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{
"title": "Self-surveillance and pervasive data",
"description": "Self-surveillance as artistic strategy in an era of pervasive data collection, Corporate surveillance as consumer choice (Amazon Echo, etc), Minute/Year – a multi-year durational installation (and related works), Online artworks and the instability of audience and performer, Daily indexing, Sound and layering, Duration as conceptual approach.",
"description": "We live in an era of pervasive data trails and generalised, automated surveillance. In one sense, an Orwellian vision of total control is becoming real, but perhaps not as we might have imagined. It has instead been partly realised as a strange outgrowth of consumer choice. Most recently, we can now choose to have a smart home device (such as the Amazon Echo or Google Home) as a modern convenience — a computer in a tube that lives in our homes and helps us, but that also listens to everything we do, forever. In this newly-emergent reality, what kind of artistic strategies might be worth pursuing? Is self-surveillance (sousveillance) a method of reacting to, or transforming, the habits and culture of this strange new era? We would like to tease out some of these ideas, in part by discussing some recent artistic projects which work with ideas of self-observation, repetition, instability in the role of participant and observer, indexing, and extended duration.",
"artist": "Kovács, O’Doherty",
"talk_video_url": "",
"topics": "Self-surveillance"