered this year at the Tate Britain as part of their Speculative Tate series.</span>
<span class="fsl">RaumZeitPiraten (Tobias Daemgen, Jan Ehlen, Moritz Ellerich) are a space and time bending artists collective. With their site-specific, performative installations, environments and urban interventions they create ephemeral models of unperfect mensch-maschine counter worlds questioning calculated realities, scientific accurateness and anorganic, machine dominated behaviour. With custom-built opto-acoustic instruments they are misusing and remixing ancient and up-to-date auditive and visual technologies for heterogeneous, organically improvised light and sound architectures. Their activities are aimed at playful, experimental connections of sound, image, object, space and time to an alternately-self-expanding-multimedia-performance-surround-spaceship-laboratory-travel to somewhere between science and fiction.</span>
<br>
<br>
<span class="fsl">A look at some past, recent and upcoming projects, including a new work featuring audio by Kode9 of Hyperdub Records.</span>
<span class="fsl">rhizomatic, optoacoustic, machine, technology, engineering, light, sound, performance, environment, urban, intervention, art</span>
</td>
</tr>
</tbody>
@ -96,7 +96,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/patch_hda_x.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.orghttp://wolfgang-spahn.de/Bilder/Installation/Bilder_einer_Ausstellung_1843_WSpahn.JPG" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -120,18 +120,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">21:00 / Code space: developing tools for performing arts</span>
<span class="fsl">21:00 / Uncovering The Invisible</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="https://mirkopetrovich.wordpress.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Mirko Petrovich</span>
<a href="http://wolfgang-spahn.de" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Wolfgang Spahn</span>
</a>
</h4>
<span class="fsl">Mirko Petrovich was born in Osorno, Chile. In 1995 he begins exploring Computer Music and programming interactive installations for museums, theater, dance and performance. Since 2007 he works with Chilean Troupe 'Teatrocinema' developing custom software for digital theater. He also designed and programmed the Chilean Pavilion at Expo Shanghai 2010. He currently lives in Berlin.</span>
<span class="fsl">Wolfgang Spahn is an Austrian-German visual artist based in Berlin. His work includes interactive installations, projections, miniature-slide-paintings and light sound performances. His art explores the field of the contradiction of analogue and digital media. At present he is researching the materiality of the digital and virtual world. Spahn studied mathematics and sociology in Regensburg and Berlin. He currently teaches at the BBK-Berlin/ Medienwerkstatt and is associated lecturer at the University of Paderborn/ department of art as well as at the University of Oldenburg/ department of art and visual culture. International exhibitions (selection): 2000 Biennial of young Art in Genua, Italy; 2003 The Kosovo Art Gallery in Pristina, Kosovo; 2005 Biennial in Prague, Czech Republic; 2008 and 2009 Internationales Klangkunstfest in Berlin, Germany; 2009 The Art of the Overhead in Malmö, Sweden; PIXEL09 and 13 in Bergen, Norway; 2010 Biennial Of Miniature Art in Serbia; 2010 Media-Scape in Zagreb, Croatia; Transmediale 2012 and 2014, Berlin, Germany; Musrara Mix 2015, Jerusalem, Israel; Bodenlos – Vilem Flusser und die Künste, Akademie der Künste, Berlin.</span>
<br>
<br>
<span class="fsl">In this talk I will share my experience working in the field of performance arts as a coder. I will show and discuss the technical and artistic challenges I have been facing working with real time video processing, motion tracking, mapping, sound generation and spatialization, light, sensors and actuators control.</span>
<span class="fsl">Berlin based Austrian artist Wolfgang Spahn introduces the analogue aesthetics and techniques that lay at the core of most of his multimedia installations. Starting in the 1990s with modifications of the classic photo slide Spahn decided to stretch the boundaries of slide projections by adding coloured liquids, using magnetic coils or merging sound and visuals. For the installation 'Pictures at an Exhibition', which is an homage to M. P. Mussorgsky, Spahn developed the 'Picture Disc', a transparent miniature picture based on chemical-magnetic experiments with liquid iron. Spahn's aesthetical approach focusses on the idea that analogue slide projections allow for uncovering (almost) invisible pictures that may even be performatively created in the very moment of their presentation. Also, by filming the slide projectors, amplifying their sound and implementing both aspects in his installations he visualises the importance of the machine as an integral part of the art – an artistic reference to Vilem Flussser's concept of the 'apparatus'. </span>
</td>
</tr>
</tbody>
@ -176,7 +176,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/sehi007-copy-2.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.orghttp://i2.wp.com/marcodonnarumma.com/wp-content/uploads/2015/03/marco-donnarumma_spectrumNYC_oct2014c_ugo-dallaporta.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -200,18 +200,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">22:00 / Sculpting Light</span>
<span class="fsl">22:00 / TBD</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="www.nataliasookias.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Natalia Sookias</span>
<a href="http://marcodonnarumma.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Marco Donnarumma</span>
</a>
</h4>
<span class="fsl">Natalia Sookias is a filmmaker with roots in visual arts. In 2012 she graduated in the Program of Film/Video from the California Institute of the Arts (CalArts). In the summer of 2015, she co-created the projection mapping for the organ of the Royal Festival Hall in London, designing the scenography for a 1-hr music production. Currently, she is working on a nomadic A/V installation that reimagines sacred Armenian music. She lives in Berlin working as a projection designer in performance and installation.</span>
<span class="fsl">Marco Donnarumma is a performance artist, sound artist, musician and writer. He has played interactive music by amplifying sounds from his body, has induced visitors in altered states of self-perception by feeding sounds from their bodies back to their skulls and bones, has immersed audiences in multichannel sound and video produced by the strain of his muscles while he pulled 50Kg stones, and has physicalised digital viruses in the body. He uses human bodies and machines as materials. Working with biophysical media, that is, biomedical technologies, sound devices, computer software, sensor and transducers, he creates artworks where human bodies and machines extend, transform or disrupt each other. His live performances, concerts and installations are renown for combining rigorous science, technical sophistication and critical concepts into intense live experiences.</span>
<br>
<br>
<span class="fsl">Natalia will tell us a story about light, sound, Armenian dragons and cinematic sources.</span>
<span class="fsl">TBD</span>
</td>
</tr>
</tbody>
@ -240,7 +240,7 @@
</tbody>
</table>
</body>
</html>