This commit is contained in:
Alex Corbi 2015-10-27 08:26:11 +01:00
parent 1e3faf326a
commit 1ba05a5d15
62 changed files with 14241 additions and 9707 deletions

View file

@ -16,7 +16,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/abaix.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/MXZEHN_Bild_11.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -40,18 +40,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">20:00 / Perceptual experimentation</span>
<span class="fsl">20:00 / Small Town - Big Screen / Live Video Performance from Weimar</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://www.klararavat.wordpress.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Klara Ravat</span>
<a href="http://www.mxzehn.de" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">MXZEHN</span>
</a>
</h4>
<span class="fsl">Klara Ravat was born in Barcelona. In 2009 she moved to the Netherlands to study at the Royal Academy of Art in The Hague, where she started working as an experimental filmmaker. She also creates media and olfactory artworks. In her work, she likes to amplify the spectators wonderment by creating compositions or settings that generate poetic images that leave traces on the edge of alienation and recognition. Her work appears as dreamlike images, often accompanied by scent, in which fiction and reality meet and meanings shift. Klara currently lives and works in Berlin.</span>
<span class="fsl">Stefan Kraus (* June, 11th 1974) is a German artist and director who's work is centered around audiovisual performance and augmented reality. Stefan lives and works in Weimar, Germany. Since 1999 the studied architect devoted himself to the artistic fusion of media and space. As videoartist MXZEHN he represents his work at festivals and exhibitions all over Europe. At Bauhaus-University Weimar he has been teaching and researching in digitally augmented artistic performance. In 2009 he produced his first architectural projection mapping in celebration of the Bauhaus' 90th birthday on the German National Theater in Weimar. In 2012 he founded the international Genius Loci Weimar festival for audiovisual projection mapping which is happening with growing success ever since. For the German National Theater Stefan has produced audiovisual concerts a.o. with Alva Noto. In his work Stefan blurs the boundaries between art, design, media and architecture to create an immersive Gesamtkunstwerk. He is a chairman to the Bauhaus Transfer Center and is teaching as a professor at Bauhaus Universitiy design faculty in the summer of 2015. </span>
<br>
<br>
<span class="fsl">Olfactory experimentation and experimental film.</span>
<span class="fsl">In the talk Stefan Kraus will talk about his journey as a VJ, starting out with networks of analogue devices, taking VJing to the University, entering the digital realm with MXWendler, discovering videomapping and finally building live AV performances with TouchDesigner. Analogue VJing, Early Digital VJing, Videomapping, Interfaces, MXWendler, TouchDesigner, Improvisation, Weimar</span>
</td>
</tr>
</tbody>
@ -96,7 +96,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/Still-M.-Kardinal-(web).jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.orghttps://media.allyou.net/4/40080/images/5675635/swing01_rgb.jpg.800x5000_q90.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -120,18 +120,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">21:00 / Distorted landscapes: the inner gestural nature of moving images</span>
<span class="fsl">21:00 / VR Experiences & Media Installations Perception on SWING as an example</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://segmentederwirklichkeit.de/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">M. Kardinal</span>
<a href="http://www.tibimi.de/" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">tibimi & Marczinzik & Herbst</span>
</a>
</h4>
<span class="fsl">M. Kardinal studied Fine Arts and Art History in Germany and Italy. In 2008, she took up her Masters studies in Fine Arts with a focus on photography, film, and new media. An intensive confrontation with photography and new media led her to study in Rome from 2008 to 2009. Back in Germany, she was a master student of Arno Fischer from 2010 to 2011. Influenced by her intense work in photography, she began to work with obsolete video-technology in 2009. M. Kardinal successfully completed her studies with a Master of Arts degree in Fine Arts in 2012.Her work has been exhibit and screened in national and international exhibitions and film screenings including The International Short Film Festival Detmold (Germany, 2013), Another Experiment by Woman Film Festival at Anthology Film Archives (New York City, 2013), SI FEST#OFF di Savignano Immagini Festival (Italy, 2013), Festival Alto Vicentino VIII (Italy, 2014), and Synesthesia Festival (USA, 2015). M. Kardinal lives and works as a freelance artist and photographer in Germany and Italy. </span>
