updates for session 44
This commit is contained in:
Open-Steps.org
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
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<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
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||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
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||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
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<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
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<div class="col-md-10">
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<div class="upcoming-detail">
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<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
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<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
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</div>
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<div class="col-md-10">
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||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
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<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
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</div>
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</div>
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</div>
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<div class="col-md-4">
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<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
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@ -119,7 +119,7 @@
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<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
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||||
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||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
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||||
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<div class="upcoming row">
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<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
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<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
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</div>
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</div>
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||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
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</div>
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</div>
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@ -146,34 +146,15 @@
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<div class="col-md-2">
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<div class="upcoming-media">
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||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
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||||
<img src=/images/Winter_Garden.jpg></img>
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</div>
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</div>
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<div class="col-md-10">
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<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
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||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
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</div>
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||||
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||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
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||||
</div>
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||||
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</div>
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<div class="col-md-4">
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<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
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|
|||
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@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
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<div class="upcoming row">
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<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
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<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
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</div>
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||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
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||||
</div>
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</div>
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@ -146,34 +146,15 @@
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<div class="col-md-2">
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||||
<div class="upcoming-media">
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||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
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||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
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||||
</div>
|
||||
</div>
|
||||
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||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
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<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
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</div>
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||||
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||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
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||||
</div>
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</div>
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@ -183,7 +164,7 @@
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</div>
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<div class="col-md-4">
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<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
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|||
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@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
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<div class="upcoming row">
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@ -127,15 +127,15 @@
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
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<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
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</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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@ -146,34 +146,15 @@
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|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
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||||
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||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
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||||
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||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
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</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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@ -183,7 +164,7 @@
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|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
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@ -119,7 +119,7 @@
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|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
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@ -127,15 +127,15 @@
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
