<p><aclass="button hvr-sweep-to-top"href="http://www.alonarodeh.com">Alona Rodeh</a><br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
<pclass="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
<pclass="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
<p><aclass="button hvr-sweep-to-top"href="http://susisie.de/">Susi Sie</a><br/> Between Art & Science </p>
<pclass="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
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<p>After his talk, Martin will immediately change spaces and head back to zeitraum.exit to prepare his performance project , that will be performed at 10pm! Will will join them after our session!</p>
<h5>About Martin Meyer</h5>
<p>Martin Mayer is a visual artist and VJ based in Munich, working under the alias sinsynplus since 2001. He studied media art at the Munich Academy of Fine Arts and is co-founder of the multimedia art duo mayer+empl. In this multimedia art duo Martin Mayer and Quirin Empl are specialized in interior and exterior 3D video mapping – an art form that uses architecture, shape and conditions of the room to project moving images, light or graphics on abstract surfaces, and thus creating entirely new atmospheric spaces.</p>
<p>Anya Orel raised and lived in Moscow, before she probably moves to Berlin. She is painting every day since she was kid, doing streetart since 2011. E aka Torsten Höhle is a native Berliner – kindergarten ost, punk, postpunk, graffiti, graphics, upcycling art, techno. With his collective E-Gruppe, founded 1995, they are indefatigably activ in vjing and visual installations since 2002.</p>
<h4>Agnieszka “Bronka” Bronowska / Mixing art and science – enthalpy, entropy, visual narration, and dance</h4>
<p>In my talk I will briefly introduce the concepts, data sources, and tools, which can be used by visual artists in their work. I will focus on the need for motion graphics, especially in depicting the phenomena which involve dynamic components hence the entropic terms (e.g. drug-receptor interactions, rational drug design). Finally, I will ask for ideas and feedback from the audience about the future directions in visualising the dynamic and multi-scale data.</p>
<h5>About Agnieszka “Bronka” Bronowska</h5>
<p>Life sciences and visual arts can fuel each other and be – one for another one – the sources of inspiration. Good visualization is pivotal for biological and chemical sciences – to illustrate the key concepts, to transmit information, and to bring new ideas along. Some concepts, like macromolecular flexibility, protein ensembles, or enthapy- entropy compensation, which are often difficult to explain, can be portrayed by dance and video art in a form that is readily accessible to non-scientists. This is of a crucial importance for explaining the concepts to children or otherwise popularising life sciences. ! This also goes the other way round. Science itself can be the source of inspiration for the art. Protein dynamics and ligand-protein interactions can serve as a canvas for story-telling, and the concept of periodic boundary conditions (PBC) used in molecular simulations can be exploited as a parallel to the concept of social roles, etc etc. Last but not least, structural biology, structure-based molecular design, and molecular modelling use tools which can also be used by visual artists for other purposes.</p>
