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Alex Corbi 2017-09-21 12:36:10 +02:00
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_site/feed.json
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[
{
"title": "Ghosts in the machine",
"description": "An exploration of the aesthetics of feedback and recursion; practical techniques for experimentation in the analogue video signal chain, and in conversation with hybrid analogue-digital image making. The talk will be followed by screenings of new artworks and music videos.",
"artist": "Autr",
"talk_video_url": "",
"topics": "Analog video"
},
{
"title": "Morpheme, a project of visual music",
"description": "The talk is a presentation of the conception and the process that lead Pablo (Geso) along Marie and Kamil to start this audio-visual project, an experiment within the following concepts: visual music, improvisation, free jazz, experimental music, synesthesia. Pablo understands visuals as just one more instrument in a band, so the Morpheme performances are pure live generated music and visuals, where all the players are part of feedback system. ",
"artist": "Geso, Marie Takahashi, Kamil Korolczuk",
"talk_video_url": "",
"topics": "Music"
}
,
{
"title": "Self-surveillance and pervasive data",
"description": "We live in an era of pervasive data trails and generalised, automated surveillance. In one sense, an Orwellian vision of total control is becoming real, but perhaps not as we might have imagined. It has instead been partly realised as a strange outgrowth of consumer choice. Most recently, we can now choose to have a smart home device (such as the Amazon Echo or Google Home) as a modern convenience — a computer in a tube that lives in our homes and helps us, but that also listens to everything we do, forever. In this newly-emergent reality, what kind of artistic strategies might be worth pursuing? Is self-surveillance (sousveillance) a method of reacting to, or transforming, the habits and culture of this strange new era? We would like to tease out some of these ideas, in part by discussing some recent artistic projects which work with ideas of self-observation, repetition, instability in the role of participant and observer, indexing, and extended duration.",