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<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
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<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
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||||
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||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
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|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
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||||
<div class="upcoming-media">
|
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|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
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|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
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|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
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||||
<div class="upcoming-media">
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|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
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|
||||
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|
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|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
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|
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|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
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|
||||
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|
|||
<div class="col-md-2">
|
||||
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|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
||||
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|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
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|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
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|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
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||||
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||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
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|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
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||||
<div class="upcoming-media">
|
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|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
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|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
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|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
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||||
<div class="upcoming-media">
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|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
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|
||||
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|
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|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
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|
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|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
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|
||||
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|
|||
<div class="col-md-2">
|
||||
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|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
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|
||||
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|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
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|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
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||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
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|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
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|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -119,7 +119,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -127,15 +127,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -146,34 +146,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
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|
||||
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|
||||
|
||||
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|
||||
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|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -183,7 +164,7 @@
|
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|
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|
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<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
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|
||||
Call for Talks section.</a>
|
||||
|
|
@ -300,6 +281,8 @@
|
|||
<ul>
|
||||
<li><a class="highlight button hvr-sweep-to-top" href= target="_blank">Panke</a></li>
|
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|
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|
|
@ -423,6 +406,7 @@
|
|||
|
||||
|
||||
<a class="button hvr-sweep-to-top left" href=/2015/04/09/Scope042.html>#42: April 9th, 2015 STATE Festival special edition</a>
|
||||
<a class="button hvr-sweep-to-top right" href=/2015/06/11/Scope044.html>#44: June 11th, 2015 Upcoming</a>
|
||||
|
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</div>
|
||||
|
||||
|
|
|
|||
432
_site/2015/06/11/Scope044.html
Normal file
432
_site/2015/06/11/Scope044.html
Normal file
|
|
@ -0,0 +1,432 @@
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<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
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<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
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<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
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<h4>Clint Enns / Lost Images Found: Resurrecting Past Lives</h4>
|
||||
|
||||
<p>Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
|
||||
<h5>About Clint Enns</h5>
|
||||
<p>Clint Enns is a visual artist living in Toronto, Ontario. His work primarily deals with moving images created with broken and/or outdated technologies. His work has shown both nationally and internationally at festivals, alternative spaces and mircocinemas. He has a Master’s degree in mathematics from the University of Manitoba, and has recently received a Master’s degree in cinema and media from York University where he is currently pursuing a PhD. His writings and interviews have appeared in Millennium Film Journal, Incite! Journal of Experimental Media and Spectacular Optical.</p>
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|
||||
<h4>Ira Konyukhova / Image, sound, talk: an attempt of deconstruction film</h4>
|
||||
|
||||
<p>Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
|
||||
<h5>About Ira Konyukhova</h5>
|
||||
<p>Ira is a media artist and film maker from Moskow, currently living in Mannheim. She will talk about her own work and Film as a philosophical and artistic medium, the deconstruction principle as well as the power and weakness of language superposed with moving image.</p>
|
||||
|
||||
|
||||
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<a class="button hvr-sweep-to-top" href=http://www.kair98.com target="_blank"><i class="fa fa-link"></i> Website</a>
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|
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|
||||
<a class="button hvr-sweep-to-top left" href=/2015/05/14/Scope043.html>#43: May 14th, 2015 Upcoming</a>
|
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|
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@ -120,7 +120,7 @@
