diff --git a/_includes/head.html b/_includes/head.html index 6b5f898d..c83ef598 100644 --- a/_includes/head.html +++ b/_includes/head.html @@ -29,7 +29,7 @@ - {% if site.google_analytics and jekyll.environment == 'production' %} + {% if site.google_analytics %} {% include analytics.html %} {% endif %} diff --git a/_posts/session/2012-05-10-014.markdown b/_posts/session/2012-05-10-014.markdown index 45cdb8f6..b3b417cd 100644 --- a/_posts/session/2012-05-10-014.markdown +++ b/_posts/session/2012-05-10-014.markdown @@ -1,7 +1,7 @@ --- layout: event categories : [session] -title: "FAMU/CAS special session" +title: "FAMU/CAS special session" number: 14 date_text: "May 10th, 2012" date_yyyy_mm_dd: "2012-05-10" diff --git a/_posts/session/2015-09-19-047.markdown b/_posts/session/2015-09-19-047.markdown index b694fc1d..4d64c7e6 100644 --- a/_posts/session/2015-09-19-047.markdown +++ b/_posts/session/2015-09-19-047.markdown @@ -24,9 +24,7 @@ talks: topics: "VJ" artist: "Theresa Baumgartner" speakers: "Theresa Baumgartner" - artist_bio: "Theresa Baumgartner is a visual artist based in Berlin. -In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. -For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. " + artist_bio: "Theresa Baumgartner is a visual artist based in Berlin. In her work, she explores the dialogue between moving image and music using her own distinct, bleak aesthetics that derive from a painter´s approach to pixels and light. For AV performances and music videos, she has teamed up with artists like Deadfader, Positive Centre, Sighas and Shifted´s projects Covered in Sand and Visions of Love. " description: "In a first degree access to creating visuals Theresa manipulates live captured and live generated content with both analogue and digital tools. The findings of that process is a distorted picture of the immediate present, the now ripped apart into various layers. " artist_website: "http://theresabaumgartner.com/" media_artist_url: "/images/theresa.jpg_resized.png" diff --git a/_posts/special/2016-06-11-MIRA.markdown b/_posts/session/2016-06-11-056.markdown similarity index 99% rename from _posts/special/2016-06-11-MIRA.markdown rename to _posts/session/2016-06-11-056.markdown index 123e9d2e..37644ceb 100644 --- a/_posts/special/2016-06-11-MIRA.markdown +++ b/_posts/session/2016-06-11-056.markdown @@ -1,6 +1,7 @@ --- -layout: event-special -categories : [special] +layout: session +categories : [session] +number: 56 title: "Scope @ MIRA Berlin" date_text: "June 11, 2016" date_yyyy_mm_dd: "2016-06-11" diff --git a/_posts/session/2017-02-09-062.markdown b/_posts/session/2017-02-09-062.markdown new file mode 100644 index 00000000..4ce59105 --- /dev/null +++ b/_posts/session/2017-02-09-062.markdown @@ -0,0 +1,33 @@ +--- +layout: event +categories : [session] +title: +number: 62 +date_text: "February 09th, 2017" +date_yyyy_mm_dd: "2017-02-09" +location: "Panke" +location_website: "http://www.pankeculture.com" +fb_event_url: "https://www.facebook.com/events/1216375548482496/" +fb_gallery_id: +talks: +- title: "Performative Socigrammatic" + topics: "net art" + artist: "Sakrowski" + speakers: "Sakrowski" + artist_bio: "Robert Sakrowski arbeitet freiberuflich als Kurator und Künstler in Berlin. Von 1999 – 2003 kuratierte und organisierte er im Rahmen des Projektes netart-datenbank.org Ausstellungen und Vorträge zur Netzkunst. Von 2007 bis 2009 arbeitete er freiberuflich am 'Netzpioniere 1.0' Forschungsprojekt am Ludwig Boltzmann Institute Media.Art.Research in Linz. Seit 2007 setzt er sich unter dem Namen CuratingYouTube.net intensiv mit den web.video Phänomenen auseinander und stellt mit gridr.org (2012) ein eigens dafür konzipiertes OnlineTool zur Verfügung. 2014/15 arbeitete er für das transmediale festival 2015 'capture all' als Kurator. Seit Januar 2017 leitet und kuratiert er die panke.gallery in Berlin-Wedding." + description: "Anlässlich der parallel zum Talk in der panke.gallery eröffnenden Ausstellung 'Netzkunst im Berlin der 90er Jahre – kick-off zur kritischen Bestandsaufnahme' werde ich die 'performativen soziogrammatik' VideoInterviewTechnik presentieren und dabei meine verschiedentsten Ansätze und Versuche NetzKunstAktivitäten zu archivieren und zu dokumentieren vorstellen." + artist_website: "http://www.curatingyoutube.net" + media_artist_url: "http://panke.gallery/img/FlyerTest.png" + video_artist_url: + talk_video_url: +- title: "The gesture of scanning" + topics: "net art" + artist: "Fiona Valentine Thomann" + speakers: "Fiona Valentine Thomann" + artist_bio: "Fiona Valentine Thomann is a french artist born in 1987. Lately she has been jury at Sandberg Institute for MA students in Amsterdam, 2016. She obtains her MA and BA in National Superior