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Alex Corbi
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<img alt="" src="http://scopesessions.org/images/tumblr_nd6o8qpJhM1tbqx8zo5_r1_1280.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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<img alt="" src="http://scopesessions.orghttp://www.darsha.org/darsha/media/DarshaHewitt_Sideman5000_3-800x550.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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valign="top">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
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<span class="fsl">20:00 / Singing kitchen</span>
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<span class="fsl">20:00 / The World's Most Obsolete Portable Drum Machine</span>
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</h3>
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<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
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<a href="http://just-k.info/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Kasia Justka</span>
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<a href="http://www.darsha.org" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Darsha Hewitt</span>
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</a>
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</h4>
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<span class="fsl">Kasia Justka is a Polish multimedia artist based in Berlin. Her work capitalizes on her obsessions with the medium of electricity and weird organic sounds. Her art can be seen as invocations to the vast power inherent within electronic systems and networks. With this conceptual frame in mind Kasia fashions a dynamic order and form from primitive entropy. Using light, sound images and objects as her tools, her intuitive and analogue based performances have led to collaborations with theaters, galleries, fashion designers, artists and festivals, including Electrovision London, Transvisualia, Free Form Festival, CynetArt_08, Unsound Festival, Piksel in Norway, Warsaw Electronic Festival, gallery Zacheta, WRO Bienale, TR Warszawa, Volksbuhne and others. </span>
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<span class="fsl">Darsha Hewitt is a Canadian new media artist known for her examinations of communication technology in the domestic sphere and her use of DIY aesthetics and practices as an artistic method. She makes electromechanical sound installations, drawings, how-to videos and experimental performances with handmade audio electronics. She works in the Faculty of Media at the Bauhaus University, she recently held a guest professorship in the New Media department at the Kunsthochschule Kassel and is presently a fellow at the Graduate School at the Art University of Berlin. She recently presented her work at: Elektra Festival (CA), Halle14 (DE), Modern Art Oxford (UK), WRO Media Art Biennale (PL), FACT (UK), CTM Festival (DE), and LEAP Berlin. Her recent experimental educational video series A Side Man 5000 Adventure, where she restored the world’s oldest Electronic Drum Machine for the Internet has been reviewed in several media arts forums such as Creative Applications and also the highly revered technical publicationMake:Magazine. Her performance of 20 Oscillators in 20 has been written about in Hacker forum Hack-A-Day and Create Digital Music. This work was also a field research subject in the Music, Digitization, Mediation: Towards Interdisciplinary Music Studies project based in the Faculty of Music at Oxford University. She has been awarded several commissions and production stipends from Canadian, German and EU funded Programs such as The Art and Civic Media’ program at the „Art and Civic Media“ of the Innovation Incubator at Leuphana University of Lüneburg and an International Production Stipend from The Edith-Russ-Haus for Media Art, Oldenburg (DE). In 2013 she was nominated for the Marler European Sound Art Award (DE) and completed a Fellowship in the Sound Art program at Hochschule für bildende künste, Braunschweig (DE). Darsha is an avid technologist and educator. Her do-it-yourself electronics workshops are an integral part of her discipline and are presented internationally. In 2013 she founded the DARDI_2000 Mentorship Program in partnership with The Studio for Electro-Instrumental Music (STEIM) in Amsterdam.</span>
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<br>
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<br>
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<span class="fsl">audio-visual feeding performance smelly sounds / cooking / diy circuits / modular synth kitchen</span>
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<span class="fsl">A listening session and Sample Salon with the Wurlitzer Sideman 5000 and Darsha Hewitt Manufactured in 1959 and often referred to as the cadillac of drum machines, the Wurlitzer Sideman 5000 is the world's oldest commercially available rhythm generator. Weighing in at 25 kg, this electromechanical vacuum tube operated instrument was revolutionary, allowing musicians to integrate a portable, non-human rhythm section into their performance. Although this machine is quite heavy and unwieldy in comparison to what DJs and electronic musicians carry to gigs today, it is a historically significant machine in the evolution towards portable electronic-music production. Though highly technically complex and completely obsolete Darsha Hewitt revived this machine and produced the first ever comprehensive technical documentation of the Sideman for the internet. The videos are technically rigorous yet framed as a beginner-friendly media archeological investigation into the world of electronics. The artist will conduct a demonstration/listening session with the machine and wire it up so that people can record samples of old fashion electronic ballroom dance sequences and mid-twentieth century machine noise.</span>
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<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
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<img alt="" src="http://scopesessions.org/images/tumblr_static_95fb8r5akqo04084wog48co0c.jpg_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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<img alt="" src="http://scopesessions.orghttp://rijnieks.lv/temp/projection-mapping-w-rpi.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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width="564" align="left">
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</td>
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valign="top">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
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<span class="fsl">21:00 / NONLINEAR (Random Walk)</span>
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<span class="fsl">21:00 / Projection Mapping with the Raspberry Pi</span>
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</h3>
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<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
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<a href="http://mirkopetrovich.tumblr.com/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Mirko Petrovich</span>
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<a href="http://rijnieks.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Krisjanis Rijnieks</span>
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</a>
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</h4>
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<span class="fsl">Born in Osorno, Chile. Programming computer music systems since 1995. Interactive designer for dance, theater (Teatrocinema), installations (Expo Shanghai 2010) and educational software (PicaLab). Currently based in Berlin.</span>
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<span class="fsl">Krisjanis Rijnieks is a media artist constantly somewhere between creative coding, projection mapping and digital fabrication. Originally from Riga, Latvia, has studied new media at the Helsinki Media Lab, now residing in Berlin, spending a lot of time at the Fab Lab Berlin, being friendly with Spektrum Berlin and organising Projection Mapping with the Raspberry Pi workshops. Once a year he runs a Digital Fabrication Studio course at the Aalto Fab Lab in Helsinki, he is also author of the book Cinder–Begin Creative Coding.</span>
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<br>
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<br>
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<span class="fsl">Audiovisual improvisation driven by feedback, feedforward and open-loop systems. 'NONLINEAR' performance is an attempt to tame a chaotic system based in custom analog/digital hardware, code and video synthesis to attain a symbiotic behavior between gesture, image and sound.</span>
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<span class="fsl">Personal background, creating a projection mapping tool for the Raspberry Pi, my master's thesis, projection mapping workshops, further development of the projection mapping tool, invitation to join my next workshop.</span>
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<table class="mcnImageBlock" width="100%" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
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<img alt="" src="http://scopesessions.org/images/hands.png_resized.png" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
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<table class="mcnTextBlock" width="100%" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
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<table class="mcnTextContentContainer" width="600" align="left" border="0" cellpadding="0" cellspacing="0" style="border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;">
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<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
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<span class="fsl">22:00 / Sloeblack, slow, black, crowblack, fishingboat-bobbing sea</span>
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<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
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<a href="http://morphogenesis.eu/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
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<span class="fsl">Nenad Popov</span>
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<span class="fsl">Nenad Popov is a media anarchist focusing mostly on live cinema pieces, sound installations, film installations, weird sound making contraptions and creative coding. He performed at the festivals like Dis-Patch, TodaysArt, Ars Electronica and STATE experience science. His latest research topics are possibilities of collaborating with non-human entities.</span>
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<br>
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<span class="fsl">Audio-visual performance, ~20min, single channel video and stereo sound, analog synths.A tension between synthetic and natural. Algorithm struggles to keep up with the reality of turbulent sea in the video slowed down to the extreme of perception.</span>
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<table style="border-top: 1px solid #999999;border-collapse: collapse;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" class="mcnDividerContent" border="0" cellpadding="0" cellspacing="0" width="100%">
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