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<div class="row">
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<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
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|
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<div class="upcoming row">
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@ -128,15 +128,15 @@
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<div class="col-md-2">
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<div class="upcoming-media">
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<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
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<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
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<div class="col-md-10">
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<div class="upcoming-detail">
|
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<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -147,34 +147,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
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<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
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</div>
|
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|
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<div class="col-md-10">
|
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<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
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|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -184,7 +165,7 @@
|
|||
</div>
|
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<div class="col-md-4">
|
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<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
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-->
|
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-->
|
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<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -120,7 +120,7 @@
|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
<div class="upcoming row">
|
||||
|
|
@ -128,15 +128,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -147,34 +147,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -184,7 +165,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
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-->
|
||||
-->
|
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<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
@ -269,6 +250,44 @@
|
|||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2015/06/11/Scope044.html>
|
||||
<div class="col-md-3 artist-thumb">
|
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|
||||
<div class="artist-media">
|
||||
|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="talk-detail">
|
||||
<h4>Clint Enns</h4>
|
||||
<!-- <a class="button hvr-sweep-to-top" href=/2015/06/11/Scope044.html>#44</a> -->
|
||||
</div>
|
||||
|
||||
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|
||||
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|
||||
|
||||
|
||||
|
||||
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|
||||
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|
||||
|
||||
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|
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|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
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|
||||
|
||||
<div class="talk-detail">
|
||||
<h4>Ira Konyukhova</h4>
|
||||
<!-- <a class="button hvr-sweep-to-top" href=/2015/06/11/Scope044.html>#44</a> -->
|
||||
</div>
|
||||
|
||||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
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|
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|
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||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2014/04/10/Scope031.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1025,7 +1044,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2014/03/20/Scope030.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1063,11 +1086,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2014/02/13/Scope029.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1105,7 +1124,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2014/02/13/Scope029.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1143,11 +1166,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/12/12/Scope028.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1185,7 +1204,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/11/14/Scope027.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1223,11 +1246,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/10/10/Scope026.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1265,7 +1284,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/09/12/Scope025.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1303,11 +1326,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/09/12/Scope025.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1345,7 +1364,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/07/11/Scope024.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1383,11 +1406,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/06/06/Scope023.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1425,7 +1444,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/06/06/Scope023.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1463,11 +1486,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/05/09/Scope022.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1505,7 +1524,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/04/11/Scope021.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1543,11 +1566,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/03/14/Scope020.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1585,7 +1604,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2013/02/21/Scope019.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1623,11 +1646,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2013/02/21/Scope019.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1665,7 +1684,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/12/13/Scope018.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1703,11 +1726,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/11/08/Scope017.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1745,7 +1764,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/11/08/Scope017.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1783,11 +1806,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/10/11/Scope016.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1825,7 +1844,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/09/13/Scope015.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1863,11 +1886,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/09/13/Scope015.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1905,7 +1924,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/05/10/Scope014.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1943,11 +1966,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/05/10/Scope014.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -1985,7 +2004,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/04/12/Scope013.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2023,11 +2046,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/03/08/Scope012.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2065,7 +2084,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/03/08/Scope012.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2103,11 +2126,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2012/02/09/Scope011.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2145,7 +2164,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2012/01/12/Scope010.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2183,11 +2206,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/11/17/Scope009.