School of Fine Arts in Lyon, France in 2012-2009. She has studied at the Central Academy of Fine Arts in Beijing, China in 2010-2011. she is a sound and visual artist working with hybrid installation composed with sculptural sound, drawing-in-space, 3D sculpture, print, performance, dance, video and augmented reality sculpture. Her current production highlights the gesture of scanning.The sources of her production, surround ambivalente tensions concerning various antonyms, such as public/private, visible/ invisible. she focuses on notions such as rhizome by Deleuze and Guattari, heterotopy, deterritorialization, cultural studies, cyborg, video games, and the notion of beyond in neuro-plasticity. She records and refines experimented movement connected to the communication touchscreen and creates patterns through it. She is currently curator and art director at Erratum Galerie, an artist-run-space in Kreuzberg Berlin since 2014. She is actually working on her solo show on the 7th of April 2017 at Exgirlfriend Galerie in Berlin." + description: "The talk will focus on the gesture of scanning and will concentrate on the latest artworks and researches of fiona valentine thomann." + artist_website: "http://www.fionavalentinethomann.com" + media_artist_url: "http://fionavalentinethomann.com/upload/file/skin/skin%2023%20-%20copie.jpg" + video_artist_url: "https://vimeo.com/183458656" + talk_video_url: +--- diff --git a/_posts/session/2017-02-09-063.markdown b/_posts/session/2017-02-09-063.markdown index 13543ade..867b1664 100644 --- a/_posts/session/2017-02-09-063.markdown +++ b/_posts/session/2017-02-09-063.markdown @@ -3,31 +3,31 @@ layout: event categories : [session] title: number: 63 -date_text: "February 09th, 2017" -date_yyyy_mm_dd: "2017-02-09" +date_text: "März 09th, 2017" +date_yyyy_mm_dd: "2017-03-09" location: "Panke" location_website: "http://www.pankeculture.com" -fb_event_url: "https://www.facebook.com/events/1216375548482496/" +fb_event_url: "https://www.facebook.com/events/165734697268218/" fb_gallery_id: talks: -- title: "Performative Socigrammatic" - topics: "net art" - artist: "Sakrowski" - speakers: "Sakrowski" - artist_bio: "Robert Sakrowski arbeitet freiberuflich als Kurator und Künstler in Berlin. Von 1999 – 2003 kuratierte und organisierte er im Rahmen des Projektes netart-datenbank.org Ausstellungen und Vorträge zur Netzkunst. Von 2007 bis 2009 arbeitete er freiberuflich am 'Netzpioniere 1.0' Forschungsprojekt am Ludwig Boltzmann Institute Media.Art.Research in Linz. Seit 2007 setzt er sich unter dem Namen CuratingYouTube.net intensiv mit den web.video Phänomenen auseinander und stellt mit gridr.org (2012) ein eigens dafür konzipiertes OnlineTool zur Verfügung. 2014/15 arbeitete er für das transmediale festival 2015 'capture all' als Kurator. Seit Januar 2017 leitet und kuratiert er die panke.gallery in Berlin-Wedding." - description: "Anlässlich der parallel zum Talk in der panke.gallery eröffnenden Ausstellung 'Netzkunst im Berlin der 90er Jahre – kick-off zur kritischen Bestandsaufnahme' werde ich die 'performativen soziogrammatik' VideoInterviewTechnik presentieren und dabei meine verschiedentsten Ansätze und Versuche NetzKunstAktivitäten zu archivieren und zu dokumentieren vorstellen." - artist_website: "http://www.curatingyoutube.net" - media_artist_url: "http://panke.gallery/img/FlyerTest.png" - video_artist_url: +- title: "Pixels, Noise and Blenders" + topics: "Deep learning" + artist: "Gene Kogan" + speakers: "Gene Kogan" + artist_bio: "Gene Kogan is an artist and programmer who is interested in generative systems, emerging technology, and artificial intelligence. He writes code for live music, performance, and visual art. He is a contributor to numerous open-source software projects, and leads workshops and demonstrations on topics related to code and art. Gene is currently developing ml4a, a free book about machine learning for artists. He is a contributor to openFrameworks and Processing, an adjunct professor at ITP-NYU and Bennington College, and a former artist-in-residence at The School for Poetic Computation and Eyebeam." + description: "Recent works applying deep learning research to visual and sound art, and an introduction to ml4a.github.io, a free, online book about ML for artists" + artist_website: "http://www.genekogan.com" + media_artist_url: "images/gene_kogan.jpg" + video_artist_url: "https://vimeo.com/139123754" talk_video_url: -- title: "The gesture of scanning" - topics: "net art" - artist: "Fiona Valentine Thomann" - speakers: "Fiona Valentine Thomann" - artist_bio: "Fiona Valentine Thomann is a french artist born in 1987. Lately she has been jury at Sandberg Institute for MA students in Amsterdam, 2016. She obtains