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@ -10,16 +10,6 @@ Tobias Raayoni Last
- Roaming the borderlands of art and technology, magic and engineering
- Project Manager of the random journey adventure app [Randonautica]({filename}../blog/randonautica.md)
My artistic practice spans various disciplines, including [live video performance]({filename}../blog/kiritanflux.md), installations, [ambient sound]({filename}../blog/crystal-canyons.md) work, and the creation of code and [electronic devices]({filename}../blog/psithemius.md).
Spanning various disciplines, including [live video performance]({filename}../blog/kiritanflux.md), installations, [ambient music]({filename}../blog/crystal-canyons.md), the creation of code and [electronic devices]({filename}../blog/psithemius.md) my creative process often revolves around "*placeness*" and "*temporality*."
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<i class="nf nf-oct-location"></i> PLACENESS & TECHNOMANCY <i class="nf nf-md-crystal_ball"></i>
At the core of my creative process has always been the exploration of the interplay between "*placeness*" and "*temporality*." I use *place* as a fundamental agent to inform and shape the content and form of my work, usually by drawing upon the highly subjective concepts of *psychogeography* and the *spirit of place*.
In recent years I have started to incorporate *magical thinking* into my work, especially the more technical pieces. Through earnest and rigorous research in fields like ancient Greco-Egyptian sorcery, modern Chaos Magic, and other questionable practices I explore the boundaries between the material and immaterial and allow my artistic practice to expand into the spiritual.
<i class="nf nf-md-magnify"></i> CURATORSHIP & COLLABORATION <i class="nf nf-md-account_group"></i>
Besides creating and performing art myself I love collaboration, discussion and exchange with other artists. It led me to co-founding and managing an [artist association]({filename}../blog/visualberlin.md), several festivals, and a popular [monthly artist talk series]({filename}../blog/scope.md).
Using *place* as an active agent that informs and shapes both the content and form of my work, I draw on the highly subjective concepts of *psychogeography* and the *spirit of place*. I also incorporate *suspension of disbelief* and *magical thinking* within my practice to explore the boundaries between the material and the immaterial, allowing my creative work to expand into the *metaphysical*.