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2225,7 +2244,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2011/11/10/Scope008.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2263,11 +2286,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/11/10/Scope008.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2305,7 +2324,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2011/10/06/Scope006.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2343,11 +2366,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/09/29/Scope005.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2385,7 +2404,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2011/09/29/Scope005.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2423,11 +2446,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/09/15/Scope004.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2465,7 +2484,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2011/08/18/Scope003.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2503,11 +2526,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/07/21/Scope002.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2545,7 +2564,11 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
<a href=/2011/07/07/Scope001.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
@ -2583,11 +2606,7 @@
|
|||
</div>
|
||||
</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
<div class="row">
|
||||
|
||||
|
||||
|
||||
<a href=/2011/07/07/Scope001.html>
|
||||
<div class="col-md-3 artist-thumb">
|
||||
|
|
|
|||
0
_site/bower_components/imagefill.js/css/main.css
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/css/main.css
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/index.html
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/index.html
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/jquery-imagefill.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/jquery-imagefill.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/vendor/html5shiv.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/vendor/html5shiv.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/vendor/jquery-1.10.1.min.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/js/vendor/jquery-1.10.1.min.js
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/packery.html
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/packery.html
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/responsive.html
vendored
Normal file → Executable file
0
_site/bower_components/imagefill.js/responsive.html
vendored
Normal file → Executable file
0
_site/bower_components/vegas/README.md
vendored
Normal file → Executable file
0
_site/bower_components/vegas/README.md
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/images/loading.gif
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/images/loading.gif
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 4.4 KiB After Width: | Height: | Size: 4.4 KiB |
0
_site/bower_components/vegas/dist/jquery.vegas.css
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/jquery.vegas.css
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/01.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/01.png
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 213 B After Width: | Height: | Size: 213 B |
0
_site/bower_components/vegas/dist/overlays/02.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/02.png
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 211 B After Width: | Height: | Size: 211 B |
0
_site/bower_components/vegas/dist/overlays/03.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/03.png
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 209 B After Width: | Height: | Size: 209 B |
0
_site/bower_components/vegas/dist/overlays/04.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/04.png
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 211 B After Width: | Height: | Size: 211 B |
0
_site/bower_components/vegas/dist/overlays/05.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/05.png
vendored
Normal file → Executable file
|
Before Width: | Height: | Size: 213 B After Width: | Height: | Size: 213 B |
0
_site/bower_components/vegas/dist/overlays/06.png
vendored
Normal file → Executable file
0
_site/bower_components/vegas/dist/overlays/06.png
vendored
Normal file → Executable file
|
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0
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|
||||
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|
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<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
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||||
|
||||
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|
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|
||||
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|
||||
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|
||||
|
||||
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|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
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<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
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|
||||
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||||
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|
||||
</div>
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||||
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||||
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|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
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||||
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||||
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|
||||
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|
||||
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||||
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|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
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|
||||
|
||||
|
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|
|||
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|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
|
|||
|
|
@ -6,9 +6,19 @@
|
|||
</description>
|
||||
<link>http://scopesessions.org/</link>
|
||||
<atom:link href="http://scopesessions.org /feed.xml " rel="self" type="application/rss+xml" />
|
||||
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|
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|
||||
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|
||||
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|
||||
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|
||||
<generator>Jekyll v2.5.2</generator>
|
||||
|
||||
<item>
|
||||
<title>Upcoming</title>
|
||||
<description>
|
||||
</description>
|
||||
<pubDate>Thu, 11 Jun 2015 00:00:00 +0200</pubDate>
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
||||
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|
||||
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|
||||
|
|
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|
|||
|
||||
</item>
|
||||
|
||||
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|
||||
<title></title>
|
||||
<description>
|
||||
</description>
|
||||
<pubDate>Thu, 10 Jul 2014 00:00:00 +0200</pubDate>
|
||||
<link>http://scopesessions.org/2014/07/10/Scope034.html</link>
|
||||
<guid isPermaLink="true">http://scopesessions.org/2014/07/10/Scope034.html</guid>
|
||||
|
||||
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|
||||
|
||||
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|
||||
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|
||||
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|
|
|||
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|
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|
|||
<div class="row">
|
||||
<div class="col-md-6 col-md-offset-1">
|
||||
|
||||
<h4><i class="fa fa-calendar"></i> #43 / May 14th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