her MA and BA in National Superior School of Fine Arts in Lyon, France in 2012-2009. She has studied at the Central Academy of Fine Arts in Beijing, China in 2010-2011. she is a sound and visual artist working with hybrid installation composed with sculptural sound, drawing-in-space, 3D sculpture, print, performance, dance, video and augmented reality sculpture. Her current production highlights the gesture of scanning.The sources of her production, surround ambivalente tensions concerning various antonyms, such as public/private, visible/ invisible. she focuses on notions such as rhizome by Deleuze and Guattari, heterotopy, deterritorialization, cultural studies, cyborg, video games, and the notion of beyond in neuro-plasticity. She records and refines experimented movement connected to the communication touchscreen and creates patterns through it. She is currently curator and art director at Erratum Galerie, an artist-run-space in Kreuzberg Berlin since 2014. She is actually working on her solo show on the 7th of April 2017 at Exgirlfriend Galerie in Berlin." - description: "The talk will focus on the gesture of scanning and will concentrate on the latest artworks and researches of fiona valentine thomann." - artist_website: "http://www.fionavalentinethomann.com" - media_artist_url: "http://fionavalentinethomann.com/upload/file/skin/skin%2023%20-%20copie.jpg" - video_artist_url: "https://vimeo.com/183458656" +- title: "On Hybridity" + topics: "hybridity" + artist: "Margherita Pevere" + speakers: "Margherita Pevere" + artist_bio: "Margherita Pevere is a visual artist and PhD candidate at AaltoUniversity / Biofilia Laboratory in Helsinki. Her artistic practice features a unique combination of of both human and non-human matter:she grows bacterial cultures, manipulates paper and photographic film, collects organic relics, captures ephemeral lights with digital video and plans to store a digitized collection of memories on bacterial genome. She is member of the Finnish Bioart Society and collaborates with Berlin DIYbio group BioTinkering e.V.. Most recent exhibitions include the Article Biennial – i/o lab, Stavanger (NO), curated by Hege Tapio and Nora Vaage; the Dutch Design Week – BioArt Laboratories, Eindhoven, curated by Jalila Essaidi; State Festival, Kühlhaus Berlin, curated by Daniela Silvestrin." + description: "What role does hybridity play in art practices that mediate biological and technological materials? What can hybridity tell us about relationships, disruption, violence, and regeneration? What are its implications at an aesthetic, relational, and political level?" + artist_website: "http://www.margheritapevere.com/" + media_artist_url: "http://www.margheritapevere.com/wp-content/uploads/2015/10/Pevere_Growing-cellulose-7_500px-1.jpg" + video_artist_url: "https://vimeo.com/193252376" talk_video_url: --- diff --git a/_posts/special/2010-06-01-visualberlinFestival.markdown b/_posts/special/2010-06-01-visualberlinFestival.markdown index 35e4e440..e60712d5 100644 --- a/_posts/special/2010-06-01-visualberlinFestival.markdown +++ b/_posts/special/2010-06-01-visualberlinFestival.markdown @@ -1,6 +1,7 @@ --- layout: event-special categories : [special] +number: 1 title: "visualberlinFestival" date_text: "June 10-12, 2010" date_yyyy_mm_dd: "2010-06-12" diff --git a/_posts/special/2011-12-11-Freemote.markdown b/_posts/special/2011-12-11-Freemote.markdown index 5ec83c0e..f6ccfd2b 100644 --- a/_posts/special/2011-12-11-Freemote.markdown +++ b/_posts/special/2011-12-11-Freemote.markdown @@ -1,6 +1,7 @@ --- layout: event-special categories : [special] +number: 2 title: "Scope @ Freemote" date_text: "December 11th, 2011" date_yyyy_mm_dd: "2011-12-11" diff --git a/_posts/special/2012-03-23-B-Seite.markdown b/_posts/special/2012-03-23-B-Seite.markdown index 066ec25e..aafe5014 100644 --- a/_posts/special/2012-03-23-B-Seite.markdown +++ b/_posts/special/2012-03-23-B-Seite.markdown @@ -1,6 +1,7 @@ --- layout: event-special categories : [special] +number: 3 title: "Scope @ B-Seite" date_text: "March 23rd, 2012" date_yyyy_mm_dd: "2012-03-23" diff --git a/_posts/special/2012-06-01-LPM.markdown b/_posts/special/2012-06-01-LPM.markdown index b275b43b..b4fe1326 100644 --- a/_posts/special/2012-06-01-LPM.markdown +++ b/_posts/special/2012-06-01-LPM.markdown @@ -1,6 +1,7 @@ --- layout: event-special -categories : [special] +categories : [event-special] +number: 4 title: "Scope @ LPM" date_text: "June 1st, 2012" date_yyyy_mm_dd: "2012-05-01" diff --git a/_posts/special/2014-03-23-B-Seite.markdown b/_posts/special/2014-03-23-B-Seite.markdown index 38f14fc2..91183be3 100644 --- a/_posts/special/2014-03-23-B-Seite.markdown +++ b/_posts/special/2014-03-23-B-Seite.markdown @@ -1,6 +1,7 @@ --- layout: event-special categories : [special] +number: 5 title: "Scope @ B-Seite" date_text: "March 23, 2014" date_yyyy_mm_dd: "2014-03-23" @@ -14,11 +15,7 @@ talks: artist: "Martin Mayer" speakers: "Martin Mayer" artist_bio: - description: "Martin Mayer is a visual artist and VJ based in Munich. Studying media art at the Munich Academy of Fine Arts, -he is co-founder of the multimedia art duo mayer+empl. - -Specialized in interior and exterior mappings – highlighting architectural and physical conditions of the space - -their projections are creating entirely new atmospheric spaces." + description: "Martin Mayer is a visual artist and VJ based in Munich. Studying media art at the Munich Academy of Fine Arts, he is co-founder of the multimedia art duo mayer+empl. Specialized in interior and exterior mappings – highlighting architectural and physical conditions of the space - their projections are creating entirely new atmospheric spaces." artist_website: "http://mayerempl.de" media_artist_url: video_artist_url: @@ -28,9 +25,7 @@ their projections are creating entirely new atmospheric spaces." artist: "Agnieszka ‘Bronka’ Bronowska" speakers: "Agnieszka Bronowska" artist_bio: - description: "Life sciences and visual arts can fuel each other. Good visualization is pivotal for biological and chemical sciences – to illustrate and transmit information. - -Protein dynamics and ligand-protein interactions can serve as a canvas for story-telling, and the concept of periodic boundary conditions (PBC) used in molecular simulations, can be exploited as a parallel to the concept of social roles. And such concepts and tools can actually be used by visual artists in their work..." + description: "Life sciences and visual arts can fuel each other. Good visualization is pivotal for biological and chemical sciences – to illustrate and transmit information. Protein dynamics and ligand-protein interactions can serve as a canvas for story-telling, and the concept of periodic boundary conditions (PBC) used in molecular simulations, can be exploited as a parallel to the concept of social roles. And such concepts and tools can actually be used by visual artists in their work..." artist_website: "https://vimeo.com/user5853568" media_artist_url: video_artist_url: diff --git a/_posts/session/2015-06-27-045.markdown b/_posts/special/2015-06-27-Vision_r.markdown similarity index 98% rename from _posts/session/2015-06-27-045.markdown rename to _posts/special/2015-06-27-Vision_r.markdown index 3e801933..5265fdce 100644 --- a/_posts/session/2015-06-27-045.markdown +++ b/_posts/special/2015-06-27-Vision_r.markdown @@ -1,8 +1,8 @@ --- -layout: event +layout: event-special categories : [session] +number: 6 title: "Vision'r special performances night" -number: 45 date_text: "June 27th, 2015" date_yyyy_mm_dd: "2015-06-27" location: "Panke" diff --git a/_posts/session/2016-06-24-057.markdown b/_posts/special/2016-06-24-5year_scope.markdown similarity index 99% rename from _posts/session/2016-06-24-057.markdown rename to _posts/special/2016-06-24-5year_scope.markdown index 1eeb3cc5..b68f44e4 100644 --- a/_posts/session/2016-06-24-057.markdown +++ b/_posts/special/2016-06-24-5year_scope.markdown @@ -1,8 +1,8 @@ --- -layout: event +layout: event-special categories : [session] +number: 7 title: "Scope 5th anniversary party" -number: 57 date_text: "June 24th, 2016" date_yyyy_mm_dd: "2016-06-24" location: "Panke" diff --git a/_posts/session/2017-01-28-062.markdown b/_posts/special/2017-01-28-Vorspiel.markdown similarity index 97% rename from _posts/session/2017-01-28-062.markdown rename to _posts/special/2017-01-28-Vorspiel.markdown index cb7e9732..00d3b7cd 100644 --- a/_posts/session/2017-01-28-062.markdown +++ b/_posts/special/2017-01-28-Vorspiel.markdown @@ -1,8 +1,8 @@ --- -layout: event +layout: event-special categories : [session] +number: 8 title: "Transmediale Vorspiel special event" -number: 62 date_text: "January 28th, 2017" date_yyyy_mm_dd: "2017-01-28" location: "Panke" diff --git a/_posts/spektrum/2015-10-09-048s.markdown b/_posts/spektrum/2015-10-09-048s.markdown index 28718a1e..4a904b91 100644 --- a/_posts/spektrum/2015-10-09-048s.markdown +++ b/_posts/spektrum/2015-10-09-048s.markdown @@ -2,7 +2,7 @@ layout: event-spektrum categories : [spektrum] title: "A-li-ce / Swub, Klara Ravat / Circuit Splash #47" -number: 01 +number: 1 date_text: "October 9th, 2015" date_yyyy_mm_dd: "2015-10-09" location: "Spektrum" diff --git a/_site/about/index.html b/_site/about/index.html index a702e6d3..9459a7fd 100644 --- a/_site/about/index.html +++ b/_site/about/index.html @@ -34,6 +34,16 @@ + + @@ -95,7 +105,7 @@
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Andreas Karaoulanis & Katerina Liana

