<p><aclass="button hvr-sweep-to-top"href="http://www.alonarodeh.com">Alona Rodeh</a><br/> Safe and Sound: a personal reflection on the nature of alarming systems </p>
<pclass="small-text">Alona Rodeh was born in 1979 in Israel and is based in Tel Aviv and Berlin. Holding an MFA from the Bezalel Academy of Art and Design (2009), Rodeh has presented large-scale commissioned projects and solo shows at several international venues including Herzliya Museum of Contemporary Art (Herzliya, 2014), Künstlerhaus Bethanien (Berlin, 2014), Helena Rubinstein Pavilion (Tel Aviv Museum, 2013), The Center for Contemporary Art (Tel Aviv, 2013), Plug In ICA (Winnipeg, 2012), and The Israeli Center for Digital Art (Holon, 2012). Rodeh has performed at the 54th Venice Biennial and The Israel Museum in Jerusalem. From 2013-2014, she was artist-in-residence at Künstlerhaus Bethanien, Berlin. Alona Rodeh’s diverse practice uses a wide range of media, testing systems and cultural phenomena by agitating objects, spaces and situations into choreographed performances.</p>
<pclass="small-text">Alis and I will present a short live set. After that I will talk abut the idea, concept and technical approach of the visual part</p>
<p><aclass="button hvr-sweep-to-top"href="http://susisie.de/">Susi Sie</a><br/> Between Art & Science </p>
<pclass="small-text">My background / how I came to the idea of filming analog moving structures / showing master films / showing making of scenes and describing the process / struggle between artwork and client work</p>
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<p>Tetsuya Hori and Yurie Ido will present their video performance “dead” and explain their collaborative work.</p>
<h5>About Tetsuya Hori and Yurie Ido</h5>
<p>Yurei Ido is a performance artist and a painter. She was born in Japan and since 2003 she lives and works in Berlin. She visualises her dreams. Her body and her movement are also incorporated as a part of the embodied fiction. The pieces of Tetsuya Hori do not have a concept. that is the concept. The concept develops in the head of the listener. Hori composes not only for instruments, but for things. Each piece is different. Every time. He want to show the listener nonsense. Interesting nonsense.</p>
<p>“This project will be the master thesis for my studies at the Bauhaus University Weimar. Since I’m a synesthete myself, synesthesia is a topic that is present in my life for many years. The idea of involving this topic into my work first came to my mind about three years ago. It developed and grew over the years and finally I will have the opportunity to realise it.
Synesthesia isn’t just one weird way of seeing, hearing or smelling the world around us. Every synesthete has his very own way of experiencing a colourful or somehow exciting world. This is the point where my project focuses on. The diversity of experiencing synesthesia.
To show this diversity I want to initiate a varity of works. I want to bring together a bunch of artist (preferably non-synesthetes) with synesthetes. The output can be any kind of artwork or media installation visualising a very specific and subjective version of synesthesia. The process of working together will bring up many questions. Questions that can lead to anwsers presented to the visitors or questions raised and still left unanswered to the public.” </p>