<h4><i class="fa fa-calendar"></i> #44 / June 11th, 2015 @ <a class="highlight button hvr-sweep-to-top" href="">Panke</a></h4>
|
||||
|
||||
|
||||
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|
||||
|
|
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|
|||
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|
||||
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|
||||
|
||||
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|
||||
<img src=/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://theresabaumgartner.com">Theresa Baumgartner,Alis</a> <br/> Warped vision </p>
|
||||
<p class="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://clintenns.tumblr.com/">Clint Enns</a> <br/> Lost Images Found: Resurrecting Past Lives </p>
|
||||
<p class="small-text">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -147,34 +147,15 @@
|
|||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
<img src=/images/Winter_Garden.jpg></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.alonarodeh.com">Alona Rodeh</a> <br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
|
||||
<p class="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="upcoming row">
|
||||
|
||||
<div class="col-md-2">
|
||||
<div class="upcoming-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
</div>
|
||||
|
||||
<div class="col-md-10">
|
||||
<div class="upcoming-detail">
|
||||
<p><a class="button hvr-sweep-to-top" href="http://susisie.de/">Susi Sie</a> <br/> Between Art & Science </p>
|
||||
<p class="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
<p><a class="button hvr-sweep-to-top" href="http://www.kair98.com">Ira Konyukhova</a> <br/> Image, sound, talk: an attempt of deconstruction film </p>
|
||||
<p class="small-text">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</p>
|
||||
</div>
|
||||
</div>
|
||||
|
||||
|
|
@ -184,7 +165,7 @@
|
|||
</div>
|
||||
<div class="col-md-4">
|
||||
<!-- <h4><i class="fa fa-search"></i> Browse by topic</h4>
|
||||
-->
|
||||
-->
|
||||
<h4><i class="fa fa-sign-in"></i> Participate</h4>
|
||||
<p>Do you like to share your work as visual artist with our audience? Fill the form on our <a class="button hvr-sweep-to-top" href="/call-for-talks/">
|
||||
Call for Talks section.</a>
|
||||
|
|
@ -258,6 +239,154 @@
|
|||
|
||||
<div data-scroll-index="1" class="row">
|
||||
|
||||
<div class="transp-bg padded event-info col-md-2 col-md-offset-1">
|
||||
|
||||
<a class="event-date padded button hvr-sweep-to-top" href=/2015/05/14/Scope043.html>
|
||||
<h3>#43</h3>
|
||||
<h4>May 14th, 2015</h4>
|
||||
|
||||
<p>Upcoming</p>
|
||||
|
||||
</a>
|
||||
|
||||
<div class="padded_vert">
|
||||
<ul>
|
||||
|
||||
|
||||
|
||||
|
||||
<li>Audiovisual</li>
|
||||
|
||||
<li> Live set</li>
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
<li>Sound</li>
|
||||
|
||||
<li>Research</li>
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
<li>Analog</li>
|
||||
|
||||
<li> Film</li>
|
||||
|
||||
|
||||
|
||||
</ul>
|
||||
</div>
|
||||
|
||||
<div class="padded_vert">
|
||||
|
||||
<ul>
|
||||
<li><a class="highlight button hvr-sweep-to-top" href=http://www.pankeculture.com target="_blank">Panke</a></li>
|
||||
|
||||
<li><a class="highlight button hvr-sweep-to-top" target="_blank" href=https://www.facebook.com/events/471177919697872/><i class="fa fa-facebook-square"></i></a></li>
|
||||
|
||||
</ul>
|
||||
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="event event-43 dark_bg col-md-7">
|
||||
|
||||
|
||||
|
||||
<div class="talk col-md-4">
|
||||
|
||||
<div class="artist-media">
|
||||
|
||||
<img src=/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg></img>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="talk-detail">
|
||||
<h4>Theresa Baumgartner,Alis / Warped vision</h4>
|
||||
|
||||
<p>Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
|
||||
|
||||
|
||||
<a class="button hvr-sweep-to-top" href=http://theresabaumgartner.com target="_blank"><i class="fa fa-link"></i> Website</a>
|
||||
|
||||
|
||||
<br>
|
||||
<a class="button hvr-sweep-to-top" href=https://vimeo.com/116537033 target="_blank"><i class="fa fa-video-camera"></i> Artist video</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
|
||||
|
||||
<div class="talk col-md-4">
|
||||
|
||||
<div class="artist-media">
|
||||
|
||||
<img src=/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg></img>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="talk-detail">
|
||||
<h4>Alona Rodeh / Safe and Sound: a personal reflection on the nature of alarming systems</h4>
|
||||
|
||||
<p>Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliy...</p>
|
||||
|
||||
|
||||
<a class="button hvr-sweep-to-top" href=http://www.alonarodeh.com target="_blank"><i class="fa fa-link"></i> Website</a>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
|
||||
|
||||
<div class="talk col-md-4">
|
||||
|
||||
<div class="artist-media">
|
||||
|
||||
<img src=/images/7f8ca7c45e7cb962e3e85b170beadc60.png></img>
|
||||
|
||||
</div>
|
||||
|
||||
<div class="talk-detail">
|
||||
<h4>Susi Sie / Between Art & Science</h4>
|
||||
|
||||
<p>My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
|
||||
|
||||
|
||||
<a class="button hvr-sweep-to-top" href=http://susisie.de/ target="_blank"><i class="fa fa-link"></i> Website</a>
|
||||
|
||||
|
||||
<br>
|
||||
<a class="button hvr-sweep-to-top" href=https://vimeo.com/108057431 target="_blank"><i class="fa fa-video-camera"></i> Artist video</a>
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
|
||||
|
||||
</div>
|
||||
|
||||
</div>
|
||||
|
||||
|
||||
|
||||
|
||||
|
||||
<div data-scroll-index="2" class="row">
|
||||
|
||||
<div class="transp-bg padded event-info col-md-2 col-md-offset-1">
|
||||
|
||||
<a class="event-date padded button hvr-sweep-to-top" href=/2015/04/09/Scope042.html>
|
||||
|
|
@ -404,7 +533,7 @@
|
|||
|
||||
|
||||
|
||||
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|
||||
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|
||||
|
||||
<div class="transp-bg padded event-info col-md-2 col-md-offset-1">
|
||||
|
||||
|
|
@ -585,7 +714,7 @@
|
|||
|
||||
|
||||
|
||||
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||||
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||||
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||||
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||||
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||||
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|||
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||||
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||||
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|||
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||||
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||||
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|||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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|||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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|||
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||||
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||||
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||||
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|||
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||||
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||||
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||||
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||||
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|
|||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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|
|||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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@ -3599,7 +3728,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
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||||
