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Title:
Slug: current
Date: 2023-04-27 19:00
Date: 2023-07-05 19:00
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Besides my ongoing work for [Randonautica]({filename}../blog/randonautica.md) I am currently creating a project called *<i class="nf nf-md-nfc"></i>uminous Field Communication* that involves using NFC tags as medium for non-linear fiction and location-based storytelling.
Following a recent obsession about digital Casio watches I have contributed some [watch faces]({filename}../blog/sensor-watch.md) to the awesome [Sensor Watch](https://sensorwatch.net) project and am designing mods and a custom NFC tag circuit board for my *Casio AE-1200 World Time* watch.
Besides my ongoing work for [Randonautica]({filename}../blog/randonautica.md) I am currently creating a project called *<i class="nf nf-md-nfc"></i>uminous Field Communication* that involves using NFC tags as medium for non-linear fiction and location-based storytelling.

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Lang: English
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Tobias Raayoni Last // טוביאס רעיוני לאסט
Tobias Raayoni Last
- Artist & Creator
- Currently based in Ein Hod / עין הוד (IL)
- Roaming the borderlands of art and technology, magic and engineering
- Project Manager of the random journey adventure app [Randonautica]({filename}../blog/randonautica.md)
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<i class="nf nf-oct-location"></i> PLACENESS & TECHNOMANCY <i class="nf nf-md-crystal_ball"></i>
At the core of my creative process has always been the exploration of the intricate interplay between "*placeness*" and "*temporality*." I use *place* as a fundamental agent to inform and shape the content and form of my work, usually by drawing upon the highly subjective concepts of *psychogeography* and the *spirit of place*.
At the core of my creative process has always been the exploration of the interplay between "*placeness*" and "*temporality*." I use *place* as a fundamental agent to inform and shape the content and form of my work, usually by drawing upon the highly subjective concepts of *psychogeography* and the *spirit of place*.
In recent years I have started to incorporate *magical thinking* into my work, especially the more technical pieces. Through earnest and rigorous research in fields like ancient Greco-Egyptian sorcery, modern Chaos Magic, and other questionable practices I explore the boundaries between the material and immaterial and allow my artistic practice to expand into the spiritual.