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Valerie & David ( Meso )

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Elektro Moon Vision

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Benjamin Jantzen

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The Exlex

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Notendo

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:NÄ:

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Sinsynplus

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VJ Chindogu & Alfafa

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TriOOn

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toby*spark

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#62

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February 09th, 2017

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  • net art
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  • net art
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Sakrowski / Performative Socigrammatic

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Anlässlich der parallel zum Talk in der panke.gallery eröffnenden Ausstellung 'Netzkunst im Berlin der 90er Jahre – kick-off zur kritischen Bestandsaufnahme' werde ich die 'performativen soziogrammatik' VideoInterviewTechnik presentieren und dabei meine verschiedentsten Ansätze und Versuche NetzKunstAktivitäten zu archivieren und zu dokumentieren vorstellen.

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About Sakrowski
+

Robert Sakrowski arbeitet freiberuflich als Kurator und Künstler in Berlin. Von 1999 – 2003 kuratierte und organisierte er im Rahmen des Projektes netart-datenbank.org Ausstellungen und Vorträge zur Netzkunst. Von 2007 bis 2009 arbeitete er freiberuflich am 'Netzpioniere 1.0' Forschungsprojekt am Ludwig Boltzmann Institute Media.Art.Research in Linz. Seit 2007 setzt er sich unter dem Namen CuratingYouTube.net intensiv mit den web.video Phänomenen auseinander und stellt mit gridr.org (2012) ein eigens dafür konzipiertes OnlineTool zur Verfügung. 2014/15 arbeitete er für das transmediale festival 2015 'capture all' als Kurator. Seit Januar 2017 leitet und kuratiert er die panke.gallery in Berlin-Wedding.

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Fiona Valentine Thomann / The gesture of scanning

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The talk will focus on the gesture of scanning and will concentrate on the latest artworks and researches of fiona valentine thomann.