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||||
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||||
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|
||||
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||||
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||||
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||||
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||||
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@ -3749,7 +3878,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
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||||
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||||
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||||
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||||
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||||
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|
|||
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||||
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||||
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||||
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||||
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||||
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|||
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||||
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||||
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||||
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||||
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||||
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|||
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||||
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||||
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||||
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||||
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||||
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|
|||
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||||
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||||
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||||
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||||
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||||
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@ -4538,7 +4667,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
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||||
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||||
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||||
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||||
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||||
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||||
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||||
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@ -4680,7 +4809,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
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||||
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||||
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||||
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||||
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||||
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||||
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@ -4835,7 +4964,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
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||||
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||||
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|
||||
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||||
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||||
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||||
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|
|||
|
||||
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||||
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||||
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|
||||
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||||
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||||
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||||
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||||
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|
|||
|
||||
|
||||
|
||||
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|
||||
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||||
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||||
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||||
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||||
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|
|||
|
||||
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||||
|
||||
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|
||||
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||||
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||||
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||||
|
||||
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|
@ -5272,7 +5401,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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||||
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||||
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||||
|
||||
|
|
@ -5385,7 +5514,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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||||
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||||
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||||
|
||||
|
|
@ -5529,7 +5658,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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||||
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||||
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|
||||
|
||||
|
|
@ -5634,7 +5763,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
||||
|
|
@ -5772,7 +5901,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
||||
|
|
@ -5877,7 +6006,7 @@ Her imagery plays with narrative structures, developing dreamy ...</p>
|
|||
|
||||
|
||||
|
||||
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|
||||
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|
||||
|
||||
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|
||||
|
||||
|
|
|
|||
|
|
@ -10,7 +10,7 @@
|
|||
<tbody>
|
||||
<tr>
|
||||
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
|
||||
<img alt="" src="http://scopesessions.org/images/tumblr_njlz54nFYj1rfsgueo1_1280.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
|
||||
<img alt="" src="http://scopesessions.org/images/tumblr_no6sytnqa51rt1m3zo1_1280.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
|
||||
width="564" align="left">
|
||||
</td>
|
||||
</tr>
|
||||
|
|
@ -34,18 +34,18 @@
|
|||
valign="top">
|
||||
|
||||
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
|
||||
<span class="fsl">20:00 / Warped vision</span>
|
||||
<span class="fsl">20:00 / Lost Images Found: Resurrecting Past Lives</span>
|
||||
</h3>
|
||||
|
||||
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
|
||||
<a href="http://theresabaumgartner.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
|
||||
<span class="fsl">Theresa Baumgartner,Alis</span>
|
||||
<a href="http://clintenns.tumblr.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
|
||||
<span class="fsl">Clint Enns</span>
|
||||
</a>
|
||||
</h4>
|
||||
<span class="fsl">Theresa Baumgartner is a visual artist based in Berlin.In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. For her talk at scope sessions, she will present her new project with Alis. The producer formerly known as Subbeena, worked with artists such as Jamie Woon and Om’Mas Keith, and appeared on labels such as Planet Mu and on Fabric's Surgeon mix CD. Her work has been featured on music magazines and websites such as The Guardian, Fact Magazine, The Quietus and many more. Her Music consists of multi - layered sounds combined with dancy, bassy rhythms covering them with smokey vocals. In a first degree access to creating visuals Theresa will manipulate live captured and live generated content with both analogue and digital tools. The findings of that process is a distorted picture of the immediate present, the now ripped apart into various layers.</span>
