<pclass="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
<p><aclass="button hvr-sweep-to-top"href="http://www.alonarodeh.com">Alona Rodeh</a><br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
<pclass="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
<p><aclass="button hvr-sweep-to-top"href="http://susisie.de/">Susi Sie</a><br/> Between Art & Science </p>
<pclass="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
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<p>In anticipation of the retirement of this media Ilan presented each piece of media and in the process of doing so talked about his approach to creating and performing with the material as well as reflected on his thoughts about live video performance in general.</p>
<h5>About Ilan Katin</h5>
<p>Since 2004 Ilan Katin has been building, editing and perfecting a personal media library for his live video performances. Currently there are 94 pieces of media inside a folder named “11_NOTHING.” Each piece of media has its own story and, or philosophy behind it.</p>
<h4>Peter Kirn / PIXELS AND PICS: Etudes in Code, For Non-Coding Artist</h4>
<p>Slides of the presentation: http://www.slideshare.net/peterkirn/etudes-in-code-with-processing</p>
<h5>About Peter Kirn</h5>
<p>Composer/visualist and writer PETER KIRN (NYC) used the free and open source tool Processing to create simple etudes in motion from photography. Using basic, minimal code as a means of expressing ideas in movement and texture, he presented textual programming as a basic form of creative thinking, even for those without much in the way of technical or programming backgrounds, code short enough to compose in an airport lounge. Peter is the editor of createdigitalmusic.com and createdigitalmotion.com, a digital artist and performer, a writer, and a teacher (of many young, non-coding designers) at Parsons The New School for Design.</p>