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About Fiona Valentine Thomann
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Fiona Valentine Thomann is a french artist born in 1987. Lately she has been jury at Sandberg Institute for MA students in Amsterdam, 2016. She obtains her MA and BA in National Superior School of Fine Arts in Lyon, France in 2012-2009. She has studied at the Central Academy of Fine Arts in Beijing, China in 2010-2011. she is a sound and visual artist working with hybrid installation composed with sculptural sound, drawing-in-space, 3D sculpture, print, performance, dance, video and augmented reality sculpture. Her current production highlights the gesture of scanning.The sources of her production, surround ambivalente tensions concerning various antonyms, such as public/private, visible/ invisible. she focuses on notions such as rhizome by Deleuze and Guattari, heterotopy, deterritorialization, cultural studies, cyborg, video games, and the notion of beyond in neuro-plasticity. She records and refines experimented movement connected to the communication touchscreen and creates patterns through it. She is currently curator and art director at Erratum Galerie, an artist-run-space in Kreuzberg Berlin since 2014. She is actually working on her solo show on the 7th of April 2017 at Exgirlfriend Galerie in Berlin.

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Artist's Video

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Discover more

+ + + #8: January 28th, 2017 Transmediale Vorspiel special event + #63: März 09th, 2017 063 + +
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#

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June 11, 2016

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Lauren Moffatt /

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Lauren Moffatt will speak about her experiences producing virtual reality in an art context, including the struggle to develop a visual language for the medium, the awkward meeting of the gaming and film industries, and the stampede to develop content and services in time for the projected boom. Lauren Moffatt is an Australian artist currently living in Berlin and working between video, performance and immersive technologies. She is interested in how the dimension of depth in digital moving image can be used as a storytelling device. Her works, often presented in multiple forms, explore contemporary subjectivity and connected bodies as well as the limits between virtual and physical worlds. Over a number of years she has developed a body of work pivoting on stereoscopic photography and video and informed by the history of cinema and broadcast technologies. Her works have been screened and exhibited most recently at Centrale for Contemporary Art in Brussels, New Frontier at the Sundance Film Festival, Les Champs Libres in Rennes and at the ZKM in Karlsruhe.

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Onionlab /

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Onionlab talks about their experience with architecture mappings and how to plan and realize mappings from the idea to the projection itself. Onionlab is a Barcelona-based multidisciplinary studio that creates interactive products and experiences, motion design movies and audiovisual shows. Their works are based on the aesthetic attention to detail and the technical innovation, making use of the power of scripting and the seduction of music and sound design. Jordi Pont is Onionlab’s creative director and has been vjing since 2002 with artistic collectives Lectrovision and Telenoika and also as a resident on Razzmatazz clubs for more than 10 years.

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Marija Bozinovska Jones / MBJ Wetware

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Marija Bozinovska Jones will elaborate her practice under the pseudonym MBJ Wetware and her approach of live performance as constructing virtual environments extending beyond spatial and audiovisual. She will be covering the conception of GAD Technologies, work commissioned for Club Transmediale 2016 and premiered at Berghain as a collaboration with J G Biberkopf. MBJ will be also presenting her recent work employing voice controlled lasers. Marija Bozinovska Jones’ work revolves around identity formation in an era of technocapitalist amplification and perpetual online presence. She explores socio-political implications of planetary scale computation, seeking out apophenic patterns with an array of elements ranging from subcultural formations to totalitarian architecture. Jones explores society’s anthropological adaptations intertwined in the framework of networked capitalism, its coping mechanism of coming to terms with challenged ontological axioms of cognition, affection and memory. Under the alias MBJ Wetware, Jones develops immersive live performances simulating heterotopian landscapes.

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Carla Chan / Black Moves

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Carla Chan introduces us to her aesthetics and the techniques used to create her amorphous, immersive full-dome video 'Black moves'. She will discuss her research into manipulating erratic nature forms in digital and E/M/D/L projects, focusing on different approaches and creation methods in immersive artistic production. Black moves will be presented as a full dome installation at this years festival in the MIRA dome. Carla Chan is media artist based in Berlin and Hong Kong. She works with a variety of media, such as video, installation, photography and interactive media. Minimal in style and form, Chan’s works often toy with the blurred boundaries between reality and illusion, figure and abstraction. Her screening Black Moves is selected for showcase at 21st Incubator for Film and Visual media in Asia as a finalist and 22nd International Symposium on Electronic Art (ISEA) in Hong Kong. Black Moves is an immersive video, a spatial drama and a virtual landscape that simulates the forming and de-forming of an amorphous black mass. Black Moves springs from a long obsession and fascination with natural transformations, particularly formless shapes and their movement.

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Talk's Video

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Photo gallery of the event

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