|
||||
<span class="fsl">Clint Enns is a visual artist living in Toronto, Ontario. His work primarily deals with moving images created with broken and/or outdated technologies. His work has shown both nationally and internationally at festivals, alternative spaces and mircocinemas. He has a Master’s degree in mathematics from the University of Manitoba, and has recently received a Master’s degree in cinema and media from York University where he is currently pursuing a PhD. His writings and interviews have appeared in Millennium Film Journal, Incite! Journal of Experimental Media and Spectacular Optical.</span>
|
||||
<br>
|
||||
<br>
|
||||
<span class="fsl">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</span>
|
||||
<span class="fsl">Exploring the art of decontextualizing (and re-contextualizing) lost and discarded media. By creating an archive of found images and working in the milieu of found footage appropriation, the artworks created are an attempt to resurrect abandoned cultural artifacts.</span>
|
||||
</td>
|
||||
</tr>
|
||||
</tbody>
|
||||
|
|
@ -84,7 +84,7 @@
|
|||
<tbody>
|
||||
<tr>
|
||||
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
|
||||
<img alt="" src="http://scopesessions.org/images/AlonaRodeh.SafeandSoundIndex.Kids.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
|
||||
<img alt="" src="http://scopesessions.org/images/Winter_Garden.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
|
||||
width="564" align="left">
|
||||
</td>
|
||||
</tr>
|
||||
|
|
@ -108,18 +108,18 @@
|
|||
valign="top">
|
||||
|
||||
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
|
||||
<span class="fsl">21:00 / Safe and Sound: a personal reflection on the nature of alarming systems</span>
|
||||
<span class="fsl">21:00 / Image, sound, talk: an attempt of deconstruction film</span>
|
||||
</h3>
|
||||
|
||||
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
|
||||
<a href="http://www.alonarodeh.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
|
||||
<span class="fsl">Alona Rodeh</span>
|
||||
<a href="http://www.kair98.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
|
||||
<span class="fsl">Ira Konyukhova</span>
|
||||
</a>
|
||||
</h4>
|
||||
<span class="fsl">This talk will be dedicated to the rhetorics of alarms and emergency signals, in sound and visual, as a part of the artist's ongoing abstract research on the subjects. Discussing the movement in history of reflectives and glow of magical tricks to military tactics, dazzle and camouflage to the aesthetic of psychedelics, observing the extended usage of led lights in everyday households, safety regulations in the public sphere and neon runners. </span>
|
||||
<span class="fsl">Ira is a media artist and film maker from Moskow, currently living in Mannheim. She will talk about her own work and Film as a philosophical and artistic medium, the deconstruction principle as well as the power and weakness of language superposed with moving image.</span>
|
||||
<br>
|
||||
<br>
|
||||
<span class="fsl">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</span>
|
||||
<span class="fsl">Film as a philosophical and artistic medium, deconstruction principe, power and weakness of language superposed with moving image.</span>
|
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|
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|
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|
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|
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<table class="mcnImageBlock" width="100%" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
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|
||||
<table class="mcnImageContentContainer" width="100%" align="left" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
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|
||||
<img alt="" src="http://scopesessions.org/images/7f8ca7c45e7cb962e3e85b170beadc60.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
|
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width="564" align="left">
|
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|
||||
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|
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||||
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|
||||
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|
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|
||||
<table class="mcnTextBlock" width="100%" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
|
||||
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|
||||
<tr>
|
||||
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|
||||
|
||||
<table class="mcnTextContentContainer" width="600" align="left" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
|
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|
||||
<tr>
|
||||
|
||||
<td class="mcnTextContent" style="padding-top: 9px;padding-right: 18px;padding-bottom: 9px;padding-left: 18px;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #606060;font-family: Helvetica;font-size: 15px;line-height: 150%;text-align: left;"
|
||||
valign="top">
|
||||
|
||||
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
|
||||
<span class="fsl">22:00 / Between Art & Science</span>
|
||||
</h3>
|
||||
|
||||
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
|
||||
<a href="http://susisie.de/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
|
||||
<span class="fsl">Susi Sie</span>
|
||||
</a>
|
||||
</h4>
|
||||
<span class="fsl">SUSI SIE (1982) is a Berlin-based artist whose work moves between the fields of art and science.She is on a mission to explore the physical and mathematical nature of unusual forms, substances and materials
to show the hidden beauty and magic of our natural world that constantly surrounds us.Strictly applying analog techniques and refusing any computer animations or effects, Susi Sie’s haptic and detailed work is above all a highly personal study of the genuineness, perception and authenticity of things. Susi Sie’s work has been featured by internationally renowned online platforms such as Fubiz, Vimeo Staff Picks, Colossal, Motionographer and Arte Creative, has been exhibited around the globe (U.S.A., UK, Asia, Russia, France, Germany)
and won several awards at international film festivals. She studied video art in Maastricht (2002-2006) and worked in a Cologne-based post production agency (2006-2011). Since 2011 she works as a freelance director, DoP and editor. She does what she loves. And loves what she does.</span>
|
||||
<br>
|
||||
<br>
|
||||
<span class="fsl">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</span>
|
||||
</td>
|
||||
</tr>
|
||||
</tbody>
|
||||
</table>
|
||||
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
|
||||
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|
||||
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|
||||
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|
||||
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|
||||
<table style="border-top: 1px solid #999999;border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" class="mcnDividerContent" border="0" cellpadding="0" cellspacing="0" width="100%">
|
||||
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|
||||
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|
||||
<td style="mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
|
||||
<span></span>
|
||||
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|
||||
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|
||||
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|
||||
</table>
|
||||
</td>
|
||||
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|
||||
</tbody>
|
||||
</table>
|
||||
|
||||
|
||||
|
||||
|
|
|
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