<span class="fsl">Thi Binh Minh Nguyen is an experience designer & media artist focused on media installations & news games with cutting edge technology, born in Vietnam, raised in Germany. She was nominated for international awards and met her collective partners Christin Marczinzik & Felix Herbst during her Master studies of Multimedia Design at the Burg Giebichenstein University of Art and Design. Together they created the immersive VR-project “SWING”, which earn great success at international exhibitions. Christin Marczinzik is an interaction & multimedia designer, born in Magdeburg, Germany. She graduated her Bachelor in Industrial Design with focus on interaction design & conception. Since 2013 she lives in Halle (Saale), Germany, where she studies Multimedia Design (M.A.). Felix Herbst is a creative technologist & programmer. He graduated the Master in Multimedia Design and currently teachs in different disciplines at Burg Giebichenstein University of Art & Design. Also he is cofounder of Prefrontal Cortex a design label focusing on experience, design and future. As a collective they create innovative exhibits and digital spectacles which mostly play with the perception of the user.</span>
<br>
<br>
<span class="fsl">With the metamorphosis of the image when treated in unexpected ways, especially under malfunction I try to develop a Poetry of failure and dive beneath the surface of the image, and discover the “unconscious” in the image. The visible and the invisible in the image. They coexist but the “unconscious” in the image is only visible by defective treatment.</span>
<span class="fsl">our background / personal projects / showing making of SWING VR from idea, concept, design, VR research to realisation / future & tendencies</span>
</td>
</tr>
</tbody>
@ -176,7 +176,7 @@
<tbody>
<tr>
<td class="mcnImageContent" style="padding-right: 9px;padding-left: 9px;padding-top: 0;padding-bottom: 0;mso-table-lspace: 0pt;mso-table-rspace: 0pt;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;" valign="top">
<img alt="" src="http://scopesessions.org/images/Katahdid.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
<img alt="" src="http://scopesessions.org/images/pressphoto-sebastianarnold-2014-01-300dpi.jpg" style="max-width: 3786px;padding-bottom: 0;display: inline !important;vertical-align: bottom;border: 0;outline: none;text-decoration: none;-ms-interpolation-mode: bicubic;" class="mcnImage"
width="564" align="left">
</td>
</tr>
@ -200,18 +200,18 @@
valign="top">
<h3 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 18px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: -.5px;text-align: left;color: #606060 !important;">
<span class="fsl">22:00 / Screening: KATAH-DIN (33min. 16mm. 2014)</span>
<span class="fsl">22:00 / Senode: Music from Finite State Machines</span>
</h3>
<h4 class="null" style="margin: 0;padding: 0;display: block;font-family: Helvetica;font-size: 16px;font-style: normal;font-weight: bold;line-height: 125%;letter-spacing: normal;text-align: left;color: #808080 !important;">
<a href="http://www.taylordunne.com" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Taylor Dunne</span>
<a href="http://www.sebastian-arnold.net" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #6DC6DD;font-weight: normal;text-decoration: underline;">
<span class="fsl">Sebastian Arnold</span>
</a>
</h4>
<span class="fsl">Taylor Dunne (USA) is an artist, filmmaker, archivist, educator and media activist. She uses found, distressed, and her own footage, to paint cinematic essays that investigate residues of history and memory embedded in human and natural environments. Taylor spent her formative years working with historic institutions of independent and avant-garde filmmaking in NYC, including; The Filmmakers Cooperative and Anthology Film Archives. She studied media and cultural studies at The New School for Liberal Arts in NYC and is a recent graduate of the MFA program at The University of Colorado in Boulder. She is currently adjunct faculty at The University of Colorado Boulder and Naropa University. She is also a board member of Process Reversal, an artist run film initiative.</span>
<span class="fsl">Sebastian Arnold is a drummer, sound artist and multi-instrumental performer based in Berlin. He has a strong background in computer science, but is also heavily affected by improvised music and club culture. In his works, he explores the intersections between traditional playing styles and electronic dance music. He is best known for his solo performances on drums and synthesizers that have solidified as a sort of futuristic one-man-band with international perception and three album releases on his own label beeah-music. Besides his live concerts, he is working on the generative „Senode“ sequencer and likes to talk about his concepts for interactive music and technical realization of adventurous ideas.</span>
<br>
<br>
<span class="fsl">KATAH-DIN (33min. 16mm. 2014) The people who for centuries lived in what is now Maine were the Wabanaki, an Eastern Algonquin word meaning people of the dawn. Called this because they lived where the sun first strikes the continent at the peak of Katahdin. This place was home to a Wabanaki woman born into the Penobscot tribe named Molly Spotted Elk. Molly was a doorway between worlds; she was the first Wabanaki person to formally record the creation history of her people in her book, Katah-din: Wigwam Tales of the Abanaki Tribe while simultaneously performing the American Indian stereotype at nightclubs in New York, Paris, and most notably as Neewa in H.P. Carvers 1930 film The Silent Enemy. </span>
<span class="fsl">Sebastian uses his drum kit to interact with melodies and sequencer patterns. To be able to access music through the drum sticks, he developed Senode, a tool for non-linear composition and performance. The outcome is a graph-based representation for music that can be interpreted by a computer and leaves room for spontaneous transformations.</span>
</td>
</tr>
</tbody>
@ -240,7 +240,7 @@
</tbody>
</table>
